User manual YAMAHA CP-25

[. . . ] A nostalgic-sounding piano ideal for use in genres such as honky tonk and ragtime. A faithful recreation of the sound of a studio-recorded CP80. PRE A 005 Lush Piano 1 2 Rich Hall PRE A 006 CF Chorus 1 2 Rich Hall PRE A 007 CF Comp 1 2 Rich Room PRE A 008 TheOldPno 1 2 Room1 PRE A 009 CP80Studio 1 2 Stage2 PRE A 010 CP80 Live 1 2 Stage1 A CP80 sound of the type frequently heard in live situations. PRE A 011 CP80Chorus 1 2 Rich Room A CP80 sound with chorus applied to better suit longer, sparser tones. A totally new, chorus-type piano sound with a unique character that sets it apart from both grand pianos and the CP80. An stunning recreation of the Fulltine voice of the DX7 II, so enriched by the 816Chorus that you could be forgiven for thinking that you are actually playing a TX816. [. . . ] A rich sound achieved by combining the woody tones of the S6 3Band and the metallic attack of the DXEP3 so as to perfectly complement each other. This thick tone blends the warmth of the CP80 with the electric piano sound of the DX. With the Attack Timbre (AtkTimbr) parameter of a DXEP3 part set to "Soft2" so that it bridges the gaps behind a CF 3Band part, this layered sound can be played in much the same way as a pad. A sound recreating the combination of electric and acoustic pianos adopted as standard for ballads, pop, and many other genres prior to the arrival of the DX electric piano. A CP80 sound with emphasized attack and Dyno-type nuances. PRE B 015 Fat Wurli 1 2 Rich Room PRE B 016 77 Tremolo 1 2 Woody Room PRE C 001 APmeetsDX 1 2 Rich Plate PRE C 002 ChimeStack 1 2 Rich Plate PRE C 003 CPDXHybrid 1 2 Rich Plate PRE C 004 Ultra Warm 1 2 Rich Plate PRE C 005 MyCF&Dyno 1 2 CF 3Band Dyno CP80 Dyno 75Rd I CF 3Band D Chorus Symphonic Symphonic Symphonic Small Phaser D Chorus Clean Amp Power Amp 78Rd II VCM Compressor 376 Power Amp 78Rd II VCM Compressor 376 VCM Compressor 376 Rich Plate PRE C 006 CP Backed 1 2 Rich Room PRE C 007 CF75 AsOne 1 2 Rich Plate A layered tone combining a CFIIIS acoustic piano and a 75Rd I electric piano featuring a phaser effect to effortlessly reproduce the famous sound of the seventies and eighties that, at the time, could only be achieved through overdubbing. A grand, dreamlike layered sound reminiscent of movie soundtracks. A glittering sound achieved by layering a DX electric piano over the distinctive metallic tones of a Dyno piano. Featuring a DX electric piano layered over an Rd I piano, this sound delivers tones with a wide-ranging attack feel. A layered sound combining a Wr piano ideal for rhythmical, paradiddle-type playing with a DX electric piano featuring a wah effect. Perfect for playing Latin-type phrases, this sound combines a pair of acoustic pianos offset by an octave with respect to each other. A split sound allowing grand piano solos to be played with Rd piano backing. When Master Keyboard Mode (KbdMode) is set to "layer" or "split", MIDI data is received via the Basic Receive Channel (RecvCh). 10 CP-25 Data List MIDI Data Format (3) TRANSMIT/RECEIVE DATA (3-1) CHANNEL VOICE MESSAGES (3-1-1) NOTE OFF STATUS NOTE No. VELOCITY Receive only 1000nnnn (8nH) 0kkkkkkk 0vvvvvvv n = 0 ­ 15 CHANNEL NUMBER k = 0 (C-2) ­ 127 (G8) v: ignored (3-2) CHANNEL MODE MESSAGES STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn (BnH) 0ccccccc 0vvvvvvv n = 0 ­ 15 CHANNEL NUMBER c = CONTROL NUMBER v = DATA VALUE (3-2-1) ALL SOUND OFF (CONTROL NUMBER = 78H, DATA VALUE = 0) All the sounds currently played including the channel messages such as note-on in a certain channel are muted when receiving this message. MIDI Channel messages such as Hold and Sostenuto are retained. (3-2-2) RESET ALL CONTROLLERS (CONTROL NUMBER = 79H, DATA VALUE = 0) (3-1-2) NOTE ON/OFF STATUS NOTE NUMBER VELOCITY NOTE ON NOTE OFF 1001nnnn (9nH) 0kkkkkkk 0vvvvvvv (v0) 0vvvvvvv (v=0) n = 0 ­ 15 CHANNEL NUMBER k = 0 (C-2) ­ 127 (G8) NOTE ON NOTE OFF Resets the values set for the following