User manual ALESIS MICROVERB3 PROGRAMCHART

[. . . ] [. . . ] Preset Programs # 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 DESCRIPTION All- purpose concert hall, great for vocals Warm, large hall, try on piano or acoustic guitar Small, bright hall for snares Big, dark, scary castle reverb Live, medium hall Warm hall with 100ms predelay Deep, wide, bright space Parking garage reverb with lots of high damping Small recital hall for acoustic instruments Bright hall with low damping, try on vocals Medium, hardwood studio room Reverb early reflections, for percussion ambience Warm, medium room for instruments Tight room for ambience Gated room for snares and toms Very tiny room Small studio room with high damping Tighter gated room reverb Nonlinear reverb for retro `80s percussion Reverse reverb for effects Studio goldfoil plate reverb Smooth snare drum plate Thin, transparent plate Bright, dense vocal plate Large, warm instrument plate Very small plate reverb, tasty on snares Long, smooth vocal plate Wide, diffuse piano ambience Skinny, vintage plate reverb Simulation of plate reverb with lots of damping Wide, true stereo chorus Fast, shallow stereo chorus True stereo chorus with less predelay Deep stereo chorus with feedback Wide chorus with delay for pads and volume swells Slow, deep quad chorus Fluid true stereo chorus Classic stereo chorus Subtle quad chorus True stereo flanger with doubling delay Slow, sweeping flange with heavy feedback Faster, bubbly stereo flange Slow triggered stereo flange Wide true stereo flange with positive feedback Faster, shallow stereo flange True stereo flange with + and - feedback Slow flange for grungy bass Slow auto pan (set Mix 100% wet) Medium tremolo (set Mix 100% wet) Faster tremolo for electric pianos (set Mix 100% wet) TYPE # 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 DESCRIPTION True stereo offset delay Ping pong delay with band pass filter Rhythmic multitap delay True stereo 1/4 note and 1/8 note delay Long mono delay Stereo delay with 3 against 2 rhythm 255ms Mono delay Stereo bouncing multitap delay 255ms Ping pong delay, try with tap tempo Tape echo, repeats get darker as they decay Classic stereo detuner 500ms detuned delay program 5th and 9th harmony for leads Thicker stereo detune program Faster detuned delay, great on guitar Upward staircasing pitch effect Mono pitch shifter with Semi and Fine controls Stereo detune with feedback Octave pitch shift Detune/delay program for synth pads Fast rock lezlie program (set Mix 100% wet) Slow, warm lezlie for ballads (set Mix 100% wet) Thick stereo chorus into a hall Large room with flange and delay Flanged room, great for drums and guitars Room into a triggered flange, try on percussion Deep stereo chorus into a room Stereo flange into a small room Thick chorus into a bright room Delay into a room, great for lead vocals Slow chorus into a delay and room reverb Like above, but with a shallower chorus Fluid flange/delay/room program for guitar Like above, but with more room and less flange Chorus and delay into a bright room, for rhythm guitar 225ms delay into a room Long delay into a room, perfect for leads 350ms delay into room, good for mid tempo vocals Chorus/long delay/hall multieffect Room into flange with heavy feedback Hardwood room and a wide, true stereo chorus Bright room and a slow, sweeping flange Large room and a stereo chorus Like above, with a warmer room. Great for ballads Dark room and a deep flange for rock mixes Tight room and a 150ms slapback delay Large room with a long delay for late night mixes Tight room and a slow stereo chorus Bright hall with a 1/4 note delay @ 108bpm Large room and a slow flange with feedback TYPE User Programs # 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 DESCRIPTION Large, bright hall, perfect for piano Small, bright hall for drums and brass Large, dense cathedral reverb Dreamy, ambient instrument space Medium hall with high damping, great for strings Breathy small hall for vocals Large hall with bass boost, try on drums Large, bright hall with lots of high damping Medium hall, great for snares and rimshots Large, warm hall for acoustic guitars and pianos Splashy stone room Medium studio room with high damping, try on guitar Large, dark room for vocals and winds Tight percussion room with lots of early reflections Large, deep room for almost anything 60% of the signal is gated for a unique snare reverb Dense stone room with wide early reflections Small room for background vocals Long gated reverb, interesting on pianos Wide early reflections for ambience Bright instrument plate Thin, transparent vocal plate Subtle tube plate emulation Dark plate, great for adding sustain to acoustic guitar Long plate with 70ms predelay Medium vocal plate with high damping Small, snappy plate for percussion and rhythm guitar Authentic warm plate for guitar, piano Bright instrument plate, slightly chorused Large, ambient plate for ballads, effects Silky, deep quad chorus Fast stereo chorus for active guitar and keyboard parts Big quad chorus with lots of feedback Faster quad chorus for bass Deep wide chorus with feedback Delayed chorus for sounds with a slow attack Shallow quad chorus for rock and country guitar Slow stereo chorus for electric piano Very slow chorus with stereo delay Wide, true stereo chorus with inverse feedback Smooth true stereo flange for vocals, strings Mild, shallow stereo flange Deep sweeping flange for tense rhythm guitar Dry stereo triggered flange Panning stereo flange, R is double the speed of L side Very deep stereo flanger for extremists Vintage stereo flange pedal, turn it up! [. . . ] [. . . ]