User manual SANYO VPC-CG10

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Manual abstract: user guide SANYO VPC-CG10

Detailed instructions for use are in the User's Guide.

[. . . ] Keep this manual in a safe place for later reference. Warning TO PREVENT THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE FOR AMERICAN USERS WARNING: This product contains chemicals, including lead, known to the State of California to cause cancer, and birth defects or other reproductive harm. i This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. [. . . ] h To return to the Playback Setting Screen, press the MENU button. <ERASE ALL> h The Erase Confirmation Screen again appears. To erase the data, select "YES", and press the SET button. When data erase is completed, "NO IMAGE" is shown. CAUTION i Data which is protected from accidental erase cannot be erased. To erase protected data, set the protect setting for the data to off (page 92), and then follow the data erase procedure. 95 English PAGE 2 (ADVANCED SETTINGS) ROTATE IMAGE Captured still images can be rotated to the correct orientation for viewing. 1 2 Display the PAGE 2 Playback Setting Screen (page 86). Select the rotate icon L, and press the SET button. !: Rotates image counterclockwise 90 degrees. ROTATE RIGHT LEFT EXIT 3 Select the rotate right icon K or rotate left icon !, and press the SET button. h Each time the SET button is pressed, the image is rotated another 90 degrees. h To return to the Playback Setting Screen, press the MENU button. English 96 EDITING VIDEO CLIPS You can delete ("cut") the first part or the last part of a video clip. You can choose anywhere in the video clip as the cutting point. You can also join two video clips together and save them as one separate clip ("joining"). Select the edit video icon k, and press the SET button. Select the join icon x. EDIT VIDEO EXTRACT STILL DELETE 1ST PART DELETE 2ND PART JOIN EXIT English 102 EDITING VIDEO CLIPS 5 6 7 8 Press the SET button. h The 9-image playback display for video clips appears. Toggle the SET button to move the orange frame to the video clip that you wish to join. Select whether you want the original video clip to be erased when clipping is executed. YES: The original video clips are saved. NO: The original video clips are not saved. h The two video clips are saved together as a separate video clip. h If "NO" was selected in step 8, the original video clips are erased when the joined video clip is saved. Orange frame 101 0001 0004 0002 0003 JOIN KEEP ORIGINAL IMAGE? 9 YES NO EXIT <Confirmation screen for saving the original video clip> NOTE i If the original video clip is protected (image protect), even if you select "NO" in step 8 and press the SET button, the "IMAGE IS PROTECTED" message appears, and video clip joining is not possible. 103 English Extracting a still image from a video clip While video clip playback is paused, you can save a still image of the paused scene. 1 2 3 Display the frame (paused) you wish to save as a single still image. Select the edit video icon k from the PAGE 2 Playback Setting Screen, and press the SET button. Select the extract still icon 7, and press the SET button. [. . . ] <Using the manual focus effectively> i When photographing a moving subject, press the shutter release button just before the subject reaches the focus distance, and the shutter will be released when the subject is at the correct distance. i Use manual focus to avoid incorrectly focussed images when there is an object between the camera and the subject you wish to focus on. English 188 HINTS FOR TAKING PICTURES Shooting portraits (portrait mode >) Points: i Choose a background that doesn't detract from your subject. i Pay attention to lighting and how it affects your subject. NOTE i If the background is distracting, it will not show your subject to his best advantage. [. . . ]

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