User manual YAMAHA PM1DV2

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Manual abstract: user guide YAMAHA PM1DV2

Detailed instructions for use are in the User's Guide.

[. . . ] PM1D System Software Version 2 Supplementary Manual This supplementary manual primarily describes the additional and modified functions that have been incorporated into PM1D System Software version 2. 0. Please read this manual in conjunction with the original manual that came with your Yamaha PM1D digital audio mixing system. Table of Contents Main changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Auto Gain Adjustment function . . . . . . . . . . . . . . . . . . . . . . 2 PM1D Manager Remote Control function . . . . . . 2 VCM Effects available . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Channel Move function in the CH COPY screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Other changes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Filtering during save or load operations . . . . . . . . 10 Direct output just before the HPF . . . . . . . . . . . . . . . . [. . . ] · You can load the data you saved using System Software older than version 2. 0. · The preset effects in the Effects library of System Software version 2. 0 includes VCM effects. Therefore, if you try to load the Effects library data of an older version, part of the data may not be loaded. In such a case, change the load destination starting number in the DESTINATION section, then load the data again. 3 SOURCE (save/load source numbers) Indicates the starting and ending numbers of the scene memory or library items that will be saved to or loaded from the card. Click the [ ]/[ ] buttons at the left and right in each box or use the [DATA] encoder to change the numbers. BASIC mode: In BASIC mode, you can now specify the range of data to be saved or loaded for the Unit library, Patch library, and Name library. 4 DESTINATION (save/load destination numbers) Indicates the starting and ending numbers of the scene memory or library items into which the specified data will 10 Other changes Direct output just before the HPF The signal can be now directly output just before the Input channel HPF. You can also adjust the direct output level. INSERT/DIRECT POINT DIRECT OUT LEVEL column DIRECT OUT POINT column PRE HPF button Additional functions for the USER DEFINE switches More functions are available that can be assigned to the USER DEFINED [1]­[8] switches. USER DEFINE To select a position just before the HPF as the direct output on the INSERT/DIRECT POINT screen, turn on the PRE HPF button for the corresponding channels in the DIRECT OUT POINT column. The DIRECT OUT LEVEL column will indicate the direct output levels. However, to adjust the level, use the INSERT/DIRECT VIEW screen. DIRECT button INSERT/DIRECT VIEW LEVEL knob The following functions have been added: FUNCTION GEQ SELECT PARAMETER Explanation GEQ1­24 Display the GEQ PARAMETER screen. Uses the Tap Tempo function available on the displayed screen. Uses the Tap Tempo function available for the specified effect. Recalls the subsequently-numbered event. Recalls the specified event registered on the TC EVENT screen. Switches between the ENABLE button and DISABLE button on the TC EVENT screen. Switches between the ENABLE [ALL MANUAL] button and DISABLE button on the TC EVENT screen. Send the talkback signal to the specified output channels. (If you turn it off, the previous talkback setting will be used. ) CURRENT TAP TEMPO* EFFECT1­8 NEXT EVENT RECALL PREV EVENT RECALL DIRECT EVENT RECALL TC EVENT ENABLE/DISABLE To select a position just before the HPF as the direct output in the INSERT/DIRECT VIEW screen, turn on the DIRECT button located just before the HPF. Use the LEVEL knob located in the lower right corner of the screen to change the direct output level. The direct output levels are not linked even if the corresponding two channels are paired. Hint · These settings are saved in scene memories. · If you load data that was saved in a System Software version older than version 2. 0, the direct output level will be set to 0 dB. The default direct output point is PRE EQ. ENABLE[ALL MANUAL]/DISABLE TALKBACK DIRECT ASSIGN MIX 1­48, MATRIX 1­24, STEREO, MONITOR B * This function is enabled only when an effect that features the TEMPO parameter is selected. The USER DEFINE switch LED flashes at the specified tempo while and after you set the tempo. [. . . ] Adjusts the CH2 input level Adjusts the CH2 output gain Ratio of CH2 compressor Attack time of CH2 compressor Release time of CH2 compressor Automatically corrects output gain reduction when the CH2 compressor is applied When the HPF in the side chain of the CH2 compressor is turned on, the compression applied to the low range will be weakened, thus emphasizing the low range. ATTACK1 RELEASE1 RATIO1 OUTPUT1 THRE. 2 KNEE2 ATTACK2 RELEASE2 RATIO2 OUTPUT2 ST LINK OFF, ON SIDEHPF1 OFF, ON INPUT 2 OUTPUT 2 RATIO 2 ATTACK 2 RELEASE2 MAKE UP2 ­180 to 0 dB ­180 to 0 dB 2:1, 4:1, 8:1, 12:1, 20:1 0. 022­50. 4 ms 10. 88­544. 22 ms OFF, ON SIDEHPF2 OFF, ON 18 Appendix 078: COMP260S This effect emulates the characteristics of mid 70's compressors/limiters that are the standard for live SR. You can link and control the L and R channel parameters. Parameter THRE. KNEE ATTACK RELEASE RATIO OUTPUT Range ­60 to 0. 0 dB SOFT, MEDIUM, HARD 0. 01­80. 0 ms 6. 2­999 ms 1. 0­500, ­20 to 40 dB Description Threshold of the compressor Knee of the compressor Attack time of the compressor Release time of the compressor Ratio of the compressor Adjusts the output gain 080: OPENDECK It emulates the tape compression created by two open reel tape recorders (a recording deck and a playback deck. ) You can change the sound quality by adjusting various elements, such as the deck type, tape quality, playback speed, etc. Parameter REC DEC Range Swss70, Swss78, Swss85, Amer70 Description Selects the recording deck type REC LVL Adjusts the input level of the recording deck. As you raise the level, tape ­96. 0 to +18. 0 dB compression is generated, which narrows the dynamic range and distorts the sound ­6. 0 to +6. 0 dB ­1. 00 to +1. 00 Swss70, Swss78, Swss85, Amer70 ­96. 0 to +18. 0 dB ­6. 0 to +6. 0 dB ­6. 0 to +6. 0 dB Adjusts the high range gain of the recording deck Adjusts the bias of the recording deck Selects the playback deck type Adjusts the output level of the playback deck Adjusts the high range gain of the playback deck Adjusts the low range gain of the playback deck When you adjust the REC LVL, the REPR LVL reflects the change, maintaining the relative output level. [. . . ]

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