User manual ROLAND AT-60R

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Manual abstract: user guide ROLAND AT-60R

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[. . . ] The velocity values of Note Off messages are ignored. n = MIDI channel number: 0 H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB Volume (Controller number 7) Status BnH 2nd bytes 07H 3rd byte vvH Note on Status 9nH 2nd bytes kkH 3rd byte vvH n = MIDI channel number: vv = Volume: * * * 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial Value = 64H (100) n = MIDI channel number: kk = note number: vv = note on velocity: * * 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 01H-7FH (1-127) Volume messages are used to adjust the volume balance of each Part. (Initial value is ON) Not Received in Keyboard Part. Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument. Pan (Controller number 10) Status BnH 2nd bytes 0AH 3rd byte vvH Polyphonic Key Pressure Status AnH 2nd bytes kkH 3rd byte vvH n = MIDI channel number: vv = pan: n = MIDI channel number: kk = note number: vv = key pressure: * * * 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 00H-7FH (0-127) 0H-FH (ch. 1-ch. 16) 00H-40H-7FH (Left-Center-Right), Initial Value = 40H (Center) Not received when Rx. POLY PRESSURE (PAf) = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. [. . . ] In Individual Parameter Transmission, you must use the Address and Size listed in the following "Parameter Address Map. " Addresses marked at "#" cannot be used as starting addresses. System Parameters [Model ID = 42H] Not Received in Keyboard Part. Address (H) 40 00 00 40 00 01# 40 00 02# 40 00 03# * Size (H) 00 00 04 Data (H) 0018-07E8 Parameter MASTER TUNE Use nibblized data. Description -100. 0 - +100. 0 [cent] Default Value (H) 00 04 00 00 Description 0 [cent] Refer to section 4. Supplementary material, "About tuning" (p. 00 00 01 00 00 01 00 00 01 00 00 01 00-7F 28-58 01-7F 00 MASTER VOLUME MASTER KEY-SHIFT MASTER PAN MODE SET 0-127 (= F0 7F 7F 04 01 00 vv F7) -24 - +24 [semitones] -63 (LEFT) - +63 (RIGHT) 00 = GS Reset (Rx. only) 7F 40 40 127 = Exit GS 127 0 [semitones] 0 (CENTER) 40 00 04 40 00 05 40 00 06 40 00 7F * Refer to "System exclusive messages related to Mode settings" (p. 00 00 10 00-40 VOICE RESERVE Part 10 (Drum Part) Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 11 : Part 16 02 06 02 02 02 02 02 02 02 02 00 00 2 6 2 2 2 2 2 2 2 2 0 0 40 01 10 40 01 11# 40 01 12# 40 01 13# 40 01 14# 40 01 15# 40 01 16# 40 01 17# 40 01 18# 40 01 19# 40 01 1A# 40 01:# 40 01 1F# * The sum total of voices in the voice reserve function must be equal to or less than the number of the maximum polyphony. The maximum polyphony of the AT-S is 64. For compatibility with other GS models, it is recommended that the maximum polyphony be equal or less than 24. 00 00 01 00-07 REVERB MACRO 00: Room 1 01: Room 2 02: Room 3 03: Hall 1 04: Hall 2 05: Plate 06: Delay 04 Hall 2 40 01 30 8 MIDI IMPLEMENTATION 07: Panning Delay 0-7 0-7 0-127 0-127 0-127 40 01 31 40 01 32 40 01 33 40 01 34 40 01 35 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-07 00-07 00-7F 00-7F 00-7F REVERB CHARACTER REVERB PRE-LPF REVERB LEVEL REVERB TIME REVERB DELAY FEEDBACK 04 00 40 40 00 4 0 64 64 0 REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to the most suitable value. Supplementary material, "The Scale Tune Feature" (p. 