User manual BIAMP LEGEND SERIES

[. . . ] Bird's Eye View _____________________________________________________________________________ 27 13. Processing Library __________________________________________________________________________ 27 14. Object Toolbar ______________________________________________________________________________ 28 Format Toolbar 29 iii Audia-Manual-A4 15. Format Toolbar _____________________________________________________________________________ 29 16. [. . . ] Preset configurations must first be created, then recalled through either a Software User Interface or external controls (see Controls & RS-232/Telnet). The Room Combiner dialog box allows rooms to be combined in groups, which are color-coded and numbered for identification. This can be used for real-time software control, or to generate various configurations to be stored as presets. Rooms can be grouped by manipulating partitions (using the mouse), or by selecting multiple rooms while holding Shift or Ctrl. This last approach allows non-contiguous and isolated rooms to be included in combined groups. Right-clicking on a room provides a menu of sixteen available groups. Level and mute adjustments become ganged for all rooms combined in the same group. Right-clicking over certain settings will provide a menu of additional options. Control Dialog Boxes for Room Combiner components can be minimized to create user control surfaces (see Customizing Component Objects). Equalizers Equalizers These Component Objects provide both graphic and parametric equalization, as well as feedback suppression. Equalizers may be connected between any components within the Layout, for applications which require room equalization, tone adjustment, or feedback control. Equalizers are available in pre-defined configurations, however, the configuration may be customized when being placed from the Object Toolbar. 109 Audia-Manual-A4 Once a Component Object is placed into the Layout, all available settings can be accessed by double-clicking over the object. This produces a Control Dialog Box, which displays the component controls in a more conventional user interface. see Parametric Equalizer Control Dialog see Graphic Equalizer Control Dialog see Feedback Suppressor Control Dialog Right-clicking over the object provides a pop-up menu of options. Control Dialogs Parametric Equalizer Active Band selects the current band to be adjusted. Reset All temporarily returns the gain of all floating bands to 0dB (flat). Fix Band & Fix All allow the band(s) to become manually adjustable (non-floating). Bypass Band & Bypass All disable the band(s) without changing settings. Drag Points turns on/off the band controls, revealing the resultant curve only. Band highlights the current band inside the graph. Band Utilization Count indicates the quantity of floating bands currently being employed. NOTE: Feedback Suppressors are fairly intensive in their use of DSP resources. They are limited to a maximum of sixteen bands, however, in most applications the number of actual bands used should be significantly less. Fixed bands in a Feedback Suppressor may be copied to a Parametric Equalizer. When applicable, this may be a more DSP efficient choice. Right-clicking over certain settings will provide a menu of additional options. Filters Filters These Component Objects provide High-Pass, Low-Pass, High-Shelf, Low-Shelf, & All-Pass filters. Filters may be connected between any components within the Layout, for applications which require 'roll-offs', simple tone controls, or even phase compensation. Once a Component Object is placed into the Layout, all available settings can be accessed by double-clicking over the object. This produces a Control Dialog Box, which displays the component controls in a more conventional user interface. [. . . ] 40, 43 Remote Control Bus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145, 147 Remote Control Bus Hub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 Remote Preset Button Control Dialog. . . . . . . . . . . . . . . . . . . . . . . 107 Responses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]