User manual YAMAHA PSR-3000-PSR-1500

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Manual abstract: user guide YAMAHA PSR-3000-PSR-1500

Detailed instructions for use are in the User's Guide.

[. . . ] SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. [. . . ] In addition to the Natural Minor transposition above, augmented and diminished chords affect the 5th note of the Source pattern. When the played chord changes from a major to a minor chord, this table lowers the third and seventh intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and flatted seventh intervals are raised by a semitone. Use this for chord channels of Sections which respond only to a Major/minor chord such as Intros and Endings. In addition to the Dorian transposition above, augmented and diminished chords affect the 5th note of the Source pattern. MELODY CHORD MELODIC MINOR MELODIC MINOR 5th HARMONIC MINOR Using, Creating and Editing the Auto Accompaniment Styles HARMONIC MINOR 5th NATURAL MINOR NATURAL MINOR 5th DORIAN DORIAN 5th NTT BASS ON/OFF The channels for which this is set to ON will be played back by the bass root note, when the on-bass chord is recognized by the instrument. 124 PSR-3000/1500 Owner's Manual Style Creator HIGH KEY This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 123) is set to "Root Trans. " Example -- When the highest key is F. Root changes Notes played CM C3-E3-G3 C#M C#3-F3-G#3 FM F3-A3-C4 F#M F#2-A#2-C#3 NOTE LIMIT This sets the note range (highest and lowest notes) for voices recorded to the style channels. By judicious setting of this range, you can ensure that the voices sound as realistic as possible -- in other words, that no notes outside the natural range are sounded (e. g. , high bass sounds or low piccolo sounds). The actual notes that sound are automatically shifted to the set range. Example -- When the lowest note is C3 and the highest is D4. Root changes Notes played CM E3-G3-C4 C#M F3-G#3-C#4 FM F3-A3-C4 Using, Creating and Editing the Auto Accompaniment Styles High Limit Low Limit RTR (Retrigger Rule) These settings determine whether notes stop sounding or not and how they change pitch in response to chord changes. STOP PITCH SHIFT PITCH SHIFT TO ROOT RETRIGGER RETRIGGER TO ROOT The notes stop sounding. The pitch of the note will bend without a new attack to match the type of the new chord. The pitch of the note will bend without a new attack to match the root of the new chord. The note is retriggered with a new attack at a new pitch corresponding to the next chord. The note is retriggered with a new attack at the root note of the next chord. However, the octave of the new note remains the same. PSR-3000/1500 Owner's Manual 125 The Multi Pads Reference to Quick Guide pages The Multi Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 51 Multi Pad Creating (Multi Pad Creator) This feature lets you create your original Multi Pad phrases, and also allows you to edit existing Multi Pad phrases to create your own. Multi Pad Realtime Recording The Multi Pads 1 2 3 4 5 6 7 Select a Multi Pad Bank to be edited or created (page 128). Press the [C] button to call up the Multi Pad Creator display. Press the TAB []/[®] button to select the RECORD tab. Press any of the [A], [B], [F], and [G] buttons to select a Multi Pad to be edited or created. If you want to create the Multi Pad data from scratch, press the [C] button to call up an empty bank. Press the [H] (REC) button to enter the recording standby status for the Multi Pad selected in step #5. Recording begins automatically as soon as you play the keyboard. You can also start recording by pressing the STYLE CONTROL [START/ STOP] button. [. . . ] Nusantik Gedung Yamaha Music Center, Jalan Jend. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S. A. 09300, México, D. F. , México Tel: 55-5804-0600 SPAIN/PORTUGAL Yamaha-Hazen Música, S. A. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 KOREA Yamaha Music Korea Ltd. [. . . ]

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