User manual ROLAND GX-700 MIDI IMPLEMENTATION V1

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   ROLAND GX-700 V1.00 MIDI IMPLEMENTATION (641 ko)

Manual abstract: user guide ROLAND GX-700MIDI IMPLEMENTATION V1

Detailed instructions for use are in the User's Guide.

[. . . ] 10 Rhythm Group Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Sample Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 System Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Effects List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps. Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard. Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase. Stereo location of the Pitch Shift 1 sound Volume of the Pitch Shift1 sound Scratch Noise Level Dust Noise Level Hiss Noise Level Total Noise Level # Wow Flutter Random Total Wow/ Flutter # Balance # Level 0­127 0­127 0­127 0­127 0­127 0­127 0­127 0­127 D100:0W­ D0:100W 0­127 Pitch 1:Feedback # -98­ +98 % Pitch 1:Pan # Pitch 1:Level L64-63R 0­127 36 Effects List Parameter Pitch 2: Coarse #2 Pitch 2:Fine #2 Pitch 2:Delay Pitch 2:Feedback # Pitch 2:Pan # Pitch 2:Level Low Gain High Gain Level Balance Value -24-+12 semi -100-+100 cent 0­1300 ms, note -98­ +98 % L64-63R 0­127 -15­ +15 dB -15­ +15 dB A100:0B-A0:100B Description Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound. Parameter Type Value ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2 Description Type of reverb ROOM1: dense reverb with short decay ROOM2: sparse reverb with short decay STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: reverb with clear reverberance HALL2: reverb with rich reverberance Adjusts the delay time from the direct sound until the reverb sound is heard. Time length of reverberation Adjusts the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this parameter to BYPASS. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the reverb sound (W) Output Level Balance D100:0W-D0:100W Level 0-127 Gain of the low range Gain of the high range Volume balance between the Pitch Shift 1 and Pitch Shift 2 sounds Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level Pre Delay 0. 0­100. 0 ms 63: STEP PITCH SHIFTER A pitch shifter in which the amount of pitch shift is varied by a 16step sequence. fig. MFX-63 Time # HF Damp 0­127 200­8000 Hz, BYPASS L in Step Pitch Shifter Step Pitch Shifter R in 2-Band EQ L out 2-Band EQ Range -24­+12 semi 0. 05­10. 00 Hz, note 0­127 R out Low Gain High Gain Balance # -15­ +15 dB -15­ +15 dB D100:0W­D0:100W Level 0­127 Parameter Step 01­16 Rate # Attack # Explanation Amount of pitch shift at each step (semitone units) Rate at which the 16-step sequence will cycle Speed at which the amount of pitch shift changes between steps Duration of the pitch shifted sound at each step Pitch shift adjustment for all steps (2-cent units) Delay time from the original sound until the pitch-shifted sound is heard Proportion of the pitch-shifted sound that is to be returned to the input (negative values invert the phase) Amount of boost/cut for the low-frequency range Amount of boost/cut for the high-frequency range Volume balance of the original sound (D) and pitch-shifted sound (W) Output volume 65: GATED REVERB This is a special type of reverb in which the reverberant sound is cut off before its natural length. fig. MFX-65 Gate Time # Fine Delay Time 0­127 -100­ +100 cent 0­1300 ms, note L in Balance D 2-Band EQ Balance W L out Gated Reverb Balance W Feedback # -98­ +98% R in Balance D 2-Band EQ R out Low Gain High Gain Balance # -15­ +15 dB -15­ +15 dB D100:0W­D0:100W Parameter Type Value NORMAL, REVERSE, SWEEP1, SWEEP2 Description Type of reverb NORMAL: conventional gated reverb REVERSE: backwards reverb SWEEP1: the reverberant sound moves from right to left SWEEP2: the reverberant sound moves from left to right Adjusts the delay time from the direct sound until the reverb sound is heard. Adjusts the time from when the reverb is heard until it disappears. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level 0. 05­10. 00 Hz, note 0­127 D100:0W­ D0:100W Delay Feedback # -98­ +98 % Delay HF Damp 200­8000 Hz, BYPASS Level 0­127 73: ENHANCER FLANGER fig. MFX-73 Delay Balance # D100:0W­D0:100W Balance D L in Enhancer Mix Feedback L out Balance W Level 0­127 Flanger Balance W 75: CHORUS DELAY fig. MFX-75 R in Enhancer Mix Balance D R out L in Balance D L out Balance D Balance W Balance W Parameter Enhancer Sens # Enhancer Mix # Flanger Pre Delay Flanger Rate # Flanger Depth Flanger Feedback # Value 0­127 0­127 0. 0­100. 0 ms Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from when the direct sound begins until the flanger sound is heard. Frequency of modulation Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level Chorus Balance W Delay Balance W Feedback R in Balance D Balance D R out 0. 05­10. 00 Hz, note 0­127 -98­ +98 % Parameter Chorus Pre Delay Chorus Rate # Chorus Depth Chorus Balance # Delay Time Value 0. 0­100. 0 ms Description Adjusts the delay time from the direct sound until the chorus sound is heard. Frequency of modulation Depth of modulation Volume balance between the direct sound (D) and the chorus sound (W) Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. [. . . ] 22 (remainder) checksum = 128 - 22 (remainder) = 106 = 6AH This means that F0 41 10 00 6B 12 10 00 04 00 02 6A F7 is the message should be sent. 76 MIDI Implementation The Scale Tune Feature (address: 40 1x 40) The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete variety of tuning methods other than equal temperament. As examples, three possible types of scale setting are explained below. Equal Temperament This method of tuning divides the octave into 12 equal parts. [. . . ]

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