User manual YAMAHA MU90RE2

[. . . ] ER W PO F OF ON / @ E M LU VO AD input preset MU90 A/D INPUT PRESET A/D1 A/D2 PGM CNG# = 0 Off mic Off mic Off line Off line Off line Off line - BANK 0 1 2 3 18 19 Preset Name input gain var type GUITAR Preset Name (Note 1) input gain var type KEYBOARD Preset Name input gain var type AUDIO Preset Name (Note 2) input gain var type STEREO Preset Name KEYBOARD input gain (Note 3) var type STEREO Preset Name AUDIO input gain (Note 3) var type Source MIC 1 Mic mic Guitar mic Keyboard line Audio line Keyboard line Audio line - 2 Reverb mic Reverb mic Reverb line Reverb line Reverb line Reverb line - 3 Chorus mic Chorus mic Chorus line Chorus line Chorus line Chorus line - 4 Chorus+Reverb mic Chorus+Reverb mic Chorus+Reverb line Chorus+Reverb line Chorus+Reverb line Chorus+Reverb line - 5 Karaoke1 mic Karaoke1 Tube mic Amp Sim. Phaser EP line Phaser 6 Karaoke2 mic Karaoke2 Stack mic Amp Sim. Pan EP line Auto Pan Phaser EP line Phaser Pan EP line Auto Pan A/D1 A/D2 BANK Source PGM CNG# = 7 0 MIC Preset Name Karaoke3 input gain mic var type Karaoke3 1 GUITAR Preset Name Flang Gtr (Note 1) input gain mic var type Flanger 2 KEYBOARD Preset Name Wah Clavi input gain line var type Touch Wah 3 AUDIO Preset Name (Note 2) input gain var type 18 STEREO Preset Name Wah Clavi KEYBOARD input gain line (Note 3) var type Touch Wah 19 STEREO Preset Name AUDIO input gain (Note 3) var type 8 Echo mic Echo Clean Gtr mic Celeste Rotary Orgn line Rotary Speaker 9 Vocal mic Stage1 Funk Gtr mic Touch Wah Synth Str line Symphonic 10 Studio mic Exciter Tremolo mic Tremolo Synth Pad line Flanger2 11 Oct Up mic Pitch Change Phaser mic Phaser Synth Lead line Delay LCR 12 Oct Down mic Pitch Change 5th Guitar mic Pitch Change SFX line Pitch Change Rotary Orgn Synth Str line line Rotary Speaker Symphonic Synth Pad line Flanger2 Synth Lead line Delay LCR SFX line Pitch Change (Note 1) The input may be distorted depending on the guitar that you use. Make adjustments using either the A/D INPUT VOLUME or the volume of your guitar. [. . . ] 1. 3. 7 Poly Performs the same processing as when All Note Off is received, and sets the corresponding channel to Mode3*. Control# 127 Parameter Poly Data Range 0 * Mode3 is when only the messages of the specified channel are received, and notes are sounded polyphonically. 18 MIDI Data Format 1. 4 Program Change This message selects sounds. This changes the program number of the receiving channel. If the voice bank is also to be changed, transmit this message together with the Bank Select message (see 1. 2. 1). If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not receive Program Change messages. If Sound Module Mode = C/M, the Drum Part will not receive Program Change messages. 2. System Exclusive messages 2. 1 Parameter change This instrument uses the following parameter changes. [ UNIVERSAL REALTIME MESSAGE ] 1) Master Volume [ UNIVERSAL NON REALTIME MESSAGE ] 1) General MIDI System On 2) Identity Request (INQUIRY MESSAGE) 3) Identity Reply (INQUIRY MESSAGE) [ XG PARAMETER CHANGE] 1) XG System on 2) XG System parameter change 3) Multi Effect1 parameter change 4) Multi EQ parameter change 5) Multi Effect2 parameter change 6) Display parameter change 7) Multi Part parameter change 8) AD Part parameter change 9) AD System parameter change 10) Drums Setup parameter change [ MU80 NATIVE PARAMETER CHANGE] 1) System parameter change 2) Remote switch [ MU90, MU90R NATIVE PARAMETER CHANGE] 1) Current Performance parameter change [ Other ] 1) Master tuning 2) TG300 System parameter change 3) TG300 Multi Effect parameter change 4) TG300 Multi Part parameter change 2. 1. 1 Universal realtime messages 2. 1. 1. 1 Master Volume 11110000 01111111 01111111 00000100 00000001 * 0sssssss 0ttttttt 11110111 or 11110000 01111111 0xxxnnnn 00000100 00000001 0sssssss 0ttttttt 11110111 F0H 7FH 7FH 04H 01H SSH TTH F7H F0H 7FH XNH 04H 01H SSH TTH F7H = = = = = = = = = = = = = = = = Exclusive status Universal Real Time ID of target device Sub-ID #1=Device Control Mes sage Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive Exclusive status Universal Real Time Device Number, xxx = don't care Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive 1. 5 Pitch Bend This message conveys pitch bend operations. In general this message modifies the pitch of a part, but it can also control the depth of the following seven effects. The result of this message can be changed by the following parameters. BEND LFO AMOD DEPTH · Effectl Parameter 7. BEND VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion. ) By default this will function as Pitch Control. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive Pitch Bend messages. 1. 6 Channel Aftertouch This message conveys the force with which the keyboard is pressed after notes are played (for an entire MIDI channel). The pressure can be controlled for each part. This message will create changes in the currently-sounding notes. The effect of this message can be specified by the following parameters. CAT LFO AMOD DEPTH · Effectl Parameter 7. CAT VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion. ) By default there will be no effect. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch messages. 1. 7 Polyphonic Aftertouch This message conveys the force with which a key is pressed after a note is played (for an individual note). The pressure can be controlled independently for each note. [. . . ] Chorus with spaciousness produced by an effect. Brass sound of the classic Yamaha CS80 synthesizer. Synth bass with distortion, suitable for techno. Synth lead characterized by velocity controlling the tonal change of the attack. [. . . ]