User manual YAMAHA R-V902

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Manual abstract: user guide YAMAHA R-V902

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[. . . ] A RV902 Natural Sound AV Receiver Thank you for selecting this YAMAHA AV receiver. OWNER'S MANUAL CONTENTS Supplied Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Caution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Profile of This Unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Speaker Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Controls and Their Functions . . . . . . . . . . . . . . . . . . . . . . . . 14 Speaker Balance Adjustment . . . . . . . . . . . . . . . . . . . . . . . . 17 Basic Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Tuning Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Preset Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Using Digital Sound Field Processor (DSP) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Setting the SLEEP Timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Remote Control Transmitter . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Notes about the Remote Control Transmitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 SUPPLIED ACCESSORIES After unpacking, check that the following parts are included. Indoor FM Antenna Remote Control Transmitter AM Loop Antenna Antenna adapter (U. S. A. and Canada models only) User function stickers Batteries (size AA, R6, UM-3) 2 FEATURES q 5 Speaker Configuration Main: 90W + 90W (8) RMS Output Power, 0. 07% THD, 1 kHz Center: 90W (8) RMS Output Power, 0. 07% THD, 1 kHz Rear: 35W + 35W (8) RMS Output Power, 0. 3% THD, 1 kHz q Digital Sound Field Processor q Dolby Pro Logic Surround Decoder q Theater-like Sound Experience by the Combination of Dolby Pro Logic and YAMAHA DSP Technology (CINEMA DSP) q Automatic Input Balance Control for Dolby Pro Logic Surround q Test Tone Generator for Easier Speaker Balance Adjustment q 3 Center Channel Modes (NORMAL/WIDE/PHANTOM) q BASS EXTENSION Switch for Reinforcing Bass Response q 40-Station Random Access Preset Tuning q Automatic Preset Tuning q Preset Station Shifting Capability (Preset Editing) q IF Count Direct PLL Synthesizer Tuning System q Video Signal Input/Output Capability q 6-Channel Discrete Input Terminals for Connecting with a Dolby Digital (AC-3) Decoder q SLEEP Timer q "Learning" Remote Control Transmitter 3 CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. [. . . ] The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments. PROGRAM FEATURE This program is used for playback of sources encoded with Dolby Surround. The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers the sound source more smoothly and precisely, as compared to conventional types. This program is also used for playback of sources encoded with Dolby Surround. Enhancing the "Normal" Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the sound stage with an improved presence image. This program is used for musical based movies, as well as drama and comedy based movies. This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall. This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog. This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium. This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, "immediate" sound. This program is ideally suited for rock music. You will experience a very dynamic or lively sound field. In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field. PRO LOGIC PRO LOGIC ENHANCED CONCERT VIDEO MONO MOVIE STADIUM DISCO ROCK CONCERT CONCERT HALL 27 To play a source with the digital sound field processor 2 A STOP DIR B DISC l6 20 l2 VCR B DVD/LD TV/DBS C 8 28 40 4 PRESET A/B/C/D/E 60 2 0 ­dB PRO LOGIC ENHANCED 1 2 STADIUM 5 HALL 8 +1 0 0 CONCERT VIDEO 3 DISCO 6 PHONO V-AUX 2 MONO MOVIE 4 ROCK 7 9 TEST EFFECT ON/OFF TIME/LEVEL DELAY CENTER REAR SWFR 1 2 Follow steps 1 ­ 6 shown in "BASIC OPERATIONS" on page 20. Select the desired program that is suitable for the source. PRO LOGIC ENHANCED q Notes Program selection can be made to individual input sources. [. . . ] Change the position of the main unit. There is distortion and clear reception cannot be obtained even with a good FM antenna. A desired station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. A desired station cannot be tuned in with the automatic tuning method. AM FM There are continuous crackling and hissing noises. [. . . ]

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