User manual TRAYNOR YS1085

[. . . ] Do not place this product on an unstable cart, stand, tripod, bracket or table. The product may fall, causing serious personal injury and serious damage to the product. Use only with cart, stand, tripod, bracket, or table recommended by the manufacturer or sold with the product. Follow the manufacturer's instructions when installing the product and use mounting accessories recommended by the manufacturer. [. . . ] The matching Traynor DHX12 extension cabinet would be a good choice. So would a wall of 4x12 cabinets if you're that sort of person. Flip the Standby switch to the middle position and turn the Power switch ON. It'll take a minute for your tubes to heat up. Plug in your instrument and turn the Master control to zero. Turn the Gain, Treble and Bass controls to their mid position. Select which output tube you want to use with the Standby switch. In the down position you'll be in the lower power mode with a true triode 12AU7 output stage. flip the switch to the up position to engage the higher power of the pentode 6V6 stage. Aside from the power levels, you'll find each of the output tubes has their own sound. Crank up the Master, dial in your tone and break a few strings!ATTENTION: Before powering unit on, make sure speakers are connected If you're planning on connecting a piece of line-level gear, make sure you turn its output volume way down. This control adjusts the gain of the amp's first tube stage. Along with the Tonestack switch, the Gain control determines how much clipping you'll get at low volumes. You'll also notice the amp sounds a little brighter when the Gain is set low; it's like a built in 'brightness' setting. It shifts where in the circuit your tonestack sits. It's like getting three amps in one! Brit ­ Setting to Brit mode positions the tonestack after the second tube stage, just before This mode also has a boost in the mid frequencies making it great for lead tones and high gain chord bashing. Pure ­ A Pure setting ­ what's this you ask?This position bypasses the tonestack, meaning you can spin those tone knobs all you want, but they won't do much!What you get is the natural EQ of the amp and the hottest possible signal going to the power amp. crank the Gain and Master to 10 and listen to the output tubes saturate! [. . . ] This can be great for a sparkly clean tone that cuts through. Go to 12AU7 mode and crank the Gain control in Brit mode with the Master control turned low. Turn up the Gain and Master in 6V6 mode with the tonestack set to Pure. You'll find that Brit mode has more gain with the Master turned down while the Pure puts out more with Master cranked. [. . . ]