User manual YAMAHA RX-V559

[. . . ] G RX-V559 AV Receiver Ampli-tuner audio-vidéo OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING GEBRUIKSAANWIJZING CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1 2 To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. Install this sound system in a well ventilated, cool, dry, clean place ­ away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. Allow ventilation space of at least 30 cm on the top, 20 cm on the left and right, and 20 cm on the back of this unit. [. . . ] Notes · You can select one of the Radio Data System modes only when the corresponding Radio Data System indicator lights up in the front panel display. It may take a while for this unit to receive all of the Radio Data System data from the station. · You can select only the available Radio Data System modes being offered by the station. · If the signals being received are not strong enough, this unit may not be able to utilize the Radio Data System data. In particular, the "RT" mode requires a large amount of data and may not be available even when the other Radio Data System modes are available. · In case of poor reception conditions, press TUNING MODE (AUTO/MAN'L) on the front panel so that the AUTO indicator disappears from the front panel display. · If the signal strength is weakened by external interference while this unit is receiving the Radio Data System data, the reception may be cut off unexpectedly and ". . . WAIT" appears in the front panel display. · When the "RT" mode is selected, this unit can display the program information by a maximum of 64 alphanumeric characters, including the umlaut symbol. Unavailable characters are displayed with the "_" (underscore). · If the reception is cut off when the "CT" mode is selected, "CT WAIT" appears in the front panel display. 9 0 10 ENT. EFFECT CODE SET TRANSMIT NEWS EON Lights up y To cancel the EON feature, press EON on the remote control repeatedly until the name of the program type disappears and "EON OFF" appears in the front panel display. BASIC OPERATION PRESET/CH LEVEL POWER TITLE BAND SET MENU MENU SRCH MODE POWER POWER STANDBY TV AV ENTER MD SLEEP CD CD-R CBL MULTI CH IN TUNER RETURN DAB MEMORY A/B/C/D/E DISPLAY 1 DVD DTV REC AUDIO V-AUX DVR AMP 2 DISC SKIP FREQ/TEXT MODE PTY SEEK START EON SOURCE TV VOL TV CH VOLUME TV 1 Press TUNER on the remote control to select "TUNER" as the input source. TUNER English 55 RADIO DATA SYSTEM TUNING (U. K. AND EUROPE MODELS ONLY) 2 Press FREQ/TEXT on the remote control repeatedly to select the desired Radio Data System display mode. FREQ/TEXT PS PTY RT CT Frequency display · Select "PS" to display the name of the Radio Data System program currently being received. · Select "PTY" to display the type of the Radio Data System program currently being received. · Select "RT" to display the information on the Radio Data System program currently being received. · Select "CT" to display the current time. 56 SOUND FIELD PROGRAMS SOUND FIELD PROGRAMS What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In addition to making the sound live, these reflections enable us to tell where the player is situated as well as the size and shape of the room in which we are sitting. Elements of a sound field There are two distinct types of sound reflections that combine to make up the sound field in addition to the direct sound coming straight to our ears from the player's instrument. Early reflections Reflected sounds reach our ears extremely rapidly (50 ms to 100 ms after the direct sound), after reflecting from one surface only (for example, from a wall or the ceiling). Early reflections actually add clarity to the direct sound. Reverberations These are caused by reflections from more than one surface (for example, from the walls, and the ceiling) so numerous that they merge together to form a continuous sonic afterglow. They are non-directional and lessen the clarity of the direct sound. Direct sound, early reflections and subsequent reverberations taken together help us to determine the subjective size and shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound fields. If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a dance floor, or a room with virtually any size at all. [. . . ] AC 120 V, 60 Hz [Australia model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 240 V, 50 Hz [China model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 220 V, 50 Hz [Korea model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . and Europe models] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]