User manual YAMAHA PCR-800

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Manual abstract: user guide YAMAHA PCR-800

Detailed instructions for use are in the User's Guide.

[. . . ] Seven built-in channels of amplification on the PCR-800 mean that no additional amplifiers are required to enjoy advanced digital sound field processing. Rather than tell you about the wonders of digital sound field processing, however, let's get right down to the business of setting up the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for later reference. PRECAUTIONS & SAFETY INSTRUCTIONS SAFETY INSTRUCTIONS 1. AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRATION Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity--such as near radiators, stoves, etc. [. . . ] INPUT LVL TRIM" in step 2 on page 26. * 27 GENERAL OPERATION 2-1. Set the master VOLUME control to minimum. Front panel * On the front panel, VCR 1, CD or LD can be selected directly by pressing the corresponding switch. Front panel INPUT SELECTOR VCR I CD LD TV/DBS PHONO 2. Turn the power on. Front panel Remote control POWER 4. Increase the setting of the master VOLUME control to your listening level. Front panel Remote control or or MASTER VOLUME 3. (The selected source is shown by the display panel, the monitor screen and illumination of the corresponding input source indicator on the front panel. ) Front panel INPUT SELECTOR VCR I CD LD Remote control CD Adjust the BASS, TREBLE, BALANCE controls, etc. , or select a desired sound field program. (See page 31. ) NOTE: If a different audio source is selected with the input selector keys on the remote control unit while enjoying a video source, the sound from the newly selected audio source is heard, but the picture from the video source can still be seen. or TV/DBS PHONO 28 2-2. RECORDING A SOURCE TO AUDIO/VIDEO TAPE (OR DUBBING FROM A TAPE TO ANOTHER) To record the input source 1. Press the REC OUT switch (so that "REC OUT. . . " appears on the display and the monitor screen). Front panel English 3. Press the REC OUT switch (so that "REC OUT SOURCE" disappears from the display). * The same result will be obtained after 5 seconds without any operation. 4. Select an input source to be played (and to be recorded). DESCRIPTIONS OF THE SOUND FIELD PROGRAMS"). The sub-programs are selected using the Parameter +/­ keys on the remote control unit. The CONCERT HALL 1 program, for example, contains the sub-programs "Hall A in Europe" and "Hall B in Europe". When the CONCERT HALL 1 program is first selected, the "Hall A in Europe" sub-program will be selected and displayed on the front panel. To select "Hall B in Europe", press the Parameter + or ­ key. To return to Hall A in Europe, press the Parameter + or ­ key again. The same selection procedure applies to all other programs. The sub program selection can also be done simply by pressing the corresponding Program Select key on the remote control. * If you will change the sub-program by pressing a Program Select key while watching the monitor screen, press a key as described below; If the display type is a full display, press the key of the corresponding program once. If the display type is a simple display or no display, press the key twice. 2-5. MUTING THE EFFECT SOUND The EFFECT switch on the front panel and the EFFECT ON/OFF key on the remote control unit make it simple to compare the normal stereo sound with the fully processed effect sound. [. . . ] 3. 5 kHz Filter Characteristics (Highcut Filter) LOW PASS (fc = 200 Hz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Audio muting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ­20 dB 46 Video Section Video Signal Type [Australia, Europe and U. K. models] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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