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 40-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F MOD PITCH CONTROL MOD TVF CUTOFF CONTROL MOD AMPLITUDE CONTROL MOD LFO1 RATE CONTROL MOD LFO1 PITCH DEPTH MOD LFO1 TVF DEPTH MOD LFO1 TVA DEPTH MOD LFO2 RATE CONTROL MOD LFO2 PITCH DEPTH MOD LFO2 TVF DEPTH MOD LFO2 TVA DEPTH BEND PITCH CONTROL BEND TVF CUTOFF CONTROL BEND AMPLITUDE CONTROL BEND LFO1 RATE CONTROL BEND LFO1 PITCH DEPTH BEND LFO1 TVF DEPTH BEND LFO1 TVA DEPTH BEND LFO2 RATE CONTROL -24 - +24 [semitone] -9600 - +9600 [cent] -100. 0 - +100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] 0-24 [semitone] -9600 - +9600 [cent] -100. 0 - +100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -10. 0 - +10. 0 [Hz] 40 40 40 40 0A 00 00 40 00 00 00 42 40 40 40 00 00 00 40 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 47 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 2 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 40 2x 00 40 2x 01 40 2x 02 40 2x 03 40 2x 04 40 2x 05 40 2x 06 40 2x 07 40 2x 08 40 2x 09 40 2x 0A 40 2x 10 40 2x 11 40 2x 12 40 2x 13 40 2x 14 40 2x 15 40 2x 16 40 2x 17 10 MIDI IMPLEMENTATION 40 2x 18 40 2x 19 40 2x 1A 40 2x 20 40 2x 21 40 2x 22 40 2x 23 40 2x 24 40 2x 25 40 2x 26 40 2x 27 40 2x 28 40 2x 29 40 2x 2A 40 2x 30 40 2x 31 40 2x 32 40 2x 33 40 2x 34 40 2x 35 40 2x 36 40 2x 37 40 2x 38 40 2x 39 40 2x 3A 40 2x 40 40 2x 41 40 2x 42 40 2x 43 40 2x 44 40 2x 45 40 2x 46 40 2x 47 40 2x 48 40 2x 49 40 2x 4A 40 2x 50 40 2x 51 40 2x 52 40 2x 53 40 2x 54 40 2x 55 40 2x 56 40 2x 57 40 2x 58 40 2x 59 40 2x 5A 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F BEND LFO2 PITCH DEPTH BEND LFO2 TVF DEPTH BEND LFO2 TVA DEPTH CAf PITCH CONTROL CAf TVF CUTOFF CONTROL CAf AMPLITUDE CONTROL CAf LFO1 RATE CONTROL CAf LFO1 PITCH DEPTH CAf LFO1 TVF DEPTH CAf LFO1 TVA DEPTH CAf LFO2 RATE CONTROL CAf LFO2 PITCH DEPTH CAf LFO2 TVF DEPTH CAf LFO2 TVA DEPTH PAf PITCH CONTROL PAf TVF CUTOFF CONTROL PAf AMPLITUDE CONTROL PAf LFO1 RATE CONTROL PAf LFO1 PITCH DEPTH PAf LFO1 TVF DEPTH PAf LFO1 TVA DEPTH PAf LFO2 RATE CONTROL PAf LFO2 PITCH DEPTH PAf LFO2 TVF DEPTH PAf LFO2 TVA DEPTH CC1 PITCH CONTROL CC1 TVF CUTOFF CONTROL CC1 AMPLITUDE CONTROL CC1 LFO1 RATE CONTROL CC1 LFO1 PITCH DEPTH CC1 LFO1 TVF DEPTH CC1 LFO1 TVA DEPTH CC1 LFO2 RATE CONTROL CC1 LFO2 PITCH DEPTH CC1 LFO2 TVF DEPTH CC1 LFO2 TVA DEPTH CC2 PITCH CONTROL CC2 TVF CUTOFF CONTROL CC2 AMPLITUDE CONTROL CC2 LFO1 RATE CONTROL CC2 LFO1 PITCH DEPTH CC2 LFO1 TVF DEPTH CC2 LFO1 TVA DEPTH CC2 LFO2 RATE CONTROL CC2 LFO2 PITCH DEPTH CC2 LFO2 TVF DEPTH CC2 LFO2 TVA DEPTH 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100. 0 - +100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100. 0 - +100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100. 0 - +100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100. 0 - +100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] -10. 0 - +10. 0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100. 