User manual SONIC FOUNDRY VEGAS VIDEO 4

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Detailed instructions for use are in the User's Guide.

[. . . ] After you install Vegas and start it for the first time, the registration wizard appears. This wizard offers easy steps that enable you to register Vegas online with Sonic Foundry. Alternately, you may register Vegas online at www. sonicfoundry. com at any time. Registering your product provides you with exclusive access to a variety of technical support options, notification of product updates, and special promotions exclusive to registered Vegas users. [. . . ] The keyframe's settings are maintained until the next keyframe. Panning is interpolated in a linear path. Panning is interpolated in a fast logarithmic path. Panning is interpolated in a slow logarithmic path. Panning is interpolated along a smooth, natural curve. Adjusting the Smoothness slider The Smoothness slider controls the perceived motion of sound within the sound field among three or more keyframes. When you drag the Smoothness slider to 0, Vegas interpolates the changes between keyframes along a linear path. As you increase the smoothness value, the path between keyframes grows more curved and smooth. 1. The Surround Panner window appears. Smoothness slider 2. Drag the Smoothness slider to adjust the smoothness of the spatial interpolation path leading up to this keyframe. Three keyframes with smoothness=100. . . . . . and the same three keyframes with smoothness=0. Locking keyframes to events If you want keyframes to move with an event when it is moved along the timeline, choose Lock Envelopes to Events from the Options menu. WORKING WITH 5. 1 SURROUND CHP. Select the track for which you want to hide keyframes. From the View menu, choose Show Audio Envelopes, and choose Surround Pan Keyframes from the submenu. Deleting keyframes Right-click a keyframe and choose Delete from the shortcut menu. Rendering surround projects Vegas renders 5. 1 surround projects to produce six monaural files (AIFF, WAV, W64, or PCA), or a single 5. 1-channel file (AC-3, WMA, and WMV). You can then use an authoring application to create the final DVD-Video or 5. 1-channel music project from the rendered files. Note: Before rendering your surround project, check your surround authoring application's documentation to determine its required audio format with respect to the LFE channel. For more information, see Setting up surround projects on page 154. From the Save in drop-down list, choose the drive and folder where the file will be saved. Enter a new name for the project in the File name box. From the Save as type drop-down list, choose the desired file format. Choose 44, 100 Hz, 16 Bit, Mono, PCM from the Template drop-down list if you want to render six monaural files, or choose an appropriate 5. 1-channel template if the selected file type supports it. 6. If necessary, click Custom to customize the rendering settings. For more information, see Customizing the rendering process on page 240. 7 Select the Render loop region only check box if you want to save only the portion of the project that is . contained within the loop region. Loop Playback does not need to be selected on the Vegas workspace for this option to work. 8. If the selected file type supports it, you can select the Save project markers with media file check box to include markers, regions, and command markers in the rendered media file. [. . . ] The algorithm is commonly used in European and Asian telecommunications. µ-Law is very similar to A-Law, however, each uses a slightly different coder and decoder. Undo Buffer This is the temporary file created before you do any processing to a project. This undo buffer allows the ability to revert to previous versions of the project if you decide you don't like changes you've made to the project. This undo buffer is erased when the file is closed or when you choose Clear Edit History from the Edit menu. Undo/Redo These commands allow you to change a project back to a previous state when you don't like the changes you have made, or reapply the changes after you have undone them. [. . . ]

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