User manual ROLAND CR-8000

[. . . ] With the initial settings, this is Pitch Modulation Depth. Portamento Time (Controller number 5) Status BnH 2nd bytes 05H 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127), Initial value = 00H (0) n = MIDI channel number kk = note number vv = note off velocity * * For Drum Parts, these messages are received when Rx. NOTE OFF = ON for each Instrument. The velocity values of Note Off messages are ignored. n = MIDI channel number vv = Portamento Time * This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change. Note on Status 9nH 2nd bytes kkH 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127) : 01H-7FH (1-127) Data Entry (Controller number 6, 38) Status BnH BnH 2nd bytes 06H 26H 3rd byte mmH llH n = MIDI channel number kk = note number vv = note on velocity * * Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument. n = MIDI channel number : 0H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB Volume (Controller number 7) Status BnH 2nd bytes 07H 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127), Initial Value = 64H (100) Polyphonic Key Pressure Status AnH 2nd bytes kkH 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127) : 00H-7FH (0-127) n = MIDI channel number kk = note number vv = key pressure * * n = MIDI channel number vv = Volume * * Volume messages are used to adjust the volume balance of each Part. [. . . ] Type SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1 MS STACK 2 METAL STACK 2-STACK 3-STACK Cabinet small open-back enclosure small open-back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large triple stack Speaker 10 10 12 x 1 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 12 x 4 Microphone dynamic dynamic dynamic dynamic dynamic condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser Adjusts the basic frequency from which the sound will be modulated. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Amount of feedback Level of the phase-shifted sound Stereo location of the output sound Gain of the low range Gain of the high range Output Level 012a: INFINITE PHASER A phaser that continues raising/lowering the frequency at which the sound is modulated. No 1 2 Parameter Mode Speed # Value 0-3 0 - 127 Default 1, 2, 3, 4 -100- +100 Description Higher values will produce a deeper phaser effect. Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward) Amount of feedback Volume of the phase-shifted sound Panning of the output sound Amount of boost/cut for the low-frequency range Amount of boost/cut for the highfrequency range Output volume 3 4 5 6 7 8 Resonance # Mix Pan Low Gain High Gain Level 0 - 127 0 - 127 0 - 127 0 - 30 0 - 30 0 - 127 0-127 0-127 L64-63R -15- +15 dB -15- +15 dB 0-127 18 0123: FLANGER This is a stereo flanger. (The LFO has the same phase for left and right. ) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound. No 1 Parameter Filter Type Value 0-2 Default OFF, LPF, HPF Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied. Gain of the low range Gain of the high range Output Level 4 5 6 7 8 9 Rate sync Rate # Rate Depth # Phase Feedback 0-1 1 - 127 0 - 21 0 - 127 0 - 90 0 - 98 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg -98- +98 % 2 3 Manual # Peak 0 - 127 0 - 127 0-127 0-127 10 Output Mode 0-1 SPEAKER, PHONES 4 5 Sens Polarity 0 - 127 0-1 0-127 UP, DOWN 11 12 13 14 Low Gain High Gain Balance Level 0 - 30 0 - 30 0 - 100 0 - 127 -15- +15 dB -15- +15 dB D100:0WD0:100W 0-127 6 7 8 9 10 Rate sync Rate # Rate Depth Phase 0-1 1 - 127 0 - 21 0 - 127 0 - 90 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg 11 12 13 Low Gain High Gain Level 0 - 30 0 - 30 0 - 127 -15- +15 dB -15- +15 dB 0-127 19 0103: HUMANIZER Adds a vowel character to the sound, making it similar to a human voice. No 1 2 3 4 5 6 7 8 9 Parameter Drive Sw Drive # Vowel1 Vowel2 Rate sync Rate Rate # Depth Input Sync Sw Value 0-1 0 - 127 0-4 0-4 0-1 1 - 127 0 - 21 0 - 127 0-1 Default OFF, ON 0-127 a, e, i, o, u a, e, i, o, u Hz, note 0. 05-10. 00 Hz note (*1) 0-127 OFF, ON Description Turns Drive on/off. Degree of distortion Also changes the volume. When this is set to "note, " the effect is synchronized with the tempo. Frequency at which the two vowels switch (Hz) Frequency at which the two vowels switch (note) Effect depth Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF). Volume level at which reset is applied Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of equal duration. 51 or more: Vowel 2 will have a longer duration. Gain of the low frequency range Gain of the high frequency range Stereo location of the output Output level No 8 Parameter Level Value 0 - 127 Default 0-127 Description Output Level 012c: SLICER By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustain-type sounds. [. . . ] Volume balance between the direct sound (D) and the flanger sound (W) When this is set to "note, " the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard. (Hz) Adjusts the delay time from the direct sound until the delay sound is heard. (note) Adjusts the proportion of the delay sound that is fed back into the effect. [. . . ]