User manual YAMAHA RX-V757

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Manual abstract: user guide YAMAHA RX-V757

Detailed instructions for use are in the User's Guide.

[. . . ] GB RX-V757 AV Receiver DSP-AX757SE AV Amplifier OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1 To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2 Install this sound system in a well ventilated, cool, dry, clean place ­ away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. Allow ventilation space of at least 30 cm on the top, 20 cm on the left and right, and 20 cm on the back of this unit. [. . . ] For details on how to select sound field programs, see "Selecting sound field programs" on pages 32 to 36. Remote control button Program Features 2-channel (left and right) playback. Sources STEREO: 2ch Stereo 1 2-CH STEREO: 7ch Stereo MUSIC: Hall in Vienna MUSIC: The Bttm Line MUSIC: The Roxy Thtr ENTERTAINMENT: Disco SUR. STANDARD 5 Use to increase the output stereo sources (in stereo) from all speakers. This provides a larger sound field and is ideal for background music at parties, etc. A classic shoe-box type concert hall with approximately 1700 seats. Pillars and ornate carvings create extremely complex reflections which produce a very full, rich sound. This is the sound field at stage front in "The Bottom Line", a famous New York jazz club. The floor can seat 300 people to the left and right in a sound field offering a real and vibrant sound. The ideal program for lively, dynamic rock music. The data for this program was recorded at LA's "hottest" rock club. The listener's virtual seat is at the center-left of the hall. This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. It is also characterized by high-energy, "immediate" sound. Standard processing for the selected decoder. Enhanced processing for the selected decoder. 2 MULTI 2-CH 3 SUR. ENHANCED MULTI 2-CH SOUND FIELD PROGRAMS English 51 ADVANCED OPERATIONS ADVANCED OPERATIONS Selecting the OSD mode You can display this unit's operating information on a video monitor. If you display the SET MENU and sound field program parameter settings on a monitor, it is much easier to see the available options and parameters than it is by reading this information on the front panel display. Using the sleep timer Use this feature to automatically set this unit in the standby mode after a certain amount of time. The sleep timer is useful when you are going to sleep while this unit is playing or recording a source. The sleep timer also automatically turns off any external components connected to AC OUTLET(S). 1 2 Turn on the video monitor connected to this unit. Press ON SCREEN repeatedly to change the OSD mode. The OSD mode changes in the following order: full display, short display, and display off. ON SCREEN DISPLAY Setting the sleep timer TRANSMIT RE-NAME CLEAR LEARN SYSTEM POWER STANDBY SLEEP INPUT MODE A B PHONO MULTI CH IN 2 V-AUX TUNER MD/CD-R CD DTV/CBL VCR 1 DVR/VCR2 DVD SELECT Full display Always shows the sound field program parameter settings as well as the contents of the front panel display. Short display Briefly shows the contents of the front panel display at the bottom of the screen each time you operate this unit. [. . . ] 1. 0 µV (11. 2 dBf) · Signal to Noise Ratio (IHF) Mono/Stereo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 dB/70 dB · Harmonic Distortion (1 kHz) Mono/Stereo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 2%/0. 3% · Stereo Separation (1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 dB · Frequency Response . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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