User manual AKG C 417 III

[. . . ] Extended frequency response for clear reproduction of speech, vocals, violin. With its wide frequency range extending from 20 Hz to 20 kHz, low distortion at high sound pressure levels, small size, and useful accessories, the C 417III is an ideal choice for use in any situation requiring an inconspicuous microphone and maximum mobility for the user. The microphone is available in two different colors and will almost disappear when blended in with an actor's or singer's makeup. [. . . ] You may connect any AKG phantom power supply (2) to an unbalanced input, too. Use a cable (3) with a female XLR connector and TS jack plug: Refer to fig. Note: Unbalanced cables may pick up interference from stray magnetic fields near power or lighting cables, electric motors, etc. This may introduce hum or similar noise when you use a cable that is longer than 16 feet (5 m). The optional B 29 L battery supply allows you to connect the microphone to balanced or unbalanced inputs with no phantom power. Push the mini XLR connector (1) on the microphone cable into one of the two mini XLR sockets on the B 29 L (2) to the stop. To disconnect the cable, press the unlocking button on the mini XLR connector (1) and pull the connector (1) out of the socket. To avoid damaging the cable, never try to pull out the cable itself!Push the mini XLR connector (1) on the microphone cable into the mini XLR socket (2) on the cable of the MPA III L (3) to the stop. (Refer to the instruction manual of the unit to which you connected your microphone. If your mixer provides no phantom power: Connect the MPA III L (3) to an optional AKG phantom power supply (4) (N 62 E, N 66 E, B 18, B 15) and use an XLR cable (5) (e. , an optional MK 9/10 from AKG) to connect the phantom power supply (4) to the desired balanced input. The principal benefit of a microphone attached to the user's clothes or integrated in their makeup is that the microphone will maintain a constant working distance independently of the user's movements and thus ensure a constant output level. Also, a clip-on microphone allows the user to move about freely and keeps their hands free. Note: The smaller the distance between the microphone and the sound source, the higher the usable gain before feedback. Fix the microphone on a suitable part of the stage decoration such as a flat, backdrop, curtain, etc. [. . . ] Phantom power supply: connect to power outlet or insert battery (batteries). SPL for 1%/3% THD: Equivalent noise level: Power requirement: pre-polarized condenser microphone omnidirectional 20 Hz to 20, 000 Hz 10 mV/Pa (-40 dBV re 1 V/Pa) 200 2000 118/126 dB SPL 34 dB (A) (to DIN 45412) C 417III PP: 9 to 52 V universal phantom power C 417III L/PL: B 29 L battery power supply, MPA III L phantom adapter, or AKG WMS bodypack transmitters approx. This product conforms to EN 50 082-1 provided it is connected to equipment with a CE mark. [. . . ]