User manual ROLAND VS-2000 APPENDICES

[. . . ] Appendices Before using this unit, carefully read the sections entitled: "USING THE UNIT SAFELY" (Owner's Manual p. 2) and "IMPORTANT NOTES" (Owner's Manual p. These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's Manual, and Appendices should be read in its entirety. [. . . ] *3 Adds a sound with a shifted phase to the direct sound to add spaciousness to the sound. EQ (Equalizer) Sw (Switch) Low Gain (Low Gain) Low Freq (Low Frequency) Low Q Low Type Mid Gain (Middle Gain) Mid Freq (Middle Frequency) Mid Q (Middle Q) High Gain High Freq (High Frequency) High Q Hi Type (High Type) Level (Output Level) Algorithm List *4 *1: An excessively great values for Resonance (Reso) may cause oscillation. *2: An excessively large value for Cross-Feedback level may cause oscillation. *3: When a mono source has been input, set "Inv" to provide spaciousness to the sound. Set "Sync" for inputting a stereo source. *4: If Low Type (Lo Type) or High Type (Hi Type) is set to "Shlv (Shlving Type), " the setting for Lo Q or High Q is invalid. 33 Algorithm List Analog Phaser Two units of analog phasers are placed in parallel to accommodate stereo sounds. Surges unique to Phaser is created by adding sounds with the phase shifted periodically. fig. 08-75 Input L Analog Phaser L Output L Input R Analog Phaser R Output R Number of stages of Phaser As the number of sages of Phaser increases, the number of frequency points suppressed increases as well, generating sharper effect. fig. 08-76e Level 4 stage Frequency Level 8 stage Frequency Parameter (full name) APH (Analog Phaser): Sw (Switch) Mode (Mode) Freq (Frequency) Reso (Resonance) LFO1/2 Rate (LFO1/2 Rate) LFO1/2 Dep (LFO1/2 Depth) Setting On, Off 8STAGE, 4STAGE 0­100 0­100 0­100 0­100 Function Turns the analog phaser on or off. Sets the center frequency to which the phase effect is applied. Enhances frequency components at around the center frequency set with Frequency. Sets the depth of the phase effect cycle. "Inv" indicates that the surge phase should be inverted and "Nor" indicates that it should not be inverted. Two units of analog phaser are placed in parallel to accommodate stereo sounds. LFO1/2 ChB(LFO1/2 Channel B Inverse) Nor Inv 34 Stereo Flanger fig. 08-38Parameter (full name)SettingFunction Input L Flanger L 3BAND EQ Output L Flanger R Input R Flg (Flanger): Sw (Switch) Pol (Polarity) Rate (Rate) Depth (Depth) Manual (Manual) Reso (Resonance) CrossFBLvl (Cross-Feedback Level) FX Lvl (Effect Level). DirLvl (Direct Level) On, Off Sync, Inv 0. 1­10. 0 Hz 0­100 0­100 0­100 0­100 -100­100 -100­100 On, Off -12­ +12 dB 20 - 2000 Hz 0. 3­10. 0 Shlv, Peak -12­ +12 dB 200­8000 Hz 0. 3­10. 0 -12­ +12 dB 1. 4­20. 0 kHz 0. 3­10. 0 Shlv, Peak 0­100 3BAND EQ Output R Adds effect similar to ascending/descending sound of a jet. Turns the flanger on or off. Sets the right and left phases of modulation. Sets the rate at which the flanger is modulated. Sets the center frequency subject to application of the Flanger effect. Enhances frequency components at around the center frequency set with Manual. *1 Sets the amount of the flanger sound to be returned to the channel opposite to the one used for input. *2 Sets the volume of the flanger sound. Sets the boost/cut amount in the low frequency band. Sets the center frequency in the low frequency band. Sets the width of the area around the low frequency that will be affected by the gain settings. Sets the type of the low frequency band equalizer (Shlving type or peaking type). Sets the boost/cut amount in the middle frequency band. [. . . ] 18 GUITAR (Hi-Z) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19, 42 Guitar Multi 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]