User manual STANTON SMX301

[. . . ] The SMX-301 was designed by Stanton's new product development team, seasoned audio professionals who have designed world class professional recording studio and broadcast mixers and product managers who are working DJs and work closely with some of the world's most respected DJs. They have taken their knowledge and experience to create the SMX-301, a DJ mixer with superior audio quality and unprecedented value. Come hear the difference! PLEASE READ CAREFULLY BEFORE USE FAILURE TO FOLLOW THE INSTRUCTIONS PRINTED BELOW MAY VOID WARRANTY T E C H N I C A L S P E C I F I C AT I O N S Line Inputs: Phono Inputs: Mic Inputs: Master Outputs: Record Outputs: Booth Outputs: Headphone Output: Dimensions (LxWxD): Weight: Frequency Response: THD+N: Signal to Noise Ratio (ref: max level): Noise Floor: Crosstalk (Line to Line, Phone to Line, Line to phone): Fader Kill: Channel EQ: < -90 dB@ 1 kHz < -90 dB Hi +9, -45 dB, Kill: -45 dB Mid +9, -35 dB, Kill: -35 dB Low +9, -55 dB, Kill: -55 dB > 110 dB (main signal path) < -92 dBV (Line input to any output) 2 (RCA) x3 channels, -10 dBV/ 10 kOhm 2 (RCA) x3 channels, -50 dBV/ 47 kOhm 1 (1/4") 1XLR-50 dBV / 4. 7 kOhm 2 (1/4") Balanced/ (RCA) unbalanced +4 dBu balanced / -10 dBV unbalanced 2 (RCA), -10 dBV / 100 Ohms 2 (RCA), -10 dBV / 100 Ohms 1 (1/4"), 1(1/8 inch) 15. 3 in x 10. 2 in x 4. 3 in (39 cm x 26 cm x 11 cm) 7. 0 lbs (3. 2 kg) 20 Hz to 20 kHz +/- 1. 3 dB < 0. 015% @ 1 kHz · Follow all security advice printed on your mixer · When removing the unit's AC plug from the power source, grasp and pull the plug, NEVER the cord itself!· A void placing your mixer near heat sources, such as power amplifiers. [. . . ] Always return your mixer to an authorized Stanton dealer for servicing. DESCRIPTION OF FUNCTIONS FADER CLEANING AND INSTALL After constant use the SMX-301 faders may need to be cleaned and lubricated from time to time. This will ensure long life and keep a smooth feeling throughout the fader's lifetime. Follow the instructions below to lubricate and clean your faders: Removing a fader: 1. Make sure mixer is powered off and power supply is disconnected from back of mixer. Remove the fader to be cleaned or replaced by unscrewing the 2 outer screws on the fader plate (removing the 2 inner screws will detach the fader from the fader plate). Disconnect the fader from mixer by removing the connector on the bottom of the fader. Once original fader has been removed, simply plug the 4-pin connector into the new fader. Place fader back in mixer and replace 2 outer screws to secure fader. Power: This is the power switch to turn the mixer "ON" or "OFF" AC IN: This is the Input connection for the included power supply. Line: Line inputs (represented by the letter L, followed by the input number) are used to connect to line level sources such as CD players, Mini Discs, DATs, samplers, etc. TT: TT (or phono) inputs are used to connect to turntables. Ground: Connects to the turntable ground cable to eliminate electrical hum. Ground cables are usually supplied with turntables Master: Connects to an amplifier, EQ, crossover, or other outboard signal processing. Booth: This is a second output, like the master output. It is usually used as a separate output in the DJ Booth for the DJ to monitor the mix REC: This is the record output. The output level is static in this case, there are no volume controls. It is used to connect directly to tape or CD recorders. The volume can be set from the recording device. DESCRIPTION OF FUNCTIONS DESCRIPTION OF FUNCTIONS 1. Microphone 1 input - This combo (1/4"/XLR) connector is used to connect a microphone. The volume is controlled by the MIC 1 knob. Mic 1 level - Controls the input level of Microphone input 1. [. . . ] Master output Pan- This is the pan or balance control for the mast output. Master output level - Controls the overall output level of the mixer. Output meters - These LEDs let you know if the audio coming out of the mixer is loud enough (or too loud!). If the LEDs reach the red, the mixer is probably clipping, or distorting. [. . . ]