User manual RANE SP 15

[. . . ] p o w E R t N D t C A T O RW h e n t h i sy e l l o w L E Di s l i t , a l l o u t p u t m u t i n gc i r c u i t s the unit is readYto oPerate. l a i n p u t s i g n ag r e a t e r w D R SN 3 . S t GN A Lp R E E T l N D I C A T O :T hi sg r e e nL E i l l um i n a t e s h e n e v e r n - 2 0 d B m i s a p p l i e dt o t h e i n p u t so f t h e u n i t , e v e n i n t h e b y p a s sm o d e ' than e v e la t t h e i n p u t w : 4 . O V E R L O A DI N D I C A T O R T h i s r e d L E Di l l u m i n a t e s h e n e v e rt h e s i g n a l 4dB of clipping' c s o o s t a g e , u t p u t s t a g e , r a n y o f t h e 5 e q u a l i z e r t a g e s o m e sw i t h i n h o on 5 . [. . . ] F U N C T I O N AD E S C R I P T I O N T The SP1 5 StudioParametric Equalizer/Notch Filterincorporates of the requiredfeatures all of equalizer both a parametric and a notchf ilterset. With a bandwidthrange 1/30 octaveto 1. 5 of octaves on each of the five bands, this device will serve the needs of any conceivable e q u a l i z a t i o n i t u a t i o nr e q u i r i n g h i s i n c r e d i b l ep o w e r . s t T h e s w i t c h a b l e h e l v i n g / p e a k i nfg a t u r eo f B a n d s1 a n d 5 o f t h e S P1 5 a r e e x t r e m e l yu s e f u l s e p o a d u e t o t h e n a t u r eo f a u d i os y s t e mr o l l o f f s n d t h e u n f o r g i v i n g r o b l e m s f f e e d b a c k n d h u m . a m b A t y p i c a ls y s t e mr o l l o f fc o r r e c t i o n i l l r e q u i r et h e s h e l v i n g o d e s o f t h e s w i t c h a b l e a n d s , w m r t w h i l e f e e d b a c k o n t r o la n d h u m r e d u c t i o n e q u i r e sh e u s eo f t h e p e a k i n g o d e . l t s h o u l db e c n o t e d t h a t B a n d s 2 a n d 4 w i l l a l s o r e a c h w e l l i n t o t h e r a n B e o f s la n d 5 s o t h a t t h e s h e l v i n g g and i a m o d e o f 1 a n d 5 m a y b e u s e d , sw e l l a s s o m ep e a k i n g r n o t c h i n g n t h e s a m ef r e q u e n c y r e a o a o a c h i e v e d y s e t t i n g h e c e n t e rf r e q u e n c y f b a n d s2 o r 4 a n d d i a l i n gi n t h e r e q u i r e db o o s to r b t cut. Rotating the bandwidth control f ully The senseof the SP1 5's controlsis very straightforward. o , t c o u n t e r c l o c k w i sd e l i v e r s h e m i n i m u m f i l t e r b a n d w i d t h , ( 1 / 3 0 c t a v e ) w h i l e f u l l c l o c k w i s e e The filter level controlsare standardclockwiseboost, countersetsthe filter at 1. 5 octaves. the sametype of action, up The frequencysweepcontrolprovides clockwisecut type controls. m A l D u r i n gt h e E Q s e t - u pp r o c e s st, h e i n d i v i d u a b a n d b y p a s s e s a y b e u s e d f o r a n i n s t a n t / B T d e c o m p a r i s o n f t h e e q u a l i z a t i o n f f e c t s . h i s f e a t u r ei s i n d i s p e n s a b l e u e t o t h e c o m p l e x o it Without this capability, is all too easyfor the operatorto natureof parametric equalization. become lost in the grey area between center frequency, bandwidth and boost/cut. The red band is on serveasa reminderthat the respective with these bypassswitches LEDs associated holiday, availablefor recallat any time. o , O n e o f t h e m o s t b a s i cd e s i g n r e q u i r e m e n t s f a n y e q u a l i z e r w h e t h e r i t b e a g r a p h i co r p a r a m e t r i c , s t h e i m m u n i t y f r o m c o n t r o l i