User manual YAMAHA CLP-555

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Mode d'emploi YAMAHA CLP-555
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   YAMAHA CLP-555 (857 ko)

Manual abstract: user guide YAMAHA CLP-555

Detailed instructions for use are in the User's Guide.

[. . . ] Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones ENGLISH ESPAÑOL FRANÇAIS DEUTSCH IMPORTANT Check Your Power Supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. [. . . ] Use the [­/NO] and [+/YES] buttons to set the octave of the 1st or 2nd voice as required ("1st" and "2nd" refer to the left and right voice selectors, respectively). The available settings are "0" for normal pitch, "­1" to shift the pitch down one octave, and "1" to shift the pitch up one octave. Press the [­/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). 24 The Function Mode F3. 5: 1st Voice Effect Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F3. 6: 2nd Voice Effect Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . These functions make it possible to individually set the depth of the chorus effect for the 1st and 2nd dual-mode voices ("1st" and "2nd" refer to the left and right voice selectors, respectively). Use the [­/NO] and [+/YES] buttons to set the effect depth for the corresponding voice as required. A setting of "0" produces no effect, while a setting of "20" produces maximum effect depth. Press the [­/NO] and [+/YES] buttons simultaneously to recall the default setting (the default effect depth setting is different for each voice). · The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be exited before EFFECT can be turned ON. F3. 7: Slow-attack Strings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In a dual mode voice combination using a strings voice and any other voice, a better "blend" can sometimes be produced by switching the strings voice to a slow-attack variation. Use the [­/NO] and [+/YES] buttons to turn the slow-attack variation "On" or "OFF", as required. Press the [­/NO] and [+/YES] buttons simultaneously to recall the default setting: "OFF". F3. 8: Reset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . This function resets all dual-mode functions to their default values. Press the [+/YES] button to reset the values. "End" will appear on the display when all functions have been reset. F4 Split Mode Functions After selecting "F4. Y", press the [+/YES] button to engage the split-mode function submode, then use the [<] and [>] buttons to select the desired split mode function, as listed below. If the Split mode is not engaged "F4. -" will appear instead of "F4. Y" and the Split mode functions cannot be selected. Also note that you must exit from the Function mode before the Split mode can be engaged. s SHORTCUT: You can jump directly to the split-mode functions (F4) by pressing the [FUNCTION] button while holding the [SPLIT] button. F4. 1: Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In addition to the split point setting method described on page 13, the split point can be set via this function. Use the [­/NO] and [+/YES] buttons to set the split point as required, or simply press the appropriate key on the keyboard: from "A-1" to "C7". Press the [­/NO] and [+/YES] buttons simultaneously to recall the default setting: "F#2". 25 The Function Mode F4. 2: Split Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The volume levels of the two voices combined in the split mode can be adjusted as required by using this function. Use the [­/NO] and [+/YES] buttons to adjust the balance as required. A setting of "10" produces equal balance between the two split-mode voices. Settings below "10" increase the volume of the left-hand voice in relation to the right-hand voice, and settings above "10" increase the volume of the right-hand voice in relation to the left-hand voice. Press the [­/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). F4. 3: Right Voice Octave Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F4. 4: Left Voice Octave Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Depending on which voices you combine using the split mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [­/NO] and [+/YES] buttons to set the octave of the left-hand or right-hand voice as required. [. . . ] of Germany Tel: 04101-3030 AFRICA Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312 AUSTRIA Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 0222-60203900 NEW ZEALAND Music Houses of N. Z. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 THE NETHERLANDS Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411 MIDDLE EAST TURKEY/CYPRUS Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F. R. of Germany Tel: 04101-3030 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317 BELGIUM Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220 FRANCE Yamaha Musique France, Division Claviers BP 70-77312 Marne-la-Valée Cedex 2, France Tel: 01-64-61-4000 OTHER COUNTRIES Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312 HEAD OFFICE [CL] 9 Yamaha Corporation, Electronic Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-3255 FCC INFORMATION (U. S. A. ) 1. [. . . ]

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