User manual YAMAHA CL-3 CL EDITOR

[. . . ] CL Editor Owner’s Owner’s Manual Manual Special Notices • The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation. • Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. • Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use. • Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. [. . . ] The BALANCE knob adjusts the balance of the signal that is sent from the ST IN channel to the STEREO bus L/R channels. PAN/BALANCE can be switched with the [PAN]/[BALANCE] buttons. Adjusts the proportion of the CENTER channel level relative to the STEREO bus L/R in a range of 0–100%. PAN (PAN/BALANCE for ST IN) CSR (Center Side Ratio) 28 CL Editor Owner’s Manual ❏ EQ (EQUALIZER) 1 2 3 5 6 4 7 8 9 0 A 1 LIBRARY Accesses the INPUT EQ page of the Library window. 2 ON Switches the EQ (Parametric Equalizer) on/off of the currently selected channel. 3 EQ graph Indicates the response for the EQ of the currently selected channel. To reset the EQ to flat response, hold down the <Ctrl>(< >) key of your computer keyboard and click the graph (The HPF setting will remain. ) 4Q These knobs adjust the Q level of the frequency range selected in the EQ graph. 5 FREQ (FREQUENCY) These knobs adjust the center frequency for the four bands LOW, LO-MID, HI-MID, and HIGH. 6 GAIN These knobs adjust the Q, center frequency, and boost/cut amount for the four bands LOW, LO-MID, HI-MID, and HIGH. 7 8 HIGH shelving If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disappear. ) LPF (Low Pass Filter) If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear, and the GAIN knob will act as the low pass filter on/off switch. 9 LOW shelving If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear. ) 0 TYPE I/TYPE II (EQ type) Selects either TYPE I or TYPE II as the EQ type. A ATT (Attenuation) Adjusts the amount of attenuation for the signal level of pre EQ. 29 CL Editor Owner’s Manual ❏ DYNAMICS1/2 You can select one of the following types for each of the two dynamics processors. DYNAMICS1 DYNAMICS2 GATE, DUCKING, COMPRESSOR, EXPANDER COMPRESSOR, COMPANDER-H, COMPANDER-S, DE-ESSER If GATE/DUCKING is selected 5 1 2 3 6 7 8 4 9 0 A 1 TYPE B C Indicates the type of the currently selected gate/ducking. Ducking is the effect that activates compressor triggered by another sound source. 2 LIBRARY This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window. 3 ON This button switches on/off for the gate or the ducking. 4 Response curve Indicates the response for the gate/ducking of the currently selected channel. 5 GR meter (Gain Reduction meter) This meter indicates the amount of gain reduction produced by the gate/ducking. 6 THRESH (Threshold level) Specifies the level (the threshold level) at which the gate/ducking will activate. The gate will open (or the ducking will activate) when the key-in signal exceeds this level, and the gate will close (or the ducking will deactivate) when the signal falls below this level. 7 RANGE Specifies the amount by which the signal is attenuated while the gate is closed (or while the ducking is activated. ) 8 DECAY Specifies the time over which the gate will close (or the time to return to normal signal gain of ducking) after the hold time has elapsed. 9 ATTACK Specifies the time from when the key-in signal exceeds the threshold level until the gate opens (or from when the ducking has been triggered until the signal is ducked. ) 0 HOLD Specifies the time that the gate will remain open (or the ducking will remain activate) after the key-in signal falls below the threshold. 30 CL Editor Owner’s Manual A KEY IN SOURCE Click this to select one of the following signals to use as the key-in source. SELF PRE EQ SELF POST EQ MIX OUT 21–24 CH 1–72 POST EQ STIN1L–STIN8R POST EQ The pre-EQ signal of the currently selected input channel The post-EQ signal of the currently selected input channel The output signal of the corresponding MIX channel immediately before the output attenuation The post-EQ signal of the corresponding input channel (however, you can only choose channels belonging to the same group, within the eleven groups CH1–8, CH9–16, CH17–24, CH25–32, CH33–40, CH41–48, CH49-56, CH57-64, CH65-72, STIN1L–STIN4R, and STIN5L–STIN8R) B CUE This button cue-monitors the currently selected key-in signal. This is not shown in the Additional View. NOTE If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen. C KEY IN FILTER Select the type of filter applied to the selected key-in signal; HPF (high pass filter), BPF (band pass filter), or LPF (low pass filter. ) The ON/OFF button switches the filter on/off. If you’ve selected BPF, use the two knobs to adjust the band pass frequency and Q. If you’ve selected HPF or LPF, use the knob to adjust the cutoff frequency. If COMPRESSOR/EXPANDER is selected 5 1 2 3 6 7 8 4 9 0 A B 1 TYPE Indicates the currently selected compressor or expander. You can click here to select the type. 2 LIBRARY This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window. 3 ON This button switches on/off for the compressor or the expander. 4 Response curve Indicates the response for the compressor/expander of the currently selected channel. 5 GR meter (Gain Reduction meter) This meter indicates the amount of gain reduction produced by the compressor/expander. 6 THRESH (Threshold level) Specifies the threshold level at which the compressor/expander will operate. If the compressor is selected, the input signal will start being compressed when the key-in signal exceeds this level; compression will be removed when the signal falls below this level. If the expander is selected, the input signal will start being compressed when the key-in signal falls below this level; compression will be removed when the signal exceeds this level. 31 CL Editor Owner’s Manual 7 RATIO If the compressor is selected, specifies the ratio at which the input signal will be compressed when the key-in signal exceeds the threshold. If the expander is selected, specifies the ratio at which the input signal will be compressed when the key-in signal falls below the threshold. 8 KNEE Specifies the sharpness at which the output level will change. You can select from HARD or 1–5. 9 ATTACK If the compressor is selected, specifies the time (the attack time) from when the key-in signal exceeds the threshold level until the signal starts being compressed. If the expander is selected, specifies the time (the attack time) from when the key-in signal falls below the threshold level until the signal starts being compressed. 0 GAIN Adjusts the gain of the signal after it has passed through the compressor/expander. A RELEASE If the compressor is selected, specifies the time (the release time) from when the key-in signal falls below the threshold level until compression is removed. If the expander is selected, specifies the time (the release time) from when the keyin signal exceeds the threshold level until compression is removed. B KEY IN SOURCE Click this to select the key-in signal that you want to use. The choices are the same as for GATE. If COMPANDER-H, COMPANDER-S is selected 5 1 2 3 6 7 8 4 9 0 A B 1 TYPE Indicates the type of the currently selected compander (a combination of compressor and expander. ) You can click here to select the type. 2 LIBRARY This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window. 3 ON This button switches the compander on/off. 4 Response curve Indicates the response for the compander of the currently selected channel. 5 GR meter (Gain Reduction meter) This meter indicates the amount of gain reduction produced by the compander. 6 THRESH (Threshold level) Specifies the threshold level at which compression and expansion are applied. The input signal will be compressed when the key-in signal exceeds this level. [. . . ] 41 MIX channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 TO MATRIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28, 38 Sends On Fader window . . . . . . . . . . . . . . . . 88 SET ALL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76, 78, 79 Setup Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]