User manual RANE MP 2016S

[. . . ] OPERATORS MANUAL MP 2016S ROTARY DJ MIXER 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 2 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 3 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 4 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 5 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL ENGAGE 6 MIC 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL ENGAGE MASTER MIC 2 3 2 1 10 BOOTH CUE XP 2016S 5 4 6 7 8 9 3 2 1 EFFECTS LOOP 10 HOUSE MONO OFF 4 5 6 7 8 9 SIG / OL 0 TREBLE OFF 0 +6 MID +6 0 BASS MASTER STEREO MP 2016S OFF +6 ROTARY MIXER 5 4 3 2 1 6 7 8 9 10 3 2 CUE 1 1 4 5 6 7 8 9 10 3 2 CUE 2 1 4 5 6 7 8 9 10 3 2 CUE 3 1 4 5 6 7 8 9 10 3 2 CUE 4 1 4 5 6 7 8 9 10 3 2 CUE 5 1 4 5 6 7 8 9 10 6 8 CUE 6 CUE 4 2 2 4 6 8 PGM STEREO MONO 4 3 2 1 5 6 7 8 9 10 POWER MIX LEVEL MIX LEVEL MIX LEVEL MIX LEVEL MIX LEVEL MIX LEVEL MONITOR LEVEL PHONES QUICK START You asked for it, you got it!If you don't know what that is, we suggest you take the time to read this entire manual so you learn lots of other things to get the best sound and features out of your new mixer. But if you know what Split Cue is, at least read this section to refresh your knowledge of the rest of the MP 2016S. There are four dedicated phono preamplifiers. [. . . ] In MIC mode, the gain range is 20 to 50 dB. In LINE mode, the gain range is 0 to 30 dB. In addition to setting the proper gain range for MIC or LINE level Inputs, these switches also select the proper Input impedance. MIC GAIN trim These controls adjust the preamplifier for optimum dynamic range. Each has a range of 30 dB, allowing a wide range of sources to be used. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. -- PHONO GROUND -- R HOUSE OUTPUTS RIGHT LEFT BOOTH OUTPUTS EFFECTS LOOP RETURN L SEND TAPE OUTPUTS POST PRE EFFECTS EFFECTS LEVEL XP 2016S EXTERNAL PROCESSOR AUX INPUTS 5 L R 4 L R 3 L R 2 L R 1 L R 100-240 V 50/60 Hz 12 WATTS LEFT L R R L R RIGHT EFFECTS LOOP SEND ¼" jacks SEND Outputs are unbalanced standard ¼" tip-sleeve jacks. They provide a line level Output for external signal processing or effects units. If effects are not being used, these outputs may be used as Auxiliary Outputs. EFFECTS LOOP RETURN ¼" jacks RETURN Inputs are unbalanced standard ¼" tip-sleeve jacks. They provide the Input from external signal processing or effects units. Switching jacks are used so there is no loss of signal if the front panel EFFECTS LOOP switch is active with no effects connected. RETURN Inputs are not appropriate for Auxiliary Inputs as this signal is only selected when the front panel EFFECTS LOOP switch is active, at which time Master signal is derived only by the signal present at the RETURN Inputs, the mix signals are disconnected. BOOTH OUTPUT RCA jacks The unbalanced stereo BOOTH OUTPUT is normally used for booth monitoring. As previously outlined, very flexible source selection is provided as well as MIC ducking. Remember, the BOOTH OUTPUT is attenuated by 12 dB whenever one of the front panel MIC ENGAGE switches is active (unless ducking has been defeated with the internal jumper. HOUSE OUTPUT jacks Both balanced (XLR) and unbalanced (RCA) jacks are provided. For long runs, we highly recommend using the balanced XLR outputs. The unbalanced RCA outputs are intended for short runs of less than 10 feet (3 meters). Both may be used simultaneously if required. AUX INPUTS 1-5 RCA jacks These five stereo AUX Inputs are unbalanced, line level Inputs available for selection on all six Input channels. XP 2016S EXTERNAL PROCESSOR The XP 2016S port provides the required socket for connecting the ribbon cable (supplied with the optional XP 2016S). If an XP 2016S is not connected, the front panel XP 2016S engage switch has no effect. If ribbons longer than that supplied with the XP 2016S are used, crosstalk may increase and immunity to RF, magnetic and conducted interference may be compromised -- don't do it. [. . . ] CHANNEL 1-6 A/POST/B Assign These switches assign each of the six input channels to the A side of the Crossfader, B side of the Crossfader or POST Crossfader. CROSSFADER This implements using Ranes' proprietary Active CrossfaderTM design. All audio is isolated from the control element, greatly extending the life and performance of the control. See page Manual-8 for cleaning and replacement instructions. [. . . ]