n t e r a c t i o n T h i s i s a c c o m p l i s h e di n a l l R a n e . i equalizationproductsthrough the use of the State VariableFilter. The Rane graphicshave built a well respectedreputationbasedon the fact that the bandwidth of the filter sectionsis the exactsame circuitconfigurationto ensure The SP 1 5 utilizes not affected by slider position. p a s n a q A e u , l a f n s s | | ' | lU o U o | } e t u l o } U I a q u n } J aqI. 2]^M Io N ^H/V\ pa|rl} 60 L a}oN aued }Insuo: asea;d rol . sasp) g1"1rotu;" uitroj ;"ra;r pue uollrolslp ro leap leert e u!llnsar ll!^^ qf, ns se uaql8ulsn p sE uolpunl lou lllar Aaql 'stol:auuor puE saf, rnos luara, rlp o, rnlio; 1ndul;o adfi tultguns ort} a yo sadAr o, , tlr] q] uaa^ ]aq aflor{f e lasn aq} a^!3 o1 Alt:euttd papr, rord ate s}ndu!pue sld , , t/ Laql u " r " q 1 . p a f , u e l e qA ; a n 1 l : ea J p u e ; a l 1 e r e d t p a l l ^ \ a l e s l o l f a u u o r ] n d u t u t d - g 'ranossorf to tatlt;due taltod aq] pue staztlenba aq] uaaMlaq sunl u a l q e c 3 u o 1A r a nS u r r l n b a rs u o t l e l l e l s u t r u o !] e r a p l s u o f e a q p l n o q s q l l q ^ ^ s l n d l n o l e !] u a r a r ] r p 'lef, lluf lou st luauareld Jo laplo palueleq'Alanrlre anll atnlea] saop gL dS aql lanamoq 'uotlrallof 'lolluof a q l ' s l q l s e q f , n s u o t l e n l l sP u l lf, eqpeal pue uollesuaduor. ra>leadspnol 'sa!Jas r8 aq] a f , l n o s l o l l u l a u t e r e d a q t p u P s a l l e u o u P l l l s n o f e l o , ] J a l l o f , O ] p a s n S u r a q r r q d eu o t 1 : n p o t d a r ' ut pa]Jauuor tazl;enba rlrfarrerea pue rrqdet!e qloq Ao;dua suals, (s Aueyl pue salf A l r l e n b q S r q r o l u a l s A s A u e u r p a l r n b a r a r e q f , l q / v \s u o l l f , a J l o t r f , !] s n o f e a l e u o ] 'tat;tldtuetar*od lo la^ossolf a^llfe -u"1r';"p. raleadspnol l)alrof, ogftrpqeder aqt Sugplnotd aqI a a q ] S u l p a r a . I L d S a q ] s e L l f , n s l l ^ a p e U a s u l o l u o l l e f , o l u o t u L u o l l s o t u 'Jla /sqnl) af uep 'solpnls Sulpto:at , sualsr{s r{ruanba;; la^al aull }uatuaflo}utal punos anrl se qlns'paltnbat st Sutrno}uor ' u o r l e l r ; d d e : r l r r a d s a q l u o S u r p u a d a p A l l e a r 8f u e n q r t q n t araqrtAue pasn aq Aeu alnap stql , r a l l e L ua l d u i s A l a n r l e ; a re s r u t a l s A se o l s L d S a L l l l o u o l l J a u u o r l a d o t d a q l 1o srr;rradi aq] J 'n NOlr)lNNOf Wrrs^s J N V I . O P E R A T IG I N S T R U C T I O N S w i O n c e t h e S P 1 5 h a s b e e n p r o p e r l yi n s t a l l e d n y o u r s y s t e mi n a c c o r d a n c e i t h t h e s y s t e m found in the previoussection, it is then time to twist some knobs. connection instructions Powerup the systemin the normal fashion, alwaysturning on the power amplifierslast' lt is and mixersfirst, turningon any sound sources good practiceto startatthe head of the system, t . [. . . ] lt is not somethingthat can be taught, it just happens. . somehow knows what he wants to hear and makes it happen usingwhatevet ihe operator control The SP 15 makes it as easy as possiblethrough straightforward means is available. Rane providesthe piano, you provide the music. layout and solid engineering. 4 4 4 I " n 8 p 0 z + o l l 8 8 p 8 6 " N t v ) w n w r x v w ' w n w r x v wr n f / r s o o 8 M s "" nBp t + M o t l 8 8 p z 0r n g p O Z + O l l 8 8 p gLL ' ' ' N l v f W n W I X V W ' C l U = l l . [. . . ]