User manual YAMAHA APX1200II

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Manual abstract: user guide YAMAHA APX1200II

Detailed instructions for use are in the User's Guide.

[. . . ] Release Lever *Always change both batteries at the same time. Do not mix new and old batteries, or different type batteries (batteries made by different manufacturers or batteries by thesamemanufacturerbutofdifferenttypes). Notdoingsocanresultinfire, etc. [. . . ] *Thetunermaynotbeabletodetectnotesrichwithovertonesorwithveryshortsustain. *Soundoutputismutedwhenthetunerisinuse. Output Jack (with power switch function) qVOL Control: Controls the volume. *Alwayssetthevolumetoitsminimumlevelwhenconnectingordisconnectingthecable. l Calibration (changing the reference pitch) The tuner's reference pitch can be adjusted within a range of A = 438 to 445Hz (set to 440Hz when the power is switched ON). w3-Band Equalizer: Adjusts the LOW, MID, and HIGH frequency levels. eTUNER Switch: Switches the tuner ON/OFF. rDisplay: Displays tuner information and settings, and A. tTYPE Switch: Selects the pickup's mic simulation type (1: large diaphragm condenser mic/ 2: small diaphragm condenser mic/ 3: ribbon mic). yFOCUS/WIDE Switch: Selects the setting for the simulated mic. FOCUS ( ): This setting delivers a clear tone appropriate for use when playing with a band. WIDE ( ): This setting delivers broad tone appropriate for solo use. uRESONANCE Control: Rotating to the right delivers more body tone, rotating to the left produces less. The knob's central detent position is the standard setting. iBLEND Control: Controls the mix level of signals received from the pickup and the simulated mic. Rotate fully to the left for 100% pickup signal and fully to the right for 100% simulated mic signal. [. . . ] 20 hours (Without tuner and using alkaline batteries. May differ due to operating conditions. ) l Tuner: Chromatic type (12 semi-tones), Calibration (A=438 to 445Hz), Accuracy range +/­ 3 cents l Accessories: Neck adjustment hex-wrench x1, Size AA alkaline battery x2, Sound hole cover x1 e Hold the A. F. R. [. . . ]

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