User manual AKG D 40

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Manual abstract: user guide AKG D 40

Detailed instructions for use are in the User's Guide.

[. . . ] Should anything be missing, please contact your AKG dealer. Built-in windscreen/pop filter for effective suppression of pop and breath noise. The D 40 is fitted with a shock absorbing inner grille that protects the transducer against damage. [. . . ] If you consider the noise produced by the keys as characteristic of the saxophone sound or the song, point the microphone at the middle of the instrument. However, if you want no key noise, direct the microphone toward the front outer rim of the bell. If you aim the microphone into the bell, you will get a high amount of wind noise. optimum working distance is 8 to 12 inches. On stage, you may have to move as close as 2 inches to the microphone in order to avoid getting feedback or spillover from other instruments. In this situation, make sure not to blow right into the microphone. The trumpet can put out sound pressure levels up to 130 dB. In order to prevent overload distortion aim, the microphone at the lower rim of the bell. optimum working distance is 12 to 20 inches. On stage, you may have to move as close as 2 inches to the microphone in order to avoid getting feedback or spillover from other instruments. In this situation, make sure not to blow right into the microphone. If you get too much blowing noise, use an extra windscreen, e. Loudspeakers radiate high frequencies within a very narrow angle. Place the microphone about 2 to 6 inches in front of the loudspeaker diaphragm and aim the microphone at the center of the diaphragm. To prevent the top head from ringing excessively, tape a strip of felt or a piece of tissue paper to the skin in an offcenter position. Screw the supplied H 440 bracket to the stand adapter on the microphone using the captive knurled-head screw on the H 440 bracket. [. . . ] 147 dB SPL / 156 dB SPL < 600 ohm > 2000 ohm temperature: da ­ 10°C fino a + 60° C umidità relativa dell'aria a + 20°C: 95% Tipo di connettore: connettore XLR standard a 3 poli Cablaggio del connettore: pin 1: massa pin 2: filo audio (inphase) pin 3: filo audio Materiale della scatola: metallo Superficie: dark stage blue Dimensioni: lunghezza 100 mm, diametro mass. 147 dB SPL / 156 dB SPL 600 ohmios 2000 ohmios temperatura: -10°C a +60°C humedad del aire a +20°C: 95% Conector: conector estándar XLR de 3 polos Modo de conexión: clavija 1 = tierra clavija 2 = audio (en fase) clavija 3 = audio Material de la caja: metal Superficie: dark stage blue Dimensiones: largo: 100 mm; diámetro máx. 000 Hz Sensibilidade a 1000 Hz: 2, 5 mV/Pa (-52 dBV em relação a 1V/Pa) Nível de ruido equivalente: 18 dB(A) (DIN 45412) Pressão acústica limite para coeficiente de distorção não linear de 1% / 3%: 147 dB SPL / 156 dB SPL Impedância elétrica a 1000 Hz: 600 ohms Impedância de carga recomendada: 2000 ohms Condições climáticas permitidas: faixa de temperatura: -10º C a + 50º C umidade relativa com 20°C: 95% Tipo do conector: XLR standard de 3 pinos Esquema do conector: pino 1: massa pino 2: áudio (em fase) pino 3: áudio Material da carcaça: metal Acabamento: dark stage blue Dimensões: comprimento: 100 mm, diâmetro máx. [. . . ]

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