User manual BEHRINGER UB1222FX-PRO

[. . . ] UB1222FX-PRO Users Manual Version 1. 1 February 2006 EURORACK EURORACK UB1222FX-PRO IMPORTANT SAFETY INSTRUCTIONS DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside; refer servicing to qualified personnel. 5) Do not use this apparatus near water. [. . . ] there is no signal at the MON SEND connector. FX SEND The FX SEND fader determines the overall level of the effects bus. Both external effects processors (via the FX SEND connector) and the built-in processor only receive an input signal if this control is open. FX TO MAIN Use the FX TO MAIN control to feed the effects signal into the main mix. If the control is turned all the way to the left, no effects signal can be heard. 8 2. CONTROL ELEMENTS AND CONNECTORS EURORACK UB1222FX-PRO FX MUTE If the FX MUTE switch is pressed, the effects channel is muted, i. e. no signal is present at the FX SEND connector and the effects processor no longer receives an input signal. + In this instance, the FX control of the channel being used as an effects return should be turned fully counter-clockwise, otherwise feedback problems can occur! 2. 3. 2 Monitor send and FX send connector 2. 3. 4 CD/tape return channel, voice canceller and connection socket Fig. 2. 7: Aux send connectors MON and FX MON SEND Connect the input of your monitor power amp or an active monitor system here to make the monitor mix audible to the musicians on the stage. The signal mix is created using the channels MON controls. FX SEND The FX SEND connector outputs the signal you picked up from the individual channels using the FX controls. You can connect this to the input of an external effects device in order to process the FX bus master signal. Once an effects mix is created, the processed signal can then be routed from the effects device outputs back into the AUX RETURN connectors. + + If the connected effects processor receives no input signal, the FX MUTE switch is probably pressed and/or the FX SEND control is too low. This also goes for the built-in effects processor. Adjust your external effects processor to 100% wet (effects signal only), because the effects signal is added to the main mix along with the dry channel signals. Fig. 2. 9: CD/tape return channel This channel, intended especially for connecting stereo signal sources (CD players, DAT recorders or even sound cards) features a particularly practical feature: the VOICE CANCELLER. VOICE CANCELLER Here, you have a filter circuitry that lets you almost entirely remove the vocal portion of a recording. The filter is constructed in such a way that voice frequencies are targeted without majorly affecting the rest of the signal. Additionally, the filter seizes only the middle of the stereo image, exactly there where the vocals are typically located. Possible applications for the Voice Canceller are obvious: you can very simply stage background music for Karaoke events. Of course, you can also do this at home or at your rehearsal room before you hit the stage. Singers with their own band can practice singing difficult parts using a complete playback from a tape player or a CD, thus minimizing rehearsal time. STANDBY If the STANDBY switch is pressed, all input channels with a mic connector (XLR connector) are muted. [. . . ] damages/defects caused by force majeure or any other condition that is beyond the control of BEHRINGER. s 5. Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the warranty. If an inspection of the product by BEHRINGER shows that the defect in question is not covered by the warranty, the inspection costs are payable by the customer. Products which do not meet the terms of this warranty will be repaired exclusively at the buyers expense. [. . . ]