User manual BEHRINGER SX3282 BROCHURE

[. . . ] But the SX3282 really gives you 24 mono channels and four stereo channels (with two ¼" inputs apiece--an additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channels--say all the mics on a drum kit or all the backup singers' mics--to a single fader. behringer. com Continued on next page SX3282 32x8x2 Live/ Studio Mixer Best of all, you don't need a black belt in engineering to operate the SX3282. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). [. . . ] By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4, 5-6 and 7-8 buttons. STEREO AUX RETURNs inputs return effect signals from external effects processors. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free postEQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen--depending on whether the signal has been included in a subgroup. Continued on next page SUBGROUP inputs. SUBGROUP outputs. Gold-plated CD/TAPE OUTPUT RCA connectors for output to USB interface/hard disk recorder or DAT. Gold-plated CD/TAPE INPUT RCA connectors for connecting Tape/ MP3/CD players or other line-level devices. 16 mono channels with balanced XLR with XENYX mic preamp and phantom power for condenser mics. ¼" TRS balanced/ unbalanced input. Insert I/O for signal processing on individual channels (pre-fader, pre-EQ and pre-aux send). GAIN control adjusts input gain via Level Set LED. Semi-parametric MID EQ sweepable from 100 Hz to 8 kHz. LOW CUT filter (mono channels) eliminates unwanted infrasonics. PAN control sets position of signal in stereo mix. SOLO routes subgroup signal to solo bus (Solo In Place) or PFL bus (Pre Fader Listen). MUTE switch (with bright LED) also mutes aux buses set to post-fader. Routing switches for assigning channel to MAIN or Subgroups. Silky-smooth faders on all channels and buses. Balanced XLR MAIN outputs. Balanced ¼" MAIN outputs. MAIN INSERTs for connecting external processor. 12V/5-Watt BNC lamp sockets. Four-band EQ on stereo channels, with HIGH, HI MID, LO MID and LOW controls. STEREO AUX RETURN controls with LEVEL, BALance, SOLO and assignment switches. STEREO AUX RETURNs 3 &4 feature only a LEVEL control and SOLO switch. SOLO SECTION with LEVEL control and SOLO/PFL switch. PHONES Level control and assignment switches. [. . . ] Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're 5, 000 miles from home. With the SX3282, this is never an issue. The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. · Built-in pristine XENYX mic preamps · British-style EQ dials give you the sound and control preferred by top studio engineers · Awesomely complete I/O ­ everything from bus inserts to mono output XLR connector, electronically balanced, discrete input circuit +48 V DC EQ STEREO CHANNELS Hi shelving 12 kHz, ±15 dB Hi Mid peaking 3 kHz, ±15 dB, Q fixed at 2 oct. [. . . ]