User manual YAMAHA RX-V659

[. . . ] G RX-V659 AV Receiver Ampli-tuner audio-vidéo OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING GEBRUIKSAANWIJZING CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1 2 To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. Install this sound system in a well ventilated, cool, dry, clean place ­ away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. Allow ventilation space of at least 30 cm on the top, 20 cm on the left and right, and 20 cm on the back of this unit. [. . . ] · When the "RT" mode is selected, this unit can display the program information by a maximum of 64 alphanumeric characters, including the umlaut symbol. Unavailable characters are displayed with the "_" (underscore). · If the reception is cut off when the "CT" mode is selected, "CT WAIT" appears in the front panel display. 9 0 10 ENT. EFFECT CODE SET TRANSMIT NEWS EON Lights up y To cancel the EON feature, press EON on the remote control repeatedly until the name of the program type disappears and "EON OFF" appears in the front panel display. BASIC OPERATION PRESET/CH LEVEL POWER TITLE BAND SET MENU MENU POWER POWER STANDBY TV AV ENTER MD SLEEP CD CD-R CBL MULTI CH IN TUNER PHONO RETURN A/B/C/D/E DISPLAY ON SCREEN 1 DVD DTV REC AUDIO V-AUX DVR VCR AMP 2 DISC SKIP FREQ/TEXT MODE PTY SEEK START EON SOURCE TV VOL TV CH VOLUME TV 1 Press TUNER on the remote control to select "TUNER" as the input source. TUNER English 61 RADIO DATA SYSTEM TUNING (U. K. AND EUROPE MODELS ONLY) 2 Press FREQ/TEXT on the remote control repeatedly to select the desired Radio Data System display mode. FREQ/TEXT PS PTY RT CT Frequency display · Select "PS" to display the name of the Radio Data System program currently being received. · Select "PTY" to display the type of the Radio Data System program currently being received. · Select "RT" to display the information on the Radio Data System program currently being received. · Select "CT" to display the current time. 62 SOUND FIELD PROGRAMS SOUND FIELD PROGRAMS What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In addition to making the sound live, these reflections enable us to tell where the player is situated as well as the size and shape of the room in which we are sitting. Elements of a sound field There are two distinct types of sound reflections that combine to make up the sound field in addition to the direct sound coming straight to our ears from the player's instrument. Early reflections Reflected sounds reach our ears extremely rapidly (50 ms to 100 ms after the direct sound), after reflecting from one surface only (for example, from a wall or the ceiling). Early reflections actually add clarity to the direct sound. Reverberations These are caused by reflections from more than one surface (for example, from the walls, and the ceiling) so numerous that they merge together to form a continuous sonic afterglow. They are non-directional and lessen the clarity of the direct sound. Direct sound, early reflections and subsequent reverberations taken together help us to determine the subjective size and shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound fields. If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a dance floor, or a room with virtually any size at all. This ability to create sound fields at will is exactly what YAMAHA has done with the digital sound field processor. Selecting sound field programs SOUND FIELD PROGRAMS Notes · Choose a sound field program based on your listening preference, not merely on the name of the program. · When you select an input source, this unit automatically selects the last sound field program used with the corresponding input source. · Sound field programs cannot be selected when the component connected to the MULTI CH INPUT jacks is selected as the input source (see page 44). · Sampling frequencies higher than 48 kHz (except for DTS 96/24 signals) are sampled down to 48 kHz and then sound field programs are applied. Front panel operations Remote control operations AMP AMP SOURCE TV VOL TV CH VOLUME TV VOLUME ZONE 2 ON/OFF ZONE CONTROL TV MUTE STEREO TV INPUT MUSIC MUTE ENTERTAIN MOVIE MASTER OPTIMIZER MIC PRESET/TUNING FM/AM A/B/C/D/E l PRESET/TUNING h MEMORY TUNING MODE EDIT ON OFF NEXT PROGRAM LEVEL MAN'L/AUTO FM INPUT AUTO/MAN'L 1 STANDARD 2 SELECT 3 4 MAIN ZONE PHONES SPEAKERS A B STRAIGHT TONE CONTROL INPUT MODE MULTI CH INPUT PURE DIRECT VIDEO AUX S VIDEO VIDEO L AUDIO R OPTICAL EXTD SUR. PURE DIRECT Sound field program selector buttons 5 SPEAKERS 6 ENHANCER 7 NIGHT 8 STRAIGHT ON/OFF EFFECT SILENT CINEMA 9 0 10 ENT. EFFECT PRESET/CH PROGRAM selector Rotate the PROGRAM selector on the front panel. The name of the selected sound field program appears in the front panel display and in the OSD. Set the component selector switch to AMP and then press one of the sound field program selector buttons on the remote control repeatedly. The name of the selected sound field program appears in the front panel display and in the OSD. English 63 SOUND FIELD PROGRAMS Sound field program descriptions This unit is equipped with a variety of precise digital decoders that allow you to enjoy multi-channel playback from almost any stereo or multi-channel sound source. [. . . ] AC 120 V, 60 Hz [Australia model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 240 V, 50 Hz [China model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 220 V, 50 Hz [Korea model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 220 V, 60 Hz [Europe model] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]