0 [%] 00 00 00 40 40 40 40 00 00 00 40 00 00 00 40 40 40 40 00 00 00 40 00 00 00 40 40 40 40 00 00 00 40 00 00 00 40 40 40 40 00 00 00 40 00 00 00 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] Drum Setup Parameters [Model ID = 42H] m: Map number (0 = MAP1, 1 = MAP2) rr: drum part note number (00H-7FH) Address (H) 41 m1 rr 41 m2 rr 41 m3 rr 41 m4 rr 41 m5 rr 41 m6 rr 41 m7 rr 41 m8 rr * Size (H) 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 Data (H) 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-01 00-01 Parameter PLAY NOTE NUMBER LEVEL (= NRPN# 26) ASSIGN GROUP NUMBER PANPOT (= NRPN# 28, except RANDOM) REVERB SEND LEVEL (= NRPN# 29) CHORUS SEND LEVEL (= NRPN# 30) Rx. NOTE ON Description Pitch coarse TVA level Non, 1-127 -64 (RANDOM), -63 (LEFT) - +63 (RIGHT) 0. 0-1. 0 Multiplicand of the part reverb depth 0. 0-1. 0 Multiplicand of the part chorus depth OFF/ON OFF/ON When the Drum Set is changed, DRUM SETUP PARAMETER values will all be initialized. 11 MIDI IMPLEMENTATION 4. Supplementary material Decimal and Hexadecimal table In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers. +------------+------------++------------+------------++------------+------------++------------+------------+ | Dec. | +------------+------------++------------+------------++------------+------------++------------+------------+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 69 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +------------+------------++------------+------------++------------+------------++------------+------------+ * * Decimal values such as MIDI channel, bank select, and program change are listed as one (1) greater than the values given in the above table. A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb. [. . . ] AEx Trumpet Mute Trumpet MuteTrumpet2 Cup Mute Tp. Flugel Horn Trombone Trombone2 F. Horn Solo1 F. Horn Solo2 Soprano Sax Soprano Sax2 Alto Sax Ex Alto Sax Alto Sax2 Blow Sax AEx AltoSax Super Tenor Tenor Sax Tenor Sax2 Baritone Sax Q71 Q51 Q52 Q64 Q61 Q42 Q41 Q31 Q21 Q13 P41 Q11 Q12 No. P34 90S/ 80S O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O 60S O 20S O 10S 15 MIDI IMPLEMENTATION CC0/CC32/PC 01h/00h/49h Bass 00h/00h/72h 00h/00h/73h 00h/00h/74h 01h/00h/74h 02h/00h/74h 00h/00h/75h 00h/00h/7Dh 01h/00h/75h 02h/00h/75h 03h/00h/75h 04h/00h/75h 00h/00h/78h 00h/00h/79h 01h/00h/79h 00h/00h/76h 00h/00h/77h 01h/00h/76h 01h/00h/77h 02h/00h/76h 00h/00h/7Ah 01h/00h/7Ah 02h/00h/7Ah 00h/00h/7Bh 00h/00h/7Ch 01h/00h/7Ch Percussion 01h/00h/7Eh 02h/00h/7Eh 03h/00h/7Eh 01h/00h/7Dh 02h/00h/7Dh 0Ch/00h/7Dh 08h/00h/7Eh 03h/00h/7Dh 0Ah/00h/7Dh 0Dh/00h/7Dh 04h/00h/7Dh 0Bh/00h/7Dh 06h/00h/7Dh 07h/00h/7Dh 05h/00h/7Dh 08h/00h/7Dh 00h/00h/7Eh 00h/00h/7Fh 01h/00h/7Fh 02h/00h/7Fh 03h/00h/7Fh 04h/00h/7Fh 00h/00h/44h 00h/00h/52h 00h/00h/51h 01h/00h/51h 00h/00h/45h 01h/00h/45h 00h/00h/53h 01h/00h/53h 00h/00h/54h 00h/00h/5Bh 01h/00h/5Bh 01h/00h/5Ah 02h/00h/5Ah 01h/00h/54h 03h/00h/54h 04h/00h/54h 09h/00h/7Dh 05h/00h/7Eh 06h/00h/7Eh 07h/00h/7Eh Timpani Timpani2 Soft Timpani Ride Cymbal Crash Cymbal Short Cymbal MalletCymRol Tambourine Castanet Triangle Woodblock Woodblock 2 Snare Drum Bass Drum Jingle Bell Church Bell Perc. Set3 Orch. HitMenu DanceHitMenu AcGtrNzMenu Vibraphone Glockenspiel Celesta Music Box Marimba MarimbaTreml Xylophone Barafon Tubular-bell Steel Drums Steel Drums2 Kalimba Santur Organ Bell Vibra Bells Digi Bells Hand Bell Finger Snap Footsteps Key Typing O43 O31 O41 O21 O24 O22 O11 O12 O13 V31 V32 V11 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Organ Bass1 Organ Bass2 Pipe Org. [. . . ]

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