User manual YAMAHA F12 F12M F15 F25 F28

[. . . ] SPEAKER SYSTEMS F12 F12M F15 F25 SUBWOOFER F28 Owner's Manual Mode d'emploi Bedienungsanleitung Manual de instrucciones Thank you for purchasing a YAMAHA product. To obtain maximum performance from your YAMAHA speaker system and ensure many years of trouble-free operation, we recommend that you read this Owner's Manual thoroughly before use and keep it for future reference. [. . . ] This will avoid loud, damaging pops that will annoy your audience, and blow your speakers. When you power down, the amplifier should ALWAYS be turned off first to avoid the same problems. MAKE SURE THE POWER IS OFF BEFORE MAKING OR REMOVING CONNECTIONS Always turn the power switches of system components OFF prior to connecting or disconnecting cables. Failure to do so may result in damage to speakers as well as to connected equipment. This product, when used in combination with amplification and/or additional loudspeakers, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate at high volume levels or at a level that is uncomfortable. If you experience any discomfort or ringing in the ears, or suspect an hearing loss, you should consult an audiologist. DISCONNECT CABLES BEFORE MOVING THE SYSTEM To prevent short circuits or breakage of cables, always disconnect cables prior to moving system equipment. MATCH CONNECTOR POLARITY When using two or more speaker systems, be sure match the polarity (+/­) of the speaker system connectors to those at the amplifier. If the polarities do not match, the sounds produced by the speakers will interfere with each other, making it impossible to achieve a well-balanced sound field. SPEAKER HANDLES The handles on your speakers are for transportation. The F12M/F25/F28 models are not designed for suspension or hanging. Only the F12/F15 models are designed for suspension. Please consult a qualified engineer for proper hanging techniques. Fly-Ware Hang correctly according to the instructions on page 4. KEEP THIS OWNER'S MANUAL IN A SAFE PLACE FOR FUTURE REFERENCE 2 Connection example s Connections qStand alone 1 Use as full-range speaker system 2 Use as bi-amp speaker system HF · SPEAKER SYSTEMS: F12/F12M/F15/F25 · SUBWOOFER: F28 Full-range position Mixer Power amp F12/F12M/ F15/F25 Polarity Reversed Mixer LF Bi-amp position Power amp Power amp qUse combined with subwoofer 1 2-way crossover Crossover 1. 4 kHz (24 dB/oct. , Gc=­3 dB) Polarity Normal HF Full-range position Power amp F12/F15 Mixer LF Normal Power amp Crossover 80 Hz (18 dB/oct. , Gc=­6 dB) F28 2 3-way crossover Polarity Reversed HF Bi-amp position Power amp F12/F15 LF SLF Normal Power amp F28 Crossover LF/HF; 1. 4 kHz (24 dB/oct. , Gc=­3 dB) SLF/LF; 80 Hz (18 dB/oct. , Gc=­6 dB) s Speaker system and Neutrik NL4FC connector connections 2­ 1+ 1­ Neutrik NL4FC connector 2+ Full-range operation + 1+ ­ 1­ 2+ 2­ Bi-amp operation LF+ 1+ LF­ 1­ HF+ 2+ HF­ 2­ Subwoofer + 1+ ­ 1­ 2+ 2­ s Bi-amp drive FULL-RANGE PIN 1±=INPUT 2±=N. C. BI-AMP PIN 1±=L. F. 2±=H. F. For bi-amp drive, switch the mode switch from FULL-RANGE to BI-AMP with a flat-bladed screwdriver. Caution: · Do not switch the mode switch during operation. 3 Additions The F12/F12M/F15/F25 also support bi-amp drive. Español Mixer Normal Power amp Deutsch Français Normal F12/F12M/ F15/F25 English Hanging installation The F12/F15 can be installed hanging. Remove the four countersunk screws on the top or bottom of the speaker system, screw in the four accessory eye bolts and hang with wire. When hanging the speaker system, carry out the work under the guidance of an expert with a safe method appropriate to the actual installation and environment. Eye bolt (3/8") Countersunk screw Warning: · Always use the accessory eye bolts. [. . . ] * 1­5 above are reference values. 