controllers. PITCH BEND CHANGE 0 (center) EXPRESSION 127 (maximum) FOOT CONTROLLER 1 0 (minimum) FOOT CONTROLLER 2 0 (minimum) SUSTAIN SWITCH 0 (off) SOSTENUTO SWITCH 0 (off) SOFT SWITCH 0 (off) RPN Not assigned; No change Doesn't reset the following data: PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME, PAN SUSTAIN LEVEL, RELEASE TIME, ATTACK TIME, DECAY TIME EFFECT SEND LEVEL 1 PITCH BEND SENSITIVITY ASSIGNABLE CONTROLLER (3-1-3) CONTROL CHANGE STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn (BnH) 0ccccccc 0vvvvvvv n = 0 ­ 15 CHANNEL NUMBER *TRANSMITTED CONTROL NUMBER c= 0 BANK SEL MSB c = 32 BANK SEL LSB c= 7 MAIN VOLUME c = 10 PAN c = 11 EXPRESSION c = 64 SUSTAIN SWITCH c = 66 SOSTENUTO c = 67 SOFT PEDAL c = 91 REVERB SEND c = 0. . 95 ASSIGNABLE CONTROLLERS *RECEIVED CONTROL NUMBER c= 0 BANK SEL MSB c = 32 BANK SEL LSB c= 6 DATA ENTRY MSB c = 38 DATA ENTRY LSB c= 7 MAIN VOLUME c = 10 PAN c = 11 EXPRESSION c = 64 SUSTAIN SWITCH c = 66 SOSTENUTO c = 72 EG RELEASE TIME c = 75 EG DECAY TIME c = 91 EFFECT1 DEPTH c = 96 DATA ENTRY INC c = 97 DATA ENTRY DEC c = 0. . 95 ASSIGNABLE CONTROLLER ; ; ; ; ; ; ; ; ; ; v v v v v v v v v v = = = = = = = = = = 0 ­ 127 0 ­ 127 0 ­ 127 0 ­ 127 0 ­ 127 0, 127 0, 127 0, 127 0 ­ 127 0 ­ 127 *2 *2 (3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0) All the notes currently set to on in certain channels are muted when receiving this message. However, if Sustain or Sostenuto is on, notes will continue sounding until these are turned off. *3 (3-2-4) OMNI MODE OFF (CONTROL NUMBER = 7CH, DATA VALUE = 0) Performs the same function as when receiving ALL NOTES OFF. Sets Basic Receive Channel to "OMNI OFF, " channel 1. ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; v v v v v v v v v v v v v v v = = = = = = = = = = = = = = = 63 61 ­ 69 0 ­ 127 0 ­ 127 0 ­ 127 0 ­ 127 0 ­ 127 0 ­ 63:OFF, 64 0 ­ 63:OFF, 64 0:-16 ­ 64:0 ­ 0:-16 ­ 64:0 ­ 0 ­ 127 127 127 0 ­ 127 *2 *2 *1 (3-2-5) OMNI MODE ON (CONTROL NUMBER = 7DH, DATA VALUE = 0) Performs the same function as when receiving ALL NOTES OFF. Sets Basic Receive Channel to "OMNI ON. " ­ 127:ON ­ 127:ON 127:+16 127:+16 *1 *1 *3 (3-3) REGISTERED PARAMETER NUMBER STATUS LSB RPN LSB MSB RPN MSB DATA ENTRY MSB DATA VALUE DATA ENTRY LSB DATA VALUE 1011nnnn 01100100 0ppppppp 01100101 0qqqqqqq 00000110 0mmmmmmm 00100110 0lllllll (BnH) (64H) (65H) q = RPN MSB (Refer to the table as shown below. ) (06H) m = Data Value (26H) l = Data Value n = 0 ­ 15 CHANNEL NUMBER p = RPN LSB (Refer to the table as shown below. ) *1 Used only when a value is set using RPN. *2 Relation between BANK CHANGE and PROGRAM is as follows: CATEGORY Performance Preset A Preset B Preset C User A User B User C External A External B External C MSB 63 63 63 63 63 63 63 63 63 LSB 61 62 63 64 65 66 67 68 69 PROGRAM No. 0. . 15 (1. . 16) 0. . 15 (1. . 16) 0. . 15 (1. . 16) 0. . 15 (1. . 16) 0. . 15 (1. . 16) 0. . 15 (1. . 16) 0. . 15 (1. . 16) 0. . 15 (1. . 16) 0. . 15 (1. . 16) First, designate the parameter using RPN MSB/LSB numbers. Then, set its value with data entry MSB/LSB. [. . . ] ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the keyboard and the data via MIDI. ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via MIDI. 12 CP-25 Data List MIDI Data Table Bank Select Available Bank Select/Program Change MSB (HEX) 63 3F Bulk Dump Block Program No. 0 ­ 15 0 ­ 15 0 ­ 15 0 ­ 15 0 ­ 15 0 ­ 15 0 ­ 15 0 ­ 15 0 ­ 15 LSB (HEX) 61 62 63 64 65 66 68 69 70 3D 3E 3F 40 41 42 44 45 46 Type Performance Memory PRE A PRE B PRE C USR A USR B USR C EXT A EXT B EXT C Description When Keyboard Mode (KbdMode) is set to "layer" or "split", this MIDI data is received via the Basic Receive Channel (RecvCh). When Keyboard Mode (KbdMode) is set to "zone", this MIDI data is received via Channel 1 or 2. "Top Address" indicates the top address of each block designated by bulk dump operation. "Byte Count" indicates the data size contained in each block designated by bulk dump operation. [. . . ]