User manual ART TUBE MP – STUDIO V3

[. . . ] The ART TUBE MP STUDIO V3TM TABLE OF CONTENTS Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 AC Power Hookup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Audio Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] However, if the mic doesn't need it, do not use it. Some things are best left untested! PHASE REVERSE SWITCH The Phase Reverse switch is provided to reverse the phase of the signal. This switch works on Pins 2 and 3 of the XLR output jack and also reverses the polarity of the ¼ output jack. In the Normal position, " the signal is in-phase. In the Reverse (or "in") position, Pins 2 and 3 are reversed and the signal is changed to 180 degrees out of phase. In multiple microphone applications, mic placement can affect the phase of the signals. If two microphones pick up the same signal from different locations, the result can be a hollow or frequency "shifted" sound. In some cases it may sound as if an instrument disappears if it happens to be 180 degrees out of phase. Depressing the Phase switch can remedy this. In general, if your sound is "thin" or "out of position", try reversing the phase to correct the problem. V3TM ­ VARIABLE VALVE VOICINGTM CONTROL TM TM This Tube MP Studio V3TM features ART's proprietary V3TM TM technology. V3TM (which stands for Variable Valve Voicing), provides optimized reference points to begin the recording process for guitars, bass guitars, synths, acoustic instruments, percussion and more. ART engineers ran our preamplification circuit through a battery of tests and real life studio conditions. Our goal was to create a processor that would allow a user to have presets that were optimized for specific recording applications. We set out to create a preamp that would be nimble enough to handle both violins and kick drums, and nearly everything in between. We wanted to take the guessing out of the equation ­ and that is how we developed V3TM. It's simple, easy and it works really well. -5- For example, if you are recording an acoustic guitar, V3TM has a preset that has been optimized for that instrument. Once the preset is chosen, the user can even fine tune the signal ­ which shows the true power of V3TM technology. . . it's tweakable. V3TM even features a multi setting, which is useful for a wide variety of applications ­ like overhead micing, broadcast and field recording. This means that it is now quicker and easier than ever to make great recordings!Musicians want to play, not spend hours adjusting knobs. No other microphone preamp is as user-friendly as the Tube MP Studio V3TM. POWER/CLIP/LIMIT LED The bi-color Power/Clip/Limit LED lights green after power is applied and with lower level signals. [. . . ] This warranty is void if the serial number is altered, defaced, or removed. A R T reserves the right to make changes in design or make additions to or improvements upon this product without any obligation to install the same on products previously manufactured. A R T shall not be liable for any consequential damages, including without limitation damages resulting from loss of use. Some states do not allow limitations of incidental or consequential damages, so the above limitation or exclusion may not apply to you. [. . . ]