User manual YAMAHA CR-420

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Manual abstract: user guide YAMAHA CR-420

Detailed instructions for use are in the User's Guide.

[. . . ] Verificare che tutte le parti seguenti siano contenute nell'imballaggio dell'apparecchio. Desembale el aparato y verificar que los siguientes accesorios están en la caja. Controleer na het uitpakken of de volgende onderdelen voorhanden zijn. q q q q q q q Indoor FM Antenna Antenne FM intérieure UKW-Innenantenne FM inomhusantenn Antenna FM per interni Antena FM interior FM Binnenantenne q q q q q q q AM Loop Antenna Cadre-antenna AM MW-Rahmenantenne AM ramantenn Antenna AM ad anello Antena de cuadro de AM AM Lusantenne q q q q q q q Audio connection cord Câble de connexion audio Audio-Anschlußkabel Audio anslutningssladdar Cavo di collegamento audio Cable de conexión de audio Audio aansluitkabel 2 Thank you for selecting this YAMAHA stereo tuner English FEATURES · · · · · · 40 Station Random Access Preset Tuning Automatic Preset Tuning Multi-Status Station Memory Direct PLL Synthesizer Tuning Preset Station Shifting Capability Multi-Functions for RDS Broadcast Reception (U. K. and Europe models only) CONTENTS Supplied Accessories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Caution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Tuning Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Preset Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Receiving RDS Stations (U. K. [. . . ] With this function, you can recall any desired station by only selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 pages) can be stored. <U. K. and Europe models> <General model> 2, 5 2 3, 1 4, 3 2, 5 2 3, 1 4, 3 To store stations To recall a preset station 1 2 Tune to a desired station. (Refer to the previous page for tuning procedures. ) 1 Select the page where the preset station is stored. A/B/C/D/E PRESET MEMORY MEMO MAN'L/ AUTO FM Flashes on and off for about 5 seconds. 2 If "PRESET" is not being illuminated on the display, any preset station cannot be recalled. If so, press the KEY MODE button to turn it on. 3 Select a desired page (A ­ E) of preset stations while watching the display before "MEMO" goes off from the display. A/B/C/D/E PRESET PRESET <U. K. and Europe models> ENTER/ KEY MODE <General model> KEY MODE 4 Select a preset station number (1­8) while watching the display before "MEMO" goes off from the display. PRESET STATIONS DOWN UP ENTER 3 TUNING PRESET STATIONS DOWN UP 5 MEMORY PRESET AUTO ST MHz TUNING Select the preset station number. Notes q A new setting can be programmed in place of the former one. q For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency. MAN'L/ AUTO FM Shows the displayed station has been programmed to A1. * In the same way, program other stations to A2, A3 . . . * You can program more stations on other pages in the same way by selecting other pages in step 3. 9 AUTOMATIC PRESET TUNING You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 9. Rock: Contemporary modern music, usually written and performed by young musicians. NEWS VARIED AFFAIRS Current affairs: Topical program expanding or enlarging upon the news, generally in different presentation style or concept, including documentary debate, or analysis Information: Program whose purpose is to impart advice in the widest sense, including meteorological reports and forecasts, consumer affairs, medical help, etc. Sport: Program concerned with any aspect of sport. POP M INFO ROCK M SPORT MOR M Education: Program intended primarily to educate, of which the formal element is fundamental. EDUCATE M. O. R. : (Middle of the Road Music). Common term to describe music considered to be "easylistening", as opposed to Pop, Rock or Classical. Music in this category is often but not always, vocal, and usually of short duration (<5 min. ) Light classics: Classical Musical for general, rather than specialist appreciation. Examples of music in this category are instrumental music, and vocal or choral works. Serious classics: DRAMA Drama: All radio plays and serials. LIGHT M CULTURE Culture: Programs concerned with any aspect of national or regional culture, including religious affairs, philosophy, social science, language, theatre, etc. Science: Programs about the natural sciences and technology. orchestral CLASSICS Performances of majormusic etc. , works, symphonies, chamber and including Grand Opera. SCIENCE OTHER M Other music: Musical styles not fitting into any of the above categories. Particularly used for specialist music, of which Jazz, Rhythm & Blues, Folk, Country, and Reggae are examples. 12 English To turn the unit into the PS mode or PTY mode Press the FREQ/PS/PTY button. Whenever pressed, the mode changes into the PS mode, PTY mode and returns to usual mode in turn. * When an RDS station is received, the display is automatically turned into the PS mode. Do not press the FREQ/PS/PTY button until the display is turned into the PS mode. [. . . ] Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning mode. Noise from thermostats or other electrical equipment. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is far away or the antenna input is poor. There is distortion and clear reception cannot be obtained even with a good FM antenna. [. . . ]

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