User manual YAMAHA TX-550

[. . . ] *2 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number. *2 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number. *2 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number. *2 Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number. [. . . ] Harmony suitable for a duet based on 1 total tone from chord and scale, the nearby 1 below (+ Oct. Below the input pitch and chord root); it can produce a feeling of movement. Harmony based on 3 total tones from chords and scales, 3 above; it can produce a feeling of movement. harmony based on 3 total tones from chords and scales , 3 above; it handles a major triad as add 6th chord. Because it handles the major second as a scale tone in major triads, it can also provide passing tones. Since it handles the major second as a scale tone in major triads, it can also provide passing tones. Below the input pitch and chord root); it can produce a feeling of movement. Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it handles the major second as a scale tone in major triads, it can also provide passing tones. Basically it is a closed harmony within an octave. Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it adds the major second as a scale tone to harmony during 7th chords, it provides a passing tone during 7th chords--suitable for 3-tone chord in major keys or for country rock. basically it generates open harmonies of an octave or more. Harmony based on tone chords and scale tones used as duet, 1 above and 1 below; (+ chord root); it can produce a feeling of movement. 2, tone which is below the input pitch and nearest the input pitch, handles a major triad as add 6th chord, and since it handles the major second as a scale tone in major triads, it can provide passing tones. Harmony suitable for a trio based on 2 total tones from chords and scales, a above and below (+ Oct. Below the input pitch); it can produce a feeling of movement. Because it handles a major triad as add 6th chord, and handles the major second as a scale tone, it can provide passing tones. Harmony based on tone chords and scale tones used as duet, 1 above and 1 below (+ chord root); it can produce a feeling of movement. 1 is harmony of above tone with priority on the chord character. 2, harmony near the below side, handles a major triad as add 6th chord, and since it handles the major second as a scale tone, it can provide passing tones. Because it handles the major second as a scale tone in major triads, it can also provide passing tones. [. . . ] N : insertion effect number (n=0-5) For effect types that do not require MSB, the Parameters for Address 02-0B will be received and the Parameters for Address 30-42 will not be received. For effect types that require MSB, the Parameters for Address 30-42 will be received and the Parameters for Address 02-0B will not be received. type MSB of the effect types that require Parameter MSB are: 5 , 6 , 7 , 8 , 95 , 96 , 97 , 98 , 104. When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02-0B will always be transmitted. [. . . ]