User manual YAMAHA DSP-AX1

[. . . ] BG DSP-AX1 Natural Sound AV Amplifier Amplificateur Audio-Video TRANSMIT RE-NAME CLEAR LEARN MACRO SYSTEM MACRO OFF ON POWER STANDBY V-AUX TAPE PHONO D-TV CBL/SAT TUNER MD CD VCR 1 VCR 2 VCR 3 LD DVD DIGITAL 6CH INPUT TITLE NATURAL SOUND AV AMPLIFIER DSP-AX1 CINEMA DSP DOLBY DIGITAL SURROUND % % ENTER VOLUME INPUT SELECTOR SOURCE % % SELECT DISPLAY MENU SEARCH ! REC ! STOP $ PAUSE POWER / STANDBY/ON INPUT MODE 10KEY DSP HALL 1 HALL 2 * CHURCH 1 ROCK CONCERT 2 ENTERTAINMENT CONCERT VIDEO 1 5 EX/ES TV THEATER 6 MOVIE MOVIE THEATER 1 THEATER 2 9 A 10 0 SPEAKERS B ­ SET MENU + CHP/INDEX NEXT 6CH IMPUT EFFECT PROGRAM A / B / C / D / E PRESET PHONES 2 3 4 BASS 1 0 1 2 3 4 5 5 2 3 4 TREBLE 1 0 4 5 5 1 2 3 BALANCE 1 2 3 4 L5 4 5R 0 1 2 3 BASS PROCESSOR EXTENSION DIRECT REC OUT/ZONE 2 SOURCE/REMOTE LD D-TV CBL/SAT VCR 1 VCR 2 VCR 3 VIDEO AUX DVD MD TAPE TUNER CD PHONO S VIDEO + VIDEO AUX VIDEO L AUDIO R TV INPUT TV MUTE + CH MUTE EFFECT TV VOL ­ ­ DISC ­ + ­ + ON OFF OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG % 3 7 11 +10 SOUND ­ CHAPTER + % $ PLAY # JAZZ CLUB 4 CONCERT VIDEO 2 8 /DTS SUR. 12 +100 + VOLUME ­ CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. Install this unit in a cool, dry, clean place ­ away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. [. . . ] Selects the output mode for your Front Effect speakers. Selects the output level for your main channels. Matches the Subwoofer level with the level of the other speakers. LRG / SML / NONE LARGE / SMALL LRG / SML / NONE LRG / SML / NONE SW / MAIN / BOTH YES / NONE Normal / ­10 dB TEST TONE: OFF / ON OUTPUT: MAIN L/R, MAIN L, CENTER, MAIN R, R SUR. (REAR R), REAR CT, L SUR. (REAR L), SUBWOOFER, FRONT FREQ. : 35 Hz-250 Hz SPEAKER: ­20 dB to 0 dB HEADPHONE: ­20 dB to 0 dB SP(SPEAKER): MAX / STD / MIN HP(HEADPHONE): MAX / STD / MIN SPEAKER: ­10 dB to +10 dB (0 dB) HEADPHONE: ­10 dB to +10 dB (0 dB) CENTER: 0 ms to 5 ms REAR CNTR: 0 ms to 30 ms (3 ms) 0 ms to 99 ms 5-band: ­6 dB to +6 dB (0 dB) 5-band: ­6 dB to +6 dB (0 dB) LCR, FRNT EFCT, REAR L/R, REAR CT: OFF / ON HIGHFRQ: 1 kHz to 12. 7 kHz GAIN: ­ 9 dB to +6 dB (­3 dB or 0 dB) PEQFRQ: 1 kHz to 12. 7 kHz (8 kHz or 12. 7 kHz) GAIN: ­9 dB to +6 dB (­3 dB or ­4 dB) 39 39 39 40 40 41 41 42 2. 3. DOLBY D. D-RANGE 43 Adjusts the output level of the LFE channel for Dolby Digital signals. Adjusts the dynamic range for Dolby Digital signals. 4. DTS SET 4A. LFE LEVEL SP DELAY TIME 44 Adjusts the output level of the LFE channel for DTS signals. Adjusts the delay time for Center and Rear Center speakers. 5. 44 6. 9. AUDIO DELAY CENTER GEQ REAR CT GEQ CINEMA EQ 9A. REAR CT EQ Adjusts the delay time for all channels. Matches the Center speaker tonal quality with the Main speakers. Controls the tonal quality of the Rear Center speaker. 44 45 45 46 Adjusts the tonal balance of the Main and Center speakers, Front Effect speakers, Rear speakers and Rear Center speaker separately. 10. 6. 