User manual YAMAHA S08 VOICE EDITOR

[. . . ] . 2 3 3 6 8 14 14 15 21 23 25 Troubleshooting . 26 · · · · · · · · Click on the red-colored text to jump to the related item in this manual. The software and this owner's manual are exclusive copyrights of Yamaha Corporation. Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. [. . . ] n For waves in the Wave List numbered 001 through 029 and 521, the following parameters can be adjusted: · Note Shift · Note Limit Low/High · Velocity Limit Low/High · Pitch Scale Sensitivity · Pitch Scale Center Note OSCILLATOR Settings Click on the "WAVE" text box and choose the source waveform. One of the square marks is used to set "VEL LIMIT LOW" and "NOTE LIMIT LOW. " Set the lowest note velocity response by dragging this square mark vertically. Set the lowest note in the key range by dragging it horizontally. Similarly, set the highest note velocity ("VEL LIMIT HIGH") and key range note ("NOTE LIMIT HIGH") using the other square mark. n When dragging the square marks, values are given as (X, Y) co-ordinates, where X is the NOTE LIMIT (given as a MIDI note number) and Y is the VEL LIMIT. To view the note name instead of the note number, select the "OSCILLATOR" tab of the "EL Detail" dialog. FILTER Settings Drag the square mark vertically to set the Filter Gain. Drag the square mark horizontally to set the Filter Cutoff frequency. n Parameter values are shown when dragging the square marks. To set these values directly, select the "FILTER EG" tab of the "EL Detail" dialog. PITCH LFO Settings Click and drag the square marks (handles) to set the time-dependent behavior of the PITCH LFO. The left square mark controls the "LFO Delay. " The right controls the "LFO Fade. " n To set these values directly, select the "LFO" tab of the "EL Detail" dialog. 18 PITCH EG Settings The PITCH EG (Envelope Generator) determines the transition in pitch while the key is being held down. There are five square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the "Initial Level. " The second controls the "Attack Rate/Level. " The third controls the "Decay 1 Rate/Level. " The fourth controls the "Decay 2 Rate/Sustain Level. " The last square mark (furthest to the right) controls the "Release Rate/Level. " Drag the square marks vertically to adjust levels, and horizontally to adjust the transition times. n To set these values directly, select the "PITCH" tab of the "EL Detail" dialog. FILTER EG Settings The FILTER EG (Envelope Generator) determines the transition in timbre while the key is being held down. There are five square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the "Hold Rate/Initial Level. " The second controls the "Attack Rate/Level. " The third controls the "Decay 1 Rate/Level. " The fourth controls the "Decay 2 Rate/Sustain Level. " The last square mark (furthest to the right) controls the "Release Rate/Level. " Drag the square marks vertically to adjust levels, and horizontally to adjust the transition rates. n To set these values directly, select the "FILTER EG" tab of the "EL Detail" dialog. AMPLITUDE EG Settings The AMPLITUDE EG (Envelope Generator) determines the transition in amplitude over time. There are five the square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the "Key-on Delay" and "Init Level. " The second controls the "EG Attack Rate. " The third controls the "EG Decay 1 Rate/Level. " The fourth controls the "Decay 2 Rate/Sustain Level. " The last square mark (furthest to the right) controls the "EG Release Rate. " Drag the square marks vertically to adjust levels, and horizontally to adjust the transition rates. n To set these values directly, select the "AMP EG" tab of the "EL Detail" dialog. 19 Variation Effect Unit 2 4 1 3 1 LEVEL Sets the output level of the all elements sent to the Variation Effect unit. 2 TYPE Click on the text box and choose the type of Variation Effect. 4 DETAIL Click this to set the exact parameters for the respective Variation Effect via the "VARIATION EFFECT" dialog. System Effect Unit 2 4 6 1 3 5 1 VOLUME Sets the output level of the signal from Variation Effect (or the by-passed signal) sent to the System Effect Unit. 2 SEND (REVERB) Sets the Reverb Send Level. 3 SEND (CHORUS) Sets the Chorus Send Level. 4 REVERB Shows the Reverb type used for the voice. 5 CHORUS Shows the Chorus type used for the voice. 6 CHORUS REVERB control Use this knob to set the level of the signal of sent from the Chorus unit to the Reverb unit. 20 Drum Voice Edit Window 5 6 7 8 ) 9 !@ # $ % 1 2 3 4 ^ & * ( º ¡ TM 1 KEY Shows the note name to be edited. [. . . ] Reboot the Macintosh, set up OMS correctly, then start up Voice Editor. · Open the OMS Port Setup window and check that the MIDI In has been properly assigned (page 24). · Open the Editor Setup Dialog and check that the Device No. Voice Editor does not start up when Library File (extension . S6V) is double-clicked. [. . . ]