User manual TASCAM CD-X 1700 DATASHEET

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Manual abstract: user guide TASCAM CD-X 1700DATASHEET

Detailed instructions for use are in the User's Guide.

[. . . ] Professional DJ CD/MP3 Player CD-DJ1 ENGINEERED BY DESIGNED BY C o-designed by Mixwell and Tascam DJ, the CD-DJ1 is one of the smallest tabletop CD/MP3 players available for professional DJs. [. . . ] All specifications are subject to change without notice. All trademarks are property of their respective holders. Visit www. tascam-europe. com or www. tascam. com for most up-to-date information. www. tascam-europe. com TEAC Europe GmbH Bahnstr. 12, 65205 Wiesbaden, Germany TEAC UK Ltd. Unit 19 & 20, The Courtyards, Hatters Lane, Watford, Hertfordshire WD18 8TE, UK CD-X1500 · CD-X1700 Professional DJ Dual CD Players CD-X1500 CD-X1700 t Seamless loop ­ Repeatedly playback a sec- t 3 flash start/cue points ­ Instantly start playback at t Stutter play ­ At a cue point, hold down tion marked with A and B points t Scratch function ­ Use the wheel for scrat- a cue point t Brake function ­ Same effect like switching t TT-LINK®-Accessory connec- ching like with analogue turntables t Two integrated samplers ­ 10 seconds sampling on ­ Reverse playback ­ ±32% pitch control ­ Sampler level control each unit t Key Original function ­ Prevents original key from off an analogue turntable t Auto cue ­ Automatically find the cue key as long as playback shall be performed t Auto ready ­ Pause at the beginning of audio beginning of a song t Filter effect ­ Use the wheel to affect tor for TT-M1 CD Scratch Controller ­ Scratch, pitch-bend, backspin and otherwise control your CDs like using vinyl t MP3 playback ­ Play CDs containing MP3 ­ Up to 254 directories, up t Pitch bending function ­ Change the playback being affected by tempo changes files (MPEG 1 audio layer 3) to 255 files per CD rate t ±16% key control ­ Use the wheel to change tempo momentarily with the wheel ­ 32­190kbps, constant bit ­ Pitch bending and tempo t On-board digital effects ­ Echo, Flanger and Filter changes on MP3 songs t BPM counter ­ Shows the track's BPM the key without affecting the tempo t ±0, 8, 16, 32 and 100% tempo the next track t Continuous play, single play, the cutoff frequency t Key Original function ­ Prevents original key from control ­ Set the song tempo with the Tempo slider or by tapping on the TAP key t Track memory ­ Stores various playback and up to 30 tracks program play t Pitch bending function ­ Change the playback being affected by tempo changes t Fader start ­ Start playback from an settings for up to 100 tracks t Seamless loop ­ Repeatedly playback a effects syncable to BPM; Filter auto and manual modes t Scratch function ­ Use the wheel for scrat- value or the manually tapped BPM value t ±16% key control ­ Use the wheel to change tempo momentarily with the wheel t Relay play ­ Continuous playback over t Anti-shock memory t Digital output t Supports CD-R/RW discs external device which supports the fader start function t 3 flash start/cue points ­ Instantly start playback at t Reverse play section marked with A and B points t Brake function ­ Same effect like swit- ching like with analogue turntables t TT-LINK®-Accessory connec- ching off an analogue turntable a cue point both units t Stutter play ­ At a cue point, hold down t Continuous play, single play, tor for TT-M1 CD Scratch Controller t BPM count with Tap key ­ Shows the manually tap- the key without affecting the tempo t Auto cue ­ Automatically find the cue key as long as playback shall be performed t Track memory ­ Stores settings for up to t Fader start t Relay play and up to 30 tracks program play 100 tracks t Compact 2U controller size ped BPM value t Auto ready ­ Pause at the beginning of t ±0, 8, 16, 32 and 100% audio beginning of a song t Anti-shock memory t Digital output t Supports CD-R/RW discs t 3U controller size the next track © 2006 TEAC Europe GmbH All Rights Reserved. All specifications are subject to change without notice. [. . . ] Unit 19 & 20, The Courtyards, Hatters Lane, Watford, Hertfordshire WD18 8TE, UK [. . . ]

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