User manual ALLEN & HEATH ICON DP1000

[. . . ] ALLEN&HEATH USER GUIDE Publication: AP3299 LIMITED ONE YEAR WARRANTY This product has been manufactured in the United Kingdom by Allen & Heath and is warranted to be free from defects, materials and workmanship for a period of one year from the date of purchase by the original owner. To ensure the high level of performance and reliability for which this equipment has been designed and manufactured please read this User Guide before operating. In the event of a failure notify and return the defective unit to Allen & Heath or its authorised agent as soon as possible for repair under warranty subject to the following conditions : 1. The equipment has been installed and operated in accordance with the instructions in this User Guide. [. . . ] This is not necessary with the built in icon power amplifier as it includes a 2 second switch on delay to protect the loudspeakers. ON/OFF I 0 FUSE T500mA 250V 20mm MAINS INPUT 100 - 240 V. AC 47-63 Hz ~ 30W MAX Mains electricity is dangerous and can kill. Refer to and heed the warnings printed at the beginning of this user guide and on the console rear panel. MONO AND STEREO CHANNEL INPUTS MIC INPUT MIX The 6 mono and 2 stereo channels each provide a balanced XLR input for connecting microphone signals. Standard balanced (2 core + shield) mic cables should be used. The input sensitivity may be adjusted to accept a wide range of microphone signals from a low ­55dBu typical of distant stage miking, to a high ­8dBu typical of close vocal miking. +48V can be globally switched mic XLR sockets 1 to 6 when you use microphones that require phantom powering. +48V is not fed to channel 7 and 8 mic inputs. Do not connect unbalanced (single core) cables or sources to the XLR inputs when phantom power is applied. No damage will be done to non powered balanced microphones as long as balanced cables are used. Always mute the channel or turn the fader off when plugging or unplugging the inputs. 4-2 icon SERIES MONO LINE INPUT Channels 1 to 6 each include a balanced line input on 3-pole TRS (Tip, Ring, Sleeve) ¼" phone jack. This accepts line level signals of -31dBu to +16dBu on either balanced 3-pole jacks or unbalanced 2-pole jacks. Unplug the microphone input if you want to use the line input. The line input is used for a wide variety of sources including instruments such as guitars, keyboards and samplers, signal processors such as effects units, and replay devices such as tape, CD and disc players. A high impedance guitar or instrument pickup can be plugged into the channel in several ways as shown in the diagram. Plug direct if the instrument has a sufficiently high output and is near the console. For lower level outputs or where longer leads are used, problems with interference pickup can be overcome by plugging the instrument into an active DI (Direct Injection) box which converts it to a low impedance balanced signal less prone to interference and signal degradation. Plugging the guitar into an inline effects box or foot pedal achieves the same. If you are using a separate guitar combo amplifier you could plug into the pre-amp or slave output. Some musicians prefer to use a microphone to capture the `sound' of the amplifier rather than inject it dry into the console. Radio microphones often provide a choice of outputs, either mic or line level. Before adjusting the gain on the console check that the transmitter and receiver levels are correctly adjusted. MIX STEREO LINE INPUTS Channels 7 and 8 each feature two stereo inputs, input 1 on balanced 3-pole TRS jacks, and input 2 on unbalanced RCA phono jacks. This gives you a choice of input connector type to match the source equipment and