User manual ADOBE PREMIER PRO 7

[. . . ] Using Help |Contents |Inde x Back 1Adobe Premiere Pro Help Using Help Using Help |Contents|IndexBack1 Using Help About Help Adobe Systems Incorporated provides complete documentation in an Adobe PDF-based help system. This help system includes information on all tools, commands, and features of an application. It is designed for easy on-screen navigation and can also be printed and used as a desktop reference. Additionally, it supports third-party screen-reader applications that run in a Windows environment. Navigating in Help Help opens in an Adobe Acrobat window with the Bookmarks pane open. [. . . ] · Clip volume or effect values can be viewed and edited both in the Effect Controls window (see "Applying and controlling Standard effects" on page 244) and in the Timeline window. Make sure that the track display is set to Show Clip Keyframes or Show Clip Volume. As described above, an audio clip can be modified by an effect applied to the clip and an effect applied to the track that contains the clip. Consider applying effects in a planned, systematic way to avoid redundant or conflicting settings on the same clip. About audio channels and tracks An Adobe Premiere Pro sequence can contain any combination of mono, stereo, and 5. 1 surround tracks. You can add or delete tracks at any time, but you can't change the number of channels a track uses after you first create it. A sequence always contains a master track that controls the combined output for all tracks in the sequence. For information about creating new sequences or tracks, see "Adding, renaming, and deleting tracks" on page 117. Sequence audio can contain two kinds of tracks. Regular audio tracks contain actual audio. Submix tracks output the combined signals of tracks routed to it; submix tracks are useful for managing mixes and effects (see "Working with submixes" on page 187). Audio and submix tracks can be any of the following types, which are based on the number of channels in the track: Mono (monophonic) Contains one channel. Stereo Contains two channels (left and right). 5. 1 Contains three front channels (left, center, and right), two rear or surround channels (left and right), and a low-frequency effects (LFE) channel routed to a subwoofer speaker. Using Help | Contents | Index Back 173 Adobe Premiere Pro Help Mixing Audio Using Help | Contents | Index Back 173 Understanding how Adobe Premiere Pro applies audio settings When you import video or audio, Adobe Premiere Pro first conforms its audio to the audio settings specified in the New Project dialog box when the project was created; see "Conforming audio" on page 192. As you edit sequences, Adobe Premiere Pro processes audio in the following order, from first to last: 1 Gain adjustments applied to clips by using the Clip > Audio Options > Audio Gain command. 3 Track settings are processed in the following order: Pre-fader effects, pre-fader sends, mute, fader, meter, post-fader effects, post-fader sends, and then pan/balance position. 4 Track output volume from left to right in the Audio Mixer window, from audio tracks to submix tracks, ending at the Master track. Note: The default signal path can be modified by sends (see "Using sends" on page 188) or by changing a track's output setting (see "Routing track output" on page 183). Working with the Audio Mixer window In the Audio Mixer window, you can adjust settings while listening to audio tracks and viewing video tracks. Each Audio Mixer track corresponds to a track in the Timeline window of the active sequence and displays the Timeline window's audio tracks in an audio console layout. Each track is labeled near the top of the Audio Mixer window, and you can rename a track by double-clicking its name. You can also use the Audio Mixer window to record audio directly into a sequence's tracks (see "Capturing analog audio" on page 79). Using Help | Contents | Index Back 174 Adobe Premiere Pro Help Mixing Audio Using Help | Contents | Index Back 174 By default, the Audio Mixer window displays all audio tracks and the master fader, and the VU meters monitor output signal levels. [. . . ] Government end users (a) only as Commercial items and (b) with only those rights as are granted to all other end users pursuant to the terms and conditions herein. Unpublished-rights reserved under the copyright laws of the United States. Adobe Systems Incorporated, 345 Park Avenue, San Jose, CA 94110-2704, USA. Government End Users, Adobe agrees to comply with all applicable equal opportunity laws including, if appropriate, the provisions of Executive Order 11246, as amended, Section 402 of the Vietnam Era Veterans Readjustment Assistance Act of 1974 (38 USC 4212), and Section 503 of the Rehabilitation Act of 1973, as amended, and the regulations at 41 CFR Parts 60-1 through 60-60, 60-250, and 60741. [. . . ]