User manual ASUS XONAR D-KARA

[. . . ] No part of this manual, including the products and software described in it, may be reproduced, transmitted, transcribed, stored in a retrieval system, or translated into any language in any form or by any means, except documentation kept by the purchaser for backup purposes, without the express written permission of ASUSTeK COMPUTER INC. Product warranty or service will not be extended if: (1) the product is repaired, modified or altered, unless such repair, modification of alteration is authorized in writing by ASUS; or (2) the serial number of the product is defaced or missing. Products and corporate names appearing in this manual may or may not be registered trademarks or copyrights of their respective companies, and are used only for identification or explanation and to the owners’ benefit, without intent to infringe. 68  ASUS Xonar D1 Notices Federal Communications Commission Statement This device complies with Part 15 of the FCC Rules. [. . . ] This shows the source name for each volume control slider, including: - WAVE: All digital audio sources except MIDI files - SW: Software Synthesizer; control the playback volume of the MIDI files - CD: CD-ROM playback (CD-DA) volume control - LEFT, RIGHT…: the volume control for each speaker/ channel. note: Windows® Vista does not support WAVE , Synthesizer and CD Player volume controls. Click this button to mute or unmute the audio channel. Drag this slider down to decrease the volume; drag it up to increase the volume. The tool-tip reveals the percentage number from 1 to 100 in terms of the full scale level. The horizontal slider controls the volume between the left and right channels. 2 Recording/Monitoring Volume 1 7 6 5 4 3 2 8 No 1 2 Item Recording Volume Tab Source/Path Name Description 9 Click this button to show the recording volume page. This shows the source name for each volume control slider, including: Mix: Stereo Mix which will record all analog inputs and digital wave audio you are playing on PC MIC: recording from MIC jack Aux: recording from Aux-In for typically TV-tuner card audio or other sound sources Line-In: recording from Line-in jack for external audio devices WAVE: recording from digital wave audio you are playing on PC (Note: Windows Vista doesn’t support WAVE recording. ) 3 Monitoring button Click this button to monitor and loopback recording audio to outputs (PC speakers). Therefore, the recording volume will influence the monitoring signals from speaker outputs. The audio will be mixed into the streams you are playing out from your PC and all DSP effects will be applied to the source, too. a typical benefit is to apply Dolby Pro-Logic IIx 7. 1-ch spreading for your TV audio, CD, MP3, or stereo game console audio from Wii, Xbox, PS2/PS3/PSP, etc. to apply Dolby Virtual Speaker is suitable for two-speaker environment. 36 ASUS Xonar D1 4 Recording Selector button Click this button to select the path/source you are going to record. please note that the recording function on Windows is a one-path selector. So, you can select only one default recording source at a time. You may have to restart the recorder program if you switch to a different source. (Note: On Vista, some application programs may allow you to select the recording device/path in the recording programs themselves. ) Drag this slider down to decrease the recording volume; drag up to increase the recording volume. The tool-tip reveals the percentage number from 1 to 100 in terms of the full scale level. This horizontal slider controls the volume between the left and right channels. [. . . ] Xonar includes these features to make your PC a powerful media and entertainment center. 70 ASUS Xonar D1 Q3: Why is Xonar D1 the best audio card for HTPC and multi-channel speakers?Answer: The Xonar D1 supports Dolby Digital Live, which allow a single digital connection to your AV receiver to carry Dolby Digtial audio. In addition, Xonar D1 also provides Dolby Pro-Logic IIx to upmix TV and other music to multi-channel surround sound in Home Theater environments. [. . . ]