1/ES AUTO Adjusts the tonal balance of the headphones. Initializes the parameters of a group of DSP programs. Selects the AUTO mode of Dolby Digital/Matrix 6. 1and DTS ES decoding. BASS, TRBL : ­6 dB to +3 dB (0 dB) 1 to 12 ON / OFF 47 47 47 13. CMPNT-V INPT Locks DSP program parameters and other SET MENU settings. Selects the equipment to be connected to the component video inputs A, B or C. OFF / ON A: DVD B: D-TV C: CBL/SAT D-TV: AUTO / LAST CBL/SAT: AUTO / LAST VCR1: AUTO / LAST Up to eight characters. ­4 to 0 ZONE 2 OUT: FIX(fixed) / VAR. (variable) 48 48 15. INPUT MODE Selects the initial input mode of the sources connected to D-TV, CBL/SAT and VCR 1. 48 16. ZONE 2 SET Changes the name of the inputs. Adjusts the brightness of the front panel display. Selects the mode of Zone 2. 49 49 49 37 SET MENU Items Operating the SET MENU This section describes how to adjust items in the SET MENU using the remote control. To make adjustments using the controls on the main unit, use the buttons referred to in parentheses. [. . . ] OUT --------------------------- 150 µV or less Channel Separation (Vol ­30 dB, 5. 1 k-ohms terminated) 1 kHz/10 kHz ---------------------------- 70 dB/60 dB or more Tone Control (MAIN L/R) Bass Boost/Cut --------------------------------- ±10 dB (50 Hz) Treble Boost/Cut ----------------------------- ±10 dB (20 kHz) Bass Extension ---------------------------------- +6 dB (60 Hz) *Specifications are subject to change without notice. Video Section Video Signal Type [Europe and U. K. models] --------------------------------- PAL [General and China models] ---------------------- NTSC/PAL Composite Video Signal Level ----------------------- 1 Vp-p/75 ohms S-Video Signal Level Y ------------------------------------------------- 1 Vp-p/75 ohms C -------------------------------------------- 0. 286 Vp-p/75 ohms Component Video Signal Level Y ------------------------------------------------- 1 Vp-p/75 ohms PB/CB, PR/CR --------------------------------- 0. 7 Vp-p/75 ohms Maximum Input Level ------------------------------------------ 1. 5 Vp-p Signal to Noise Ratio ------------------------------------ 50 dB or more Frequency Response (MONITOR OUT) ------------------- 5 Hz to 10 MHz, ­3 dB English General Power Supply [Europe and U. K. models] ----------------- AC 230 V, 50 Hz [Other models] ----------- AC 110/120/220/240 V, 50/60 Hz Power Consumption ----------------------------------------------- 550 W AC Outlets (Total 100 W maximum) [U. K. model] -------------------------------------- 1 (Switched) [Other models] ----------------------------------- 3 (Switched) Dimensions (W x H x D) ------------------------- 471 x 211 x 473 mm (18-1/2" x 8-1/4" x 18-5/8") Weight ----------------------------------------------- 28 kg (61 lbs 11oz) Accessories ----------------------------------------------- Remote control Alkaline batteries Quick reference guide 83 YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE. , BUENA PARK, CALIF. [. . . ]