User manual RANE ROTARY EMPATH

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Manual abstract: user guide RANE ROTARY EMPATH

Detailed instructions for use are in the User's Guide.

[. . . ] OPERATORS MANUAL ROTARY EMPATH DJ MIXER 1 INPUT 1-2-3 PHONO LINE PHONO LINE 2 PHONO LINE 3 LEFT +10 +7 +4 RIGHT -12 GAIN +12 -12 GAIN +12 -12 GAIN +12 +2 0 -2 -4 -7 -10 -20 AUTO-GAIN L PAN R L PAN R L PAN R MIC ENGAGE EQ 8 0 10 CUE EQ EQ MAIN 4 2 6 OFF HIGH +6 OFF HIGH +6 OFF HIGH +6 2 4 6 8 0 OL OFF +6 OFF +6 OFF +6 4 2 10 MIC MAIN MID MID MID 6 8 0 OFF 10 -12 +12 HI LOW +6 OFF LOW +6 OFF LOW +6 BOOTH 4 2 6 8 0 10 -12 +12 LOW DRY WET DRY WET DRY WET AUX OUT DRY MIC WET A CUE B SPLIT CUE CUE MASTER 4 2 0 6 8 10 A CUE POST B CUE A POST B CUE A POST B 2 4 6 8 0 10 AUX IN CUE AUX 10 LEVEL PHONES RETURN 5 4 3 2 1 6 7 8 9 10 3 2 1 4 5 6 7 8 9 10 3 2 1 4 5 6 7 8 9 10 LOW EQ +12 8 4 0 -4 -8 -12 0 SEND RETURN FlexFX CD1 TRIGGER 1 OFF A 0 2 4 6 8 10 HIGH CD2 TRIGGER 3 B OFF B A 10 8 6 4 2 0 Introduction The Empath 10" format mixer offers big-board features and studio quality sound. The mixer is feature packed, yet easy and intuitive to use. We asked the master -- Grandmaster Flash is responsible for many of the important features and control locations, even the name. "Empath" implies understanding, insight and feeling. [. . . ] · " (3. 5 mm) and ¼" jacks provided. LOW HIGH Manual- Mic Input · Balanced ¼" TRS input (Tip (+), Ring (­), Sleeve (ground) · Accepts unbalanced ¼" TS (Tip-Sleeve) plugs. · Mic Engage switch turns the Mic on and off without changing the Mic level. ° Green indicator lights when engaged. · MIC level control range is Off to +50 dB · Overload Indicator: ° Lights 3 dB before clipping. ° Monitors the signal level before and after the HI and LOW tone controls. ° If it lights, turn the MIC level down and/or reduce the tone control boost. · 2-band tone control: ° Maximum boost: 12 dB. · FlexFX effects loop: ° WET (effect), DRY (no effect) pan control. ° Process mic with any combination of input channels. ° See FlexFX Effects Loop section for details. INPUT 1-2-3 AUTO-GAIN MIC ENGAGE 4 2 0 6 8 10 MIC OL -12 +12 HI -12 +12 LOW AUX Input and Output · AUX Input: ° Unbalanced RCA jack. ° AUX CUE signal is sent to the cue circuit before the AUX IN level control. ° AUX IN level control range is Off to +10 dB. ° AUX input sums to the Master mix after the Crossfader and FlexFX loop. · AUX Output: ° Unbalanced RCA jack. ° AUX OUT control range is Off to +0 dB ° Source is the Master mix: Program 1, 2, 3 (pre- or post-effects) plusthe Mic (pre- or post-effects) plusthe AUX Input. DRY MIC WET 4 2 0 6 8 10 AUX IN CUE AUX Booth Output · Balanced ¼" TRS output · Level control range is Off to +6 dB · Source is the Master mix: Program 1, 2, 3 (pre- or post-effects) plusthe Mic (pre- or post-effects) plusthe AUX Input. LEFT +10 +7 +4 +2 0 -2 -4 -7 -10 -20 RIGHT CUE MAIN Main Output · Balanced XLR output. · Level control range is Off to +6 dB. · Source is the Master mix: Program 1, 2, 3 (pre- or post-effects) plusthe Mic (pre- or post-effects) plusthe AUX Input. 4 2 0 6 8 10 MAIN 4 2 0 10 6 8 BOOTH 4 2 0 10 6 8 AUX OUT Manual- Level Meters · Level Meters have two modes of operation: ° Stereo Main output ° Cue Monitor. · Meter mode switch set to MAIN "out": ° Meter displays the level at the Main output, after the Main output LEVEL control. · Meter mode switch set to CUE "in": ° Meter displays whatever is selected by the Cue and Headphone monitoring circuit. ° This is the same signal heard in the headphones. ° Monitor any combination of the five individual Cue signals -or- A-side auto-cue -or- B-side auto-cue. ° Split Cue metering is the same as split cue monitoring in the headphones: Mono-Cue in the left, Mono-Master in the right. LEFT +10 +7 +4 +2 0 -2 -4 -7 -10 -20 RIGHT CUE MAIN 4 2 0 6 8 10 MAIN 4 2 0 10 6 8 FlexFX Effects Loop · · · · 2 BOOTH 4 6 · · · · · Inputs 1, 2, 3 and MIC Allows the addition of an external stereo effects processor. [. . . ] b) Insert the track into the back of the fader body with the track contacts facing you (to meet the slider contacts). c) Lubricate the guide rod by placing one small drop of silicon oil, using a cocktail stick, either side of the slider assembly. Move the slider from end to end in order to disperse the oil evenly. Carefully wipe away any excess oil using a tissue or cloth. [. . . ]

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