leads available. The two inputs mix together so that you can plug two stereo sources into the channel at the same time. [. . . ] 127 MIDI channel number Changes mix source to amplifier channels A and B: Where Mode is 0x00 for L R 0x01 for FB M 0x02 for Aux FB 0xF0, 0x00, 0x00, 0x1A, 0x50, 0x07, MV, Mv, 0x0m, 0x03, Mode, 0xF7 AUX PRE/POST Switches all channel aux sends either pre or post fader: 0xF0, 0x00, 0x00, 0x1A, 0x50, 0x07, MV, Mv, 0x0m, 0x05, Pre/Post, 0xF7 Where Pre is 0x00 Post is 0x7F TRIM ON/OFF Enables or disables the channel level trim parameter: 0xF0, 0x00, 0x00, 0x1A, 0x50, 0x07, MV, Mv, 0x0m, 0x04, Off/On, 0xF7 Where Off is 0x00 On is 0x7F icon SERIES 7-9 PARAMETER CONTROL Every console parameter is mapped for independent MIDI control. This is based on the NRPN system with the MSB selecting the channel number, and the LSB selecting the parameter number in that channel (channel type specific). Channel selection message: 0xBm, 0x63, <Channel> (Controller 99) Where <Channel> is 0x00 = CH1 to 0x07 = CH8, and 0x40 = GEQA, 0x41 = GEQB. Parameter selection message: Where <Param ID> is shown below: Parameter values are set using Data Entry MSB: 0xBm, 0x06, <Value> 0x08 = FX1, 0x09 = FX2, 0xBm, 0x62, <Param ID> (Controller 98) All parameter values are `normalised' from 0x00-0x7F Device Parameter LF Gain LF Frequency LMF Gain LMF Frequency LMF Q HMF Gain HMF Frequency HMF Q HF Gain HF Frequency In/Out Drive Attack Release Knee In/Out Level Attack Decay In/Out Send Level Send Level Level Pan/Balance Send Level Send Level Level (transmit only, no recieve) Band Gain In/Out Linking Parameter ID 0x01 0x02 0x03 0x04 0x05 0x06 0x07 0x08 0x09 0x0A 0x0B 0x0C 0x0D 0x0E 0x0F 0x10 0x11 0x12 0x13 0x14 0x15 0x16 0x17 0x18 0x19 0x1A 0x1B 0x00 Lowest Band 31Hz 0x09 Highest Band 16kHz 0x20 0x21 When linked, both GEQA&B messages (for band gain & in/out) are generated by the I-CON PEQ Compressor Gate Aux Foldback Trim Pan/Balance FX1 FX2 Fader Level GEQ 7 - 10 icon SERIES FX PARAMETERS Param1 Param2 Param3 Param4 Type FX1 0xBn, 0x5B, <Value> FX2 0xBn, 0x46, <Value> 0xBn, 0x5C, <Value> 0xBn, 0x47, <Value> 0xBn, 0x5D, <Value> 0xBn, 0x48, <Value> 0xBn, 0x5E, <Value> 0xBn, 0x49, <Value> 0xBn, 0x5F, <Name> 0xBn, 0x4A, <Name> FX1 NAME "M ECHO 1" "M ECHO 2" "M ECHO 3" "M ECHO 4" "M ECHO 5" "M ECHO 6" "M ECHO 7" "M ECHO 8" "StECHO 1" "StECHO 2" "StECHO 3" "StECHO 4" "BOUNCE 1" "BOUNCE 2" "CHORUS 1" "CHORUS 2" "DOUBLER1" "DOUBLER2" "M FLNGE1" "StFLNGE1" "PHUNNEL1" "PHUNNEL2" "VIBRATO1" "VIBRATO2" "StVIBE 1" "StVIBE 2" "TREMOLO1" "TREMOLO2" "AUTOPAN1" "AUTOPAN2" "FOOT VOL" "StECHO 5" "StECHO 6" "BOUNCE 3" "BOUNCE 4" "CHORUS 3" "DOUBLER3" "M FLNGE2" "StFLNGE2" "PHUNNEL3" "AUTOPAN3" 0x00 0x01 0x02 0x03 0x04 0x05 0x06 0x07 0x08 0x09 0x0A 0x0B 0x0C 0x0D 0x0E 0x0F 0x10 0x11 0x12 0x13 0x14 0x15 0x16 0x17 0x18 0x19 0x1A 0x1B 0x1C 0x1D 0x1E 0x1F 0x20 0x21 0x22 0x23 0x24 0x25 0x26 0x27 0x28 FX2 NAME "STAGE 1 " "STAGE 2 " "WOODRM 1" "WOODRM 2" "ROOM 1 " "ROOM 2 " "ROOM 3 " "ROOM 4 " "HALL 1 " "HALL 2 " "HALL 3 " "HALL 4 " "CHAMBER1" "CHAMBER2" "CHURCH 1" "CHURCH 2" "ARENA 1 " "ARENA 2 " "PLATE 1 " "PLATE 2 " "VxPLATE1" "VxPLATE2" "SPRING 1" "SPRING 2" "DLYSTGE1" "DLYSTGE2" "DLYROOM1" "DLYROOM2" "DLYROOM3" "DLYROOM4" "DLYHALL1" "DLYHALL2" "DLYHALL3" "DLYHALL4" "DLYCHRC1" "DLYCHRC2" "DLYPLTE1" "DLYPLTE2" "DLYSPRG1" "DLYSPRG2" 0x00 0x01 0x02 0x03 0x04 0x05 0x06 0x07 0x08 0x09 0x0A 0x0B 0x0C 0x0D 0x0E 0x0F 0x10 0x11 0x12 0x13 0x14 0x15 0x16 0x17 0x18 0x19 0x1A 0x1B 0x1C 0x1D 0x1E 0x1F 0x20 0x21 0x22 0x23 0x24 0x25 0x26 0x27 icon SERIES 7 - 11 DATA ARCHIVING ARCHIVING VIA MIDI MIDI system exclusive message A dump of all memory and current settings. 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