User manual STANTON DJLAB.3

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Manual abstract: user guide STANTON DJLAB.3

Detailed instructions for use are in the User's Guide.

[. . . ] Only use attachments/accessories specified by the manufacturer. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. 13. Unplug this apparatus during lightning storms or when unused for long periods of time. [. . . ] "Hard left" selects Channel 1. "Hard right" selects Channel 2. With the crossfader centered, both channels are live. Use the crossfader for fast and seamless fades from one channel to the other. 6) Mic Input Gain ­ Adjusts microphone input level. 7) Mic Input ­ Insert your Microphone with ¼" plug here. 8) Headphone Output ­ Insert in the ¼" plug for your headphones here. 9) Channel Cue / Cue Pan - Used to preview channel audio to your headphones. Listen here before bringing up channel faders or moving the crossfader. 10) Headphone Level ­ Adjusts cue volume. 11) Master Level - Controls the overall output level. 12) Crossfader Curve ­ The CUT setting allows the use of the crossfader for quick cut in and out when scratching and mixing. The FADE setting is used for longer segues, typically when mixing between two beat-matched sources. 13) Fader start ­ This function works in conjunction with a compatible fader start CD player. QUICK SETUP DIAGRAM Study this setup diagram. Make sure all faders are at "zero" and all devices are off. Next, connect your microphone and monitor headphones. Finally, connect the stereo outputs to the power amplifier(s) and/or audio receivers such as tape decks. Now you are ready to switch everything on. IMPORTANT: Always switch on your audio input sources such as turntables or CD players first, then your mixer, and finally any amplifiers. When turning off, always reverse this operation by turning off amplifiers, then your mixer, and then input devices. SPECIFICATIONS M. 202 INPUT / OUTPUT IMPEDANCE & SENSITIVITY: LINE -14dB/10K OHM ±2dB PHONO -50dB /47K OHM ±2dB MIC -60dB /2. 2K OHM ±2dB MASTER 1K OHM PHONES 0dB/33 OHM ±2dB (LOAD=32 OHM) MAX. OUTPUT (THD=1%) MASTER MORE THAN +14dBV PHONES MORE THAN +21dBV CHANNEL BALANCE WITHIN 3dB FREQUENCY RESPONSE: LINE 20-20KHz ±2dB PHONO 20-20KHz +2, -3dB (RIAA) MIC 20-20KHz +2/-3dB OUTPUT NOISE (IEC-A WEIGHTED) LINE LESS THAN -90dBV PHONO LESS THAN -80dBV MIC LESS THAN -50dBV THD + N: LINE PHONO MIC PHONES (MASTER 0dBV OUTPUT, MAXIMUM GAIN, w/ 20kHz LPF) LESS THAN 0. 05% 20 - 20KHz LESS THAN 0. 1% 20 - 20KHz (IEC-A WTD) LESS THAN 0. 2% 20 - 20KHz (IEC-A WTD) LESS THAN 0. 1% 20 - 20KHz (FROM LINE INPUT) LESS THAN -80dB AT 1KHz BETWEEN CHANNELS. (TERMINATED UNUSED INPUTS) CROSSTALK MIC EQ HI LOW ±10 +/- 2dB AT 10KHz ±10 +/- 2dB AT 100Hz CHANNEL EQ HI 9 +/- 2dB AT 13KHz -15 +/- 3dB AT 13KHz MID 9 +/- 2dB AT 1KHz LESS THAN -23dB AT 1KHz LOW 9 +/- 2dB AT 70Hz -26 +/- 3dB AT 70Hz POWER SOURCE DIMENSIONS WEIGHT AC 9V, 1000mA 230 (W) X 267 (D) X 111 (H) mm 1. 65Kgs CONNECTIONS 1) Connect the power cord to an AC outlet. 2) Connect the RCA cable to the PHONO input of your mixer. [. . . ] In no event will Stanton be liable for any special, incidental or consequential damages (including loss of use, loss of profit and claims of third parties) however caused, whether by the negligence of Stanton or otherwise. To the extent permitted by law and except as otherwise provided above, Stanton disclaims any express or implied warranties of merchantability or fitness for a particular purpose. The above warranty provides you with specific legal rights. You may also have additional rights, which are subject to variation from state to state and country to country. [. . . ]

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