User manual BEHRINGER LX110

[. . . ] LX110 User Manual Version 1. 0 February 2007 V-AMPIRE V-AMPIRE LX110 IMPORTANT SAFETY INSTRUCTIONS 14) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside; refer servicing to qualified personnel. 15) Unplug this apparatus during lightning storms or when unused for long periods of time. 16) Refer all servicing to qualified service personnel. [. . . ] Among others, Steve Lukather, Nuno Bettencourt and Steve Vai have all popularized the Soldano sound. If you're playing a Gibson Les Paul, MODERN HI GAIN sounds best when you turn down the volume control on the guitar a little. BLACK TWIN: This simulation was modeled on a Fender Blackface Twin from 1965. In the '60s this amp was used by jazz, country and even rock guitarists. What was unique about it was that it was exceptionally loud and was therefore mainly used for live performances. The secret of the Blackface Twin was that although you could play it extremely loud, the distortion remained relatively low. ULTIMATE GAIN: From clean to brutal hi-gain, this "brute" covers the entire range. The ULTIMATE V-AMP is basically a souped-up rectifier amp. TWEED COMBO: This was Jeff Beck's favorite when he recorded the albums Blow by Blow and Wired. This amp was not actually designed for heavy distortion, but owing to its low power, it is ideal for uncompromising overdrive sound. TWEED BASS: This virtual amp is modeled on the Fender 4 x 10 Combo. Originally designed as a bass amp, it soon became a standard amp of blues legends such as Steve Ray Vaughan or Billy Gibbons due to its characteristic distortion. As you would expect, it packs a solid punch in the bass range, but is still flexible enough in the mid and treble ranges. SCREAMER: Having been around since the beginning of the '80s, the Ibanez Tube Screamer TS808 has pretty much achieved cult status. It has the reputation of being the ultimate classical overdrive/treble booster floor pedal, and is associated with mighty lead sounds, even though it offers rather modest distortion. Its secret is that it "knows" better than other floor pedals how to squeeze the very last bit out of the amp to which it is connected. EL RATON: The Rat from ProCo was also a distortion pedal similar to the tube screamer, and it also came around about the same time, but its basic sound and applications couldn't be more different. As the name suggests, the Rat is all about aggressive distortion from the pedal itself, and the TS808 is more about unobtrusive overdrive in the amp further down the chain. With the rat simulation, you have the metal sound of the early '80s totally covered. 4. 2 Restoring the factory presets You can restore the factory presets of your V-AMPIRE at any time. When switching on the unit, hold down the DELAY and MODUL buttons for more than 2 seconds. This will restore all factory presets ("CL" flashes on the display). 5. AMP/SPEAKER SIMULATION The very heart of your V-AMPIRE is its amp/speaker simulation. [. . . ] BEHRINGER will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, BEHRINGER will return the unit C. O. D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order. [. . . ]