User manual YAMAHA HTR-5590

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Manual abstract: user guide YAMAHA HTR-5590

Detailed instructions for use are in the User's Guide.

[. . . ] U HTR-5590 AV Receiver OWNER'S MANUAL IMPORTANT Please record the serial number of this unit in the space below. MODEL: Serial No. : The serial number is located on the rear of the unit. Retain this Owner's Manual in a safe place for future reference. IMPORTANT SAFETY INSTRUCTIONS 10 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. 11 · Explanation of Graphical Symbols The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. [. . . ] This is the sound field at stage front in "The Bottom Line", a famous New York jazz club. The floor can seat 300 people to the left and right in a sound field offering a real and vibrant sound. The ideal program for lively, dynamic rock music. The data for this program was recorded at LA's "hottest" rock club. The listener's virtual seat is at the center-left of the hall. This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. It is also characterized by a high-energy, "immediate" sound. Using this program increases the listening position range. This is a sound field suitable for background music at parties. This program adds a deep and spatial feeling to video game sounds. 2 CHURCH -- Hi-Fi DSP For music sources 3 JAZZ CLUB -- 4 ROCK CONCERT -- 5 ENTERTAINMENT Disco 6ch Stereo 5 ENTERTAINMENT Game 6 MUSIC VIDEO -- This program produces an enthusiastic atmosphere and lets you feel as if you are at an actual jazz or rock concert. This program is provided for reproducing monaural video sources (such as old movies). The program produces the optimum reverberation to create sound depth using only the presence sound field. Though the presence sound field is relatively narrow, the surround sound field employs the sound environment of a large concert hall. With this program, you can enjoy watching various TV programs such as news, variety shows, music programs or sports programs. CINEMA DSP For audiovideo sources 7 TV THEATER Mono Movie Variety/Sports 36 DIGITAL SOUND FIELD PROCESSING (DSP) Mode Type of sources No. Program Sub program Features 8 MOVIE THEATER 1 Spectacle This program creates the extremely wide sound field of a 70-mm movie theater. It precisely reproduces the source sound in detail, making both the video and the sound field incredibly real. This is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions). This program clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques. This program is ideal for precisely reproducing the sound design of the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. This program is for reproducing sounds from 70-mm and multichannel soundtrack films, and is characterized by a soft and extensive sound field. [. . . ] and Canada models] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400 W/500 VA [Australia and China models] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410 W Standby Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 (Total 80 W maximum) [China model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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