User manual B&W SILVER SIGNATURE

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Manual abstract: user guide B&W SILVER SIGNATURE

Detailed instructions for use are in the User's Guide.

[. . . ] Normal Stereo and Home Theatre Front Left and Right Applications (figure 2) Note: The assembly should be installed with the tweeter at the bottom. The speakers should be positioned with the tweeters at a little above ear height. If the speakers are to be used low in the wall invert the speaker so the treble unit is uppermost. The spacing between them will depend on the size of the room and distance to the listeners. [. . . ] 5m (5ft) and the distance between them should not exceed their distance from the listeners. Having the speakers and listeners approximately at the corners of an equilateral triangle is not a bad rule to follow. this arrangement generally provides the best stereo imaging. If the speakers are placed too far apart, a hole-in-the-middle effect may become apparent. Too close and the panoramic effect will be lost, accompanied by a reduction in depth information. For Home Theatre Installations, the speakers should not be closer together than the width of the screen and their height should be approximately at centre screen height. Home Theatre Centre Channel Applications Theoretically, the best position for a centre channel speaker is behind the centre of the screen, but this can only be realised when using an acoustically transparent projection screen. In most cases the speaker will be positioned in a laterally central position either directly above or directly below the screen. All other things being equal, choose the position that is nearest ear height. However, if this leads to a below screen position, you should be careful to ensure that the speaker is not too close to the floor (see above) and that the sound will not be muffled by the later placement of furniture. Home Theatre Surround Speaker Applications The sound from surround speakers should be as diffuse as possible. Use the template provided to mark out the correct size aperture, having regard to how the wall frame is to be lined up with any features such as door frames, and cut out the aperture neatly. Feed the pre-mount frame through the aperture and pull it forward so that it sits flat on the rear of the drywall and the inner part of the frame protrudes through the aperture. Screw, but do not tighten, 4 of the screws provided through the slots in the wall frame into the pilot holes in the pre-mount frame. all Methods Align the frame squarely and tighten down the screws. A certain amount of flexing of the wall frame is allowed to take up unevenness in the wall surface, but do not over tighten the screws as excessive distortion of the frame may impede the fitting of the baffle. Always make sure all the terminal caps are screwed down tight, as otherwise they may rattle. failure to observe correct polarity will result in a loss of bass and vague imaging in a multi-speaker installation. When choosing cable, keep the total electrical impedance (out and back) below the maximum recommended in the specification. Ask your dealer for advice, as the optimum cable will depend on the length required. Cut off excess length and tie down loose cable to prevent rattles. HF Control The switch on the front baffle provides a boost or cut in the speaker's high-frequency output. [. . . ] Use it to adjust the high-frequency level to compensate for severely off axis positioned speakers or heavy wall coverings (Boost) or speakers positioned in highly sound reflective rooms (Cut). The wall frame has a white semi-matte paintable finish, ready if necessary to be re-finished to match your own decor. (figure 5) All connections should be made with the equipment switched off. There are two pairs of gold plated terminals at the back of each speaker, one pair to the bass/mid units and one pair to the tweeter which permit bi-wiring or bi-amplification if desired. [. . . ]

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