User manual BELL & HOWELL 1707 PARTS CATALOG

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Manual abstract: user guide BELL & HOWELL 1707PARTS CATALOG

Detailed instructions for use are in the User's Guide.

[. . . ] Concentrating on the most important detail in the scene, focus the lens by rotating its front ring until the colour fringes disappear (paragraph 73J. 5 Adjust the zoom setting, if necessary, until the scene in the viewfinder is composed as you wish it to appear on the screen. 6 Apply slight pressure to the trigger. Wait until the aperture scale in the viewfinder stops moving, then pull the trigger all the way in to shoot your scene. [. . . ] Moreover, small movements towards or away from the subject will affect the focus. Wherever practicable, therefore, mount the camera on a firm tripod or some equally rigid support when filming a macro shot. If you are filming a subject that moves slowly, you can prevent it from going out of focus by readjusting the zoom ring as soon as you begin to see colour fringes in the viewfinder. If the subject has any depth, of course, there will always be fringes around those parts which are closer and further away than the distance to which the camera is focused. Just eliminate the fringes from whatever you want the audience to concentrate on and do not worry about their appearance elsewhere in the scene. For example, in the shot of a bee gathering honey it is the bee you want in focus, not the petals. Find some vertical detail in the bee and eliminate the fringes from that. (Now and again, you may come across a subject which has no vertical details sufficiently sharp-edged to give a clear image of the coloured fringes. Pick a horizontal detail, or any other reasonably straight line, and twist the camera while focusing so that it believes it is looking at a vertical line. If you want perfect exposures from some part of the scene, and not just good average exposure for the scene as a whole, the manual exposure control can be used to over-ride the automatic control as explained in paragraph 24. But unless you are totally confident about what corrections to apply, rely on the automatic control, supplementing it - if the distribution of light and shade in the scene is abnormal - by using the contrast switch explained in paragraph 22. Hold the button in until the aperture scale runsjust beyond f/45 to the red warning, showing that the fade is complete, and then - before removing your finger from the button - release the trigger to stop the camera. When the camera is on a tripod (paragraph 31), it can be started and stopped by remote control. Remote operation - and the best because it removes any risk of shaking the camera - is to plug the special Bell & Howell remote control accessory into socket R. First, make sure that the camera ON/OFF switch is at OFF. Then pull the camera trigger fully in and, before releasing it, lock it in the running position by pressing the small black button on the left side of the pistol grip. Alternatively, press the switch and slide it down towards ON to lock it, sliding it upwards again to end the scene. The button on the grip can also be used, without the remote control accessory, to keep the trigger locked in the running position when you want to film yourself. Set the ON/OFF switch to ON, pull the trigger fully in to start the camera and then press the button. Pull and then release the trigger to end the shot. A third method of remote control is to screw a flexible cable release (obtainable from any good photo dealer) into the socket in the front of the trigger. With the ON/OFF switch at ON, the camera will run when the plunger of the cable release is pressed in. [. . . ] 35 At the start of each day's filming, and whenever you insert a new film cartridge, slide the main switch forward to the TEST position and look through the viewfinder. If the red signal below the viewfinder frame does not glow, fresh batteries are needed. 36 Before inserting a cartridge, use a soft brush To remove dust and fluff from the film compartment, paying special attention to the polished film runners a and the aperture b. Make sure that loose hairs from the brush are not left in the Any deposit of emulsion on the runners can be removed with a piece of sharpened wood. [. . . ]

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