User manual AKG CK 77 WR

[. . . ] If anything is missing, please contact your AKG dealer. ) 2-conductor shielded cable w/male and female XLR connectors N 62 E, N 66 E, B 18 phantom power suppplies With its wide frequency range from 20 Hz to 20 kHz, low distortion at high sound pressure levels, small size, and versatile accessories, the microphone is an ideal choice for miking up musical instruments, lecturers, actors, preachers, etc. Other applications include TV and broadcast work as well as inconspicuous spot miking in live recording. The microphone features a dual-diaphragm transducer for efficient suppression of cable noise and mechanical noise that may occur when the microphone is used directly on an instrument. [. . . ] Check what type of connector you need and solder the connector to the microphone cable. For details on connector wiring, refer to the instruction manual of the device to which you intend to connect your microphone. You can connect the CK 77 WR L and the CK 77 WR L/p to any AKG bodypack transmitter with a 3-pin mini XLR input. Using any power supply other than those recommended by AKG may damage your microphone and will void the warranty. Connect the phantom power adapter (1) on the microphone cable to a balanced XLR microphone input with phantom power. (Refer to the instruction manual of the unit to which you connected your microphone. If your mixer provides no phantom power: Connect the phantom power adapter (1) to an optional AKG phantom power supply (2) (N 62 E, N 66 E, B 18) and use an XLR cable (3) (e. , an optional MK 9/10 from AKG) to connect the phantom power supply to the desired balanced input. You may connect any AKG phantom power supply (2) to an unbalanced input, too. Use a cable (3) with a female XLR connector and TS jack plug: Unbalanced cables may pick up interference from stray magnetic fields near power or lighting cables, electric motors, etc. This may introduce hum or similar noise when you use a cable that is longer than 16 feet (5 m). If you use the microphone in the open air you can slip the supplied W 77 windscreen on the microphone to attenuate wind noise. The principal benefit of a microphone attached to the user's clothes or integrated in their makeup is that the microphone will maintain a constant working distance independently of the user's movements and thus ensure a constant output level. Also, a clip-on microphone allows the user to move about freely and keeps their hands free. Note: The smaller the distance between the microphone and the sound source, the higher the usable gain before feedback. C 577 WR only: Fix the phantom power adapter to the belt with the H 16 belt clip. Fix the microphone on a suitable part of the stage decoration such as a flat, backdrop, curtain, etc. To fix the microphone to a hard surface, use the supplied adhesive compound. Fix the microphone on the user's head, as close as possible to the mouth, and blend it in with the makeup. You can use the supplied adhesive compound or H 40/1 clip to fasten the microphone on various instruments (e. [. . . ] Therefore, this method is faster than replacing the entire microphone. Replacement transducer elements are available from AKG Service. 5 k C 577 WR: <400 Recommended load impedance: CK 77 WR: 10 k C 577 WR: 2 k Equivalent noise level to DIN 45412 (A weighted): <26 dB-A Signal/noise ratio re 1 Pa (A weighted): 68 dB Max. ) Finish: Matte black, flesh-color, or white This product conforms to EN 50 082-1 provided it is connected to equipment with a CE mark. [. . . ]