45° maximum (Figure 1: Always hang from four points. ) (Figure 2: Retraction angle 45° maximum) s Maintenance inspection Parts can deteriorate due to wear, corrosion, etc. For the sake of safe usage, inspect periodically. 4 Specifications s SPEAKER SYSTEMS Model Frequency Range Power Capacity NOISE PRGM MAX Nominal Impedance Sensitivity Nominal Dispersion Crossover Frequency Input Connectors Mode Switch Components LF HF Enclosure Dimensions (W × H × D) Weight Accessory 500 × 714 × 375 mm 34 kg 3/8" Shoulder Eye Bolts × 4 pcs 32. 5 kg -- 12" cone (JAY5130) Horizontal Vertical 60° 40° 98 dB (W, m) 40° 60° 1. 5 kHz NEUTRIK NL4MPR ×2 Full Range & Bi-Amp 15" cone (JAY6150) 15" cone × 2 (JAY6150) F12 55 Hz to 20 kHz 350 W (EIA RS-426) 700 W 1400 W 8 99 dB (W, m) 60° 40° F12M F15 45 Hz to 20 kHz 700 W (EIA RS-426) 1400 W 2800 W 4 98 dB (W, m) F25 3" Titanium diaphragm driver (JAY2120) Bass Reflex Type 40 kg 3/8" Shoulder Eye Bolts × 4 pcs 63 kg -- 705 × 465 × 447 mm 575 × 855 × 435 mm 575 × 1225 × 550 mm s SUBWOOFER Model Frequency Range Power Capacity NOISE PRGM MAX Nominal Impedance Sensitivity Input Connectors Components Enclosure Dimensions (W × H × D) Weight F28 35 Hz to 2 kHz 2000 W 4000 W 4 98 dB (W, m) NEUTRIK NL4MPR ×2 18" cone ×2 (JAY7020) Bass Reflex Type 1225 × 585 × 655 mm 72. 5 kg 6 F12M floor mounting angle 30° Specifications subject to change without notice. 471 1000 W (EIA RS-426) 5 Additions Español Deutsch Français English 110 100 RESPONSE dB 90 80 70 60 20 100 1k 10k 16 8 4 2 FREQUENCY Hz 0° 0° 0° 0° 50 270° 40 30 20 10 0 0 10 20 30 40 50 270° 40 30 20 10 0 0 10 20 30 40 24 24 0° 21 0° 21 0° 15 180° 0° 0° 50 270° 40 30 20 10 0 0 10 20 30 40 50 270° 40 30 20 10 0 0 10 20 30 40 24 24 0° 0° 15 0° 21 180° 21 32 180° 15 0° 12 0° 12 0° 0° 0° 50 90° ° 60 50 90° ° 60 · 500Hz · 1kHz · 2kHz 30 · 4kHz · 8kHz · 16kHz 180° 30 15 0° 12 0° 12 0° 0° 0° 50 90° ° 60 50 90° ° 60 · 500Hz · 1kHz · 2kHz 30 · 4kHz · 8kHz · 16kHz 0° 33 0° 0° 33 30 ° 30 ° 30 0° 33 0° 30 ° 33 0° 30 ° 110 100 RESPONSE dB 90 80 70 60 20 100 1k 10k 16 8 4 2 FREQUENCY Hz 0° 0° 0° 0° 50 270° 40 30 20 10 0 0 10 20 30 40 50 270° 40 30 20 10 0 0 10 20 30 40 24 24 0° 21 0° 21 0° 15 180° 50 270° 40 30 20 10 0 0 10 20 30 40 50 270° 40 30 20 10 0 0 10 20 30 40 33 Additions 24 24 0° 21 0° 21 0° 15 180° 180° 15 0° 12 0° 12 0° 0° 0° 50 90° ° 0° 0° 60 50 90° ° 60 · 500Hz · 1kHz · 2kHz 30 · 4kHz · 8kHz · 16kHz 180° 30 15 0° 12 0° 12 0° 0° 0° 50 90° ° 60 50 90° ° 60 · 500Hz · 1kHz · 2kHz 30 · 4kHz · 8kHz · 16kHz 0° 33 0° 0° 33 0° 33 30 ° 30 ° 30 ° 30 0° 0° 33 30 ° 110 100 RESPONSE dB 90 80 70 60 20 100 1k 10k 16 8 4 2 FREQUENCY Hz 0° 0° 0° 0° 50 270° 40 30 20 10 0 0 10 20 30 40 50 270° 40 30 20 10 0 0 10 20 30 40 0° 21 0° 21 0° 15 180° 0° 0° 50 270° 40 30 20 10 0 0 10 20 30 40 50 270° 40 30 20 10 0 0 10 20 30 40 24 24 0° 21 0° 21 0° 15 180° 34 180° 15 0° 12 0° 12 0° 0° 0° 50 90° ° 60 50 90° ° 60 · 500Hz · 1kHz · 2kHz 30 · 4kHz · 8kHz · 16kHz 180° 30 15 0° 12 0° 12 0° 0° 24 0° 24 50 90° ° 60 50 90° ° 60 · 500Hz · 1kHz · 2kHz 30 · 4kHz · 8kHz · 16kHz 0° 33 0° 0° 33 30 ° 30 ° 30 0° 0° 33 30 ° 0° 33 30 ° 110 100 RESPONSE dB 90 80 70 60 20 100 1k 10k 16 8 4 2 FREQUENCY Hz 35 Additions (106) H:714 H:465 50 0 30° 75 ° 60° 36 242 354. 7 W:500 W:705 210 D:375 (59) D:447 47 1 H:1225 D:550 H:855 (105) Additions ° 75 428 287 297 W:575 245 D:435 (85) ° 75 W:575 37 W:1225 H:585 D:655 38 CJY0328 R1 1 AP 40 Printed in U. S. A. Pro Audio Division, #18/3 P. O. [. . . ]