User manual BEHRINGER MIC200

[. . . ] A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10) Protect the power cord from being walked on or pinched particularly at plugs, extension cords, and the point at which they exit the unit. [. . . ] This +48 V switch activates the phantom power supply for the XLR input. Phantom power supply is required for operating condenser microphones. Dynamic microphones require no phantom power. Press the LOW CUT switch to eliminate undesired subsonic noise, such as floor rumble. With the PHASE REVERSE switch, the input signal is reversed by 180°. This function is available for both mic and line signals. Use this function in a multi-microphone setup if you detect phase cancellations in specific frequency bands. The OUTPUT control governs the output level within a range from -oo to +10 dB. If the control is turned all the way to the left, there is no output signal at all. The more the control is turned to the right, the higher the output level. The PREAMP MODE rotary switch gives you a wide selection of preamp presets. The options available are: WARM, WARM/ LIMITER, LIMITER and NEUTRAL: 2. CONTROL ELEMENTS 5 TUBE ULTRAGAIN MIC200 WARM (moving clockwise, starting at 9 oclock): These settings make sense if you wish to add that typical warmth associated with analog signals. KEYB: E-GTR: VOCAL: VALVE: For electronic keyboard instruments of all types. Warm, analog tube sound. WARM + LIMITER (moving clockwise, starting at 12 oclock): Use these settings when working with high volumes or with sounds with frequent signal peaks, and if directly recording an instrument with a mic (e. MULTI: VOCAL: A-GTR: PIANO: Various applications. Piano/grand piano. LIMITER (moving clockwise, starting at 3 oclock): Select these settings if you wish to use the limiter function without adding tube warmth. Neutral limiter setting. NEUTRAL (moving clockwise, starting at 6 oclock): These settings are ideal for neutral and natural sound reproduction without limiter and without tube sound. NEUTRAL: VOCAL: GUITAR: BASS: 6 Neutral sound setting. Optimized setting for speech and vocals. Optimized setting for guitars and guitar amps. Optimized setting for electric bass guitar. 2. [. . . ] 2 k +7 dBu / 20 dB with pad Balanced/unbalanced Transformerless, DC-decoupled input approx. 1 M +16 dBu / 20 dB with pad XLR and 1/4" TRS connector bal. /unbal. Transformerless, DC-decoupled output approx. SPECIFICATIONS 11 TUBE ULTRAGAIN MIC200 System specifications Frequency response Function controls Gain Output Preamp mode control Function switches 20 dB pad +48 V Low Cut Phase reverse Indicators Input level Power-LED Power supply Mains voltage Mic input <10 Hz - 47 kHz (+/-3 dB) Line input <10 Hz - 55 kHz (+/-3 dB) variable (+26 to +60 dB) variable (-o to +10 dB) o Selection of various preamp settings for microphone and instruments Level attenuation (20 dB) Activates the phantom power High pass filter (cut-off frequency 90 Hz) Reverses phase (180 degrees) 8-segment LED meter: -24, -18, -12, -6, 0, +6, +12, clip Indicates operation USA/Canada 120 V~, 60 Hz U. K. /Australia 240 V~, 50 Hz Europe 230 V~, 50 Hz Japan 100 V~, 50 - 60 Hz external power supply 9 V AC/1300 mA approx. [. . . ]