User manual SIM2 RTX55H

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Manual abstract: user guide SIM2 RTX55H

Detailed instructions for use are in the User's Guide.

[. . . ] RTX 55H User and Installation Manual Look Forward cod. 46. 0360. 200 BACK LIGHT Turns on the back light LIGHT STAND-BY Switches off to stand-by. 0-9 Keys Switch on from stand-by and allow direct source selection. ESCAPE Deactivates the On Screen Display. SOURCE Displays the Source Selection menu. Not active in this model. Up/Down/Left/Right Arrow keys Navigate through and make adjustments to the On Screen menus. MENU + Activates the On Screen Display menus. [. . . ] The selection should be made from the drop menu following the indications described above. After selecting the source signal (by means of the and keys), press MENU+/MENU - to confirm and close the pulldown menu; the value you have just set will be displayed on the right of the symbol. As with the other inputs, you can now select the input just set by pressing the key. During the short time it takes to find the signal, a box appears showing the signal requested. As soon as the signal is shown in the box additional information is displayed concerning the video standard (for video signals) or resolution (for graphic signals), and format. Fom the SETUP menu it is possible to choose to visualize or not this information, for more details check the "SOURCE INFORMATION" in "MENU" section. Some adjustments (e. g. BRIGHTNESS and CONTRAST) are associated with a numerical value that can be varied within the set limits using the keys / . VIDEO TYPE) you can choose among three options presented on the same / ). Other adjustments (marked by the < symbol) provide submenus, which appear as a superimposed window in which the selection is made with the / keys (Fig. 14). Image Aspect Colour Temperature Gamma Correction Overscan Position Y/C Delay 1 1 Fig. 14a MAIN MENU To access the main menu of the On Screen Display press the MENU key on the keypad or the MENU+ or MENU- key on the remote control. The main menu is divided into four windows, PICTURE, IMAGE, SETUP and MENU, in which the various adjustments are grouped according to the frequency of use. Use and to select the line corresponding to the adjustment you wish to make (Fig. 13). Picture Brightness Contrast Colour Tint Sharpness Filter Cinema Mode Video Type Noise Reduction 60 50 50 50 3 2 Off Auto Normal VCR1 Auto Image Aspect Colour Temperature Gamma Correction Overscan Position Y/C Delay Normal Anamorphic Letterbox Panoramic Pixel to pixel User 1 User 2 User 3 1 Fig. 14b These submenus are accessed by pressing the key, while exit and return to the upper level occurs by pressing MENU+/-. Press ESC on the remote control or keypad to interrupt the menu display or wait for it to disappear automatically after the number of seconds set on the SETUP page. PICTURE VCR2 Fig. 13 The various menus only offer the relevant adjustments in accordance with the type of input signal displayed (e. g. certain typical adjustments for video signals, not necessary for graphic signals, do not appear on the menus, and vice versa). This menu features the adjustments related to picture quality. Adjustments that are not available for a given input do not appear on the menu. Table 4 summarises the adjustments available for each input. For a complete overview of the onscreen menus, consult the `On screen menu layout' in the "Additional Information" section. 13 BRIGHTNESS Use this control to adjust the image's black level without affecting white areas. Increasing the value will give more detail in darker parts of the picture. [. . . ] · Check the condition of the cables used to connect the DigiOpticTM Image Processor to the various sources. · Check the state of the connection between the DigiOpticTM Image Processor and the Display. Picture is disturbed, unstable or noisy · Check compatibility of the video or graphic signals with the technical specifications of the system, and specifically, with the specifications of the selected input. · Check the condition of the cables used to connect the DigiOpticTM Image Processor to the various sources. [. . . ]

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