User manual YAMAHA YPG-235 SERVICE MANUAL

[. . . ] This product may also use "household" type batteries. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Mismatches or incorrect installation may result in overheating and battery case rupture. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. [. . . ] Press the [+/YES] button to actually load the file. Sff Load After about 2 seconds the name of a loadable style file will appear in the display. If multiple loadable style files have been transferred to the instrument, you can use the dial or the [+] and [-] buttons to select the other files in sequence. DGX-220/YPG-235 Owner's Manual 67 Style (Auto-accompaniment) Functions Chord Basics Two or more notes played together constitute a "chord". The most basic chord type is the "triad" consisting of three notes: the root, third, and fifth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fifth note of the C major scale). 3rd In the C major triad shown above, the lowest note is the "root" of the chord (this is the chord's "root position" . . . using other chord notes for the lowest note results in "inversions"). The root is the central sound of the chord, which supports and anchors the other chord notes. The distance (interval) between adjacent notes of a triad in root position is either a major or minor third. Major third­four half steps (semitones) Minor third­three half steps (semitones) Root 3rd The lowest interval in our root-position triad (between the root and the third) determines whether the triad is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below. Major chord CM Minor chord Cm Augmented chord Caug Diminished chord Cdim Minor 3rd Major 3rd Major 3rd Minor 3rd Major 3rd Major 3rd Minor 3rd Minor 3rd The basic characteristics of the chord sound remain intact even if we change the order of the notes to create different inversions. Successive chords in a chord progression can be smoothly connected, for example, by choosing the appropriate inversions (or chord "voicings"). Reading Chord Names Chord names tell you just about everything you need to know about a chord (other than the inversion/voicing). The chord name tells you what the root of the chord is, whether it is a major, minor, or diminished chord, whether it requires a major or flatted seventh, what alterations or tensions it uses . . . all at a glance. Cm Root note Chord type Major 7 th Some Chord Types (These are just some of the "Standard" chord types recognized by the DGX-220/YPG-235. ) Suspended 4 th 7 th Minor 7 th Csus4 C7 Cm7 CM7 Perfect 5 th Perfect 4 th Flatted 7 th Major chord Flatted 7 th Minor chord Major 7 th Major chord Minor/major 7 th 7 th, flatted 5 th Minor 7 th, flatted 5 th 7 th, suspended 4 th CmM7 C7 (b5) Cm7 (b5) C7sus4 Major 7 th Minor chord Flatted 5 th 7 th chord Flatted 5 th Minor 7 th chord Flatted 7 th Suspended 4 th chord 68 DGX-220/YPG-235 Owner's Manual Style (Auto-accompaniment) Functions Recognized Standard Chords All chords in the chart are "C-root" chords. Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1-3-5 1-2-3-5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1-4-5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - (5) - b7 1-2-5 Chord (C) C Display C C(9) C6 C6(9) * CM7 CM7 (9) * CM7(#11) * Cb5 * CM7b5 * Csus4 Caug CM7aug * Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) * CmM7 CmM7(9) * Cm7b5 CmM7b5 * Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 * C7aug C7sus4 C* C (9) C6 C6 (9) CM7 CM7 (9) CM7 C (#11) (b5) (b5) CM7 Csus4 Caug CM7aug Cm Cm (9) Cm6 Cm7 Cm7 Cm7 (9) (11) CmM7 CmM7 Cm7 (b5) (b5) (9) CmM7 Cdim Cdim7 C7 C7 C7 (b9) (b13) C7 C7 C7 (9) (#11) (13) (#9) C7 C7b5 C7aug C7sus4 C1+2+5 * These chords are not shown in the Dictionary function. NOTE · Notes in parentheses can be omitted. · Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. · A perfect fifth (1+5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. The recalled REGIST MEMORY number appears in the display for a few seconds. The panel controls will be instantly set accordingly. REGIST 1 1 74 DGX-220/YPG-235 Owner's Manual erenc ef R The "Functions" provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. There are 47 function parameters in all. When you locate a function you want to set up, simply select the function's display name (shown to the right of the function name in the list) and adjust as required. Selecting and Setting Functions 1 Find the function you want to set in the list that begins on page 76. 2 Press the [FUNCTION] button. 3 Select a function. Press the CATEGORY [ ] and [ ] buttons as many times as necessary until the function's display name appears in the display. f r e The Functions 4 Use the dial, the [+] and [-] buttons, or the [0]­[9] number buttons to set the selected function as required. The [+] and [-] buttons are used to make ON/ OFF type settings: [+] = ON, [-] = OFF. In some cases the [+] button will initiate execution of the selected function, and the [-] will cancel the selection. StyleVol 100 Direct numeric entry. Transpos 00 The selected function. · Decrement value by 1. · OFF · Cancel · Increment value by 1. · ON · Execute Press simultaneously to recall the default setting. Function settings are stored in memory as soon as they are changed. To restore all initial factor default settings perform the "Backup Clear" procedure described in the "Initialization" section on page 49. DGX-220/YPG-235 Owner's Manual 75 The Functions Function Setting List Setting Style Volume Song Volume Transpose Tuning Pitch Bend Range Item title StyleVol SongVol Transpos Tuning PBRange Range/Settings 000­127 000­127 -12­12 -100­100 01­12 000­127 (C-2­G8) 1(Soft), 2(Medium), 3(Hard), 4(Off) Multi(1), FullKbd(2) 000­127 -2­+2 000 (left)­ 64 (center)­ 127 (right) 000­127 000­127 001­489 000­127 -2­+2 000 (left)­ 64 (center)­ 127 (right) 000­127 000­127 001­489 000­127 -2­+2 000 (left)­ 64 (center)­ 127 (right) 000­127 000­127 Description Determines the volume of the Style. Determines the pitch of the instrument by semitone increments. [. . . ] 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 ITALY Yamaha Musica Italia S. P. A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. [. . . ]