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Detailed instructions for use are in the User's Guide.
[. . . ] Call in you local main dealer for a full demonstration now. XRL (female) MIC INPUT Use this input for low impedance balanced microphone connection. When using unbalanced signals, a wire bridge must be inserted into the incoming XLR/m connector from pin 1 to 3. [. . . ] SIGNAL LED / PEAK LED Signal (green) shows the presence of any input signal (>20dBu). Peak (red) shows an overload condition (distortion). FADER (Channel Fader) The slide potentiometer works in conjuction with the TRIM Control to adjust the gain for that input channel (mic & line inputs). They also control the output of the internal power amplifiers, when the power rouiting selector switches are set to L&R position. AUX1 SEND (Master Control) Controls the overall output level of all AUX1 signals coming from the input channels. (output via AUX1 Send mono jack socket) AUX2 SEND (Master Control) Controls the overall output level of all AUX2 signals coming from the input channels. (output via AUX2 Send mono jack socket) MONITOR FADER (Master) Controls the overall output level of all MON signals coming from the input channels. The monitor fader will also control the internal power amplifiers, when the Power Routing switches are in MON position. TAPE IN (RCA sockets L/R) Serve as inputs for Tape / CD or other signal sources with line level. (Level setting via TAPE IN control) TAPE OUT (RCA sockets L/R) Use these outputs for recording of the complete L/R mixer signal. EFF TO MASTER (L/R) Adds Signals from the digital effect unit to Master L/R mix. EFF TO MONITOR Adds Signals from the digital effect unit to the Monitor mix. stereo Return 1 Adds Signals from external effect units via the RET1 L/R sockets to the Master L/R mix. When only one of the L/R jacks sockets is in use, both inputs will have the same signal. [. . . ] DIGITAL MULTIEFFECT UNIT The built-in Digital multieffect unit features 256 different Stereo Effects. These effects are listed on the top panel printing . Channel signals are received via the AUX2-EFF controls from the individual channels. [. . . ]
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