User manual ROCKTRON BASIX

[. . . ] To insure against this possibility, always use good shielded cables for all audio input and output connections. Also, bundle audio cables separately from the AC power cables. These steps will help insure compliance with the Directive(s). For more information about other Rocktron products, please see your local dealer or one of our importers closest to you (listed on the enclosed warranty sheet). Copyright ©1997 Rocktron Corporation. [. . . ] DELAY SECTION Delay is simply a reproduction of the input signal, originating at a prescribed time (usually expressed in milliseconds, or mS) following the input signal. DELAY TYPES The Intellifex Online HUSH; Delay; Ducker configuration offers 3 delay types: Stereo, Ping-Pong and 2-Tap. The Stereo delay type provides two separate delays. This delay type is used for applications requiring two discrete delay lines with individual regeneration loops. The Ping-Pong delay type regenerates each delay's output into the opposite delay's input instead of its own. This causes the delayed signals to bounce back and forth from the left channel to the right (provided the delay outputs are panned left and right). The 2-Tap delay type provides a single long delay line with two outputs and offers twice the delay time of the Stereo delay type. DELAY PARAMETERS Delay This parameter determines whether the Delay section is active (passing a signal) or muted (not passing a signal). This parameter allows for muting of the Delay section at its input (Pre), its output (Post) or both. Muting the input (Pre) of the delay restricts any signal from entering the delay section until the delay is switched in. When using a moderate amount of regeneration, switching out the delay with the input muted will generate a non-delayed signal which will play over the decaying regenerated signal which continues on after the delay is switched out. Muting the output (Post) of the delay results in the delayed signal being immediately turned off when the delay is switched out. This means that delays and regeneration will not continue once the delay is switched out. (This level control is not the same as the Chorus Level found in the Mixer function parameter list. ) Pan The Pan parameter allows you to pan each voice (or delay) of the chorused signal to the left or right channel. This parameter is adjustable from 0 to 100--where 0 is full left, 100 is full right and 50 is center. The Delay parameter determines the delay time (in milliseconds) for each tap of the chorus signal. It is this delayed signal that is detuned and modulated to produce the chorus effect. Using shorter delay times for this effect produces a tighter sounding chorused signal, while using longer delay times will achieve a much larger, ambient effect. The Depth parameter adjusts the amount of modulation of each delayed signal. A lower depth setting will produce a more subtle detune effect while a higher setting of this control will cause a more drastic detuning of the delayed signal. The Rate parameter determines the sweep speed for the delayed signal (i. e. the speed at which the delayed signal is modulated). Here a low rate results in a slow speed and a higher rate results in a faster speed. Delay Depth Rate 17 PITCH SHIFT Pitch Shifting is used to change the pitch of the input signal to produce one to four harmony notes based on a single input signal. The Hush; Pitch Shift; Delay configuration offers 4 harmony voices while the Hush; Pitch Shift; Delay; Reverb configuration offers 2. [. . . ] XXH 200 data bytes for 80 stfings, 256 data bytes for string 81, 12 data bytes for string 82, MSB = 0 YYH - Check Sum byte, ("Exciusive Or" of data bytes, MSB=0) F7H - End of Exclusive byte The first 80 data strings are very similar to a preset dump data string except for the command byte. The first data string for a user data dump will contain the command byte 2AH. The following data strings will contain the command byte 2BH. Data string 81, which is the program mapping, will contain 256 data bytes